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Asimovs 


FEBRUARY ^□□5 

Vol. 29 No. 2 
(Whole Number 349) 

Next Issue on Sale February 1, 2005 
Cover Art by Donato Giancola 




IMovelettes 

16 The 120 Hours of Sodom Jim Grimsley 

40 Angel Kills William Sanders 

76 Polyhedrons Robert A. Metzger 

106 Oxygen Rising R. Garcia y Robertson 

Short Stories 

54 The Two Old Women Kage Baker 

68 Parachute Kid Edd Vick 

96 Dead Men on Vacation Leslie What 

Poetry 

39 Omnivores Mario Milosevic 

66 TimeFlood Mike Allen and Ian Watson 

77 Somewhere in the 

Moebius' House W. Gregory Stewart 

□er/vrtivieimts 

4 Editorial Sheila Williams 

B Reflections; Grand Masters, 

THE Sequel Robert Silverberg 

IB On the Net: Afraid of 

THE Darknet James Patrick Kelly 

136 On Books Peter Heck 

14B The SF Conventional Calendar Erwin S. Strauss 

Asknms Science Rctioa ISSN 1 065-269$. VU. 29. No. 2. Whole No. 349, Febniary 2005. GST *R1 232931 28. Published monthly except for 
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EDITORIAL 


by Sheila Williams 


O ne of the most rewarding as- 
pects of attending the annual 
World Science Fiction Conven- 
tion is the opportunity to meet 
and talk to readers of Asimov’s. In 
the past, though, it hasn’t always 
been easy to find you at the con- 
vention. Even before I became edi- 
tor of the magazine, my schedule 
was always full. There are panel 
commitments, meetings with au- 
thors at breakfast, limch, and din- 
ner, and a host of other obhgations. 
You could grab me for a quick mo- 
ment at the end of a panel, but 
generally, panelists are expected to 
exit the room and make way for 
the next discussion. Meanwhile, 
it’s off to the next panel discussion 
or meeting for me. For the last few 
American Worldcons, however, 
we’ve set up a table in the conven- 
tion’s Dealers’ Room. 

Our table has been a very excit- 
ing place. The schedule there is 
filled with authors signing maga- 
zines and books while the associate 
editor of Asimov’s, Brian Bieniows- 
ki, and Analog’s associate editor, 
Trevor Quachri, work the table 
continuously to sell subscriptions. 
At the 2004 Worldcon in Boston, 
attendees could get signatures 
finm Robert Silverberg, Walter Jon 
Williams, Nancy Kress, Esther M. 
Friesner, Allen M. Steele, Charles 
Stress, Mike Resnick, Robert Reed, 
and many others. Connie Willis 
and James Patrick Kelly actually 
signed on for extra hours (“were 
dragooned” Jim might say, but 
don’t hsten to him). In addition to 


signing autographs, they, and many 
of our other authors, enthusiastical- 
ly hawked subscriptions to Dell’s 
two science fiction magazines. 

When the lines for autographs 
were too long, it was often hard to 
find a moment to speak to sub- 
scribers. During quiet times, though, 
I had some delightful discussions 
with new and long-time readers. 
Many young people stopped by to 
say that they had only recently dis- 
covered the world of SF magazines, 
or that collections of science fiction 
magazines had been handed down 
to them by their parents. Some- 
times their parents were there 
with them, writing out checks to 
ensure that the next generation of 
Asimov’s readers lives on. A num- 
ber of readers stopped by to pur- 
chase subscriptions for their local 
hbraries, too, which I think is a ter- 
rific idea. 

I had several conversations with 
people about the content of the 
magazine. It was clear that many 
readers like adventure stories with 
happy endings, but it was also clear 
that the people I spoke to enjoy be- 
ing shocked, terrified, and sad- 
dened, too. Certainly no one was 
looking simply for the pat ending 
or for stories ^at repeat the same 
ideas over and over again. 

One particularly interesting dis- 
cussion I had was with a new sub- 
scriber who suggested that we 
have a special section on our web- 
site where we could post a reader’s 
favorite scientific site of the month. 
I thought that was a very good 


4 






SHEIIA WILLIAMS 

Editor 

BRIAN BIENIOWSKI 

Associate Editor 

GARDNER DOZOIS 

Contributing Editor 

MARY GRANT 

Editorial Assistant 

VIC10RIA GREEN 

Senior Art Director 

JUNE LEVINE 

Associate Art Director 

CAROLE DIXON 

Senior Production Manager 

ABIGAIL BROWNING 

Manager Subsidiary Rights 
and Marketing 

scon LAIS 

Contracts & Permissions 


BRUCE W. SHERBOW 

Vice President of Sales 
and Marketing 

SANDY MARLOWE 

Circulation Services 

PETER RANTER 

Publisher 

CHRISDNE BEGLEY 

Associate Publisher 

SUSAN KENDRIOSKI 

Executive Director, Art and 
Production 

JULIA McEVOY 

Manager, Advertising Sales 

ADVERTISING REPRESENTATIVE 

CONNIE GOON 
Advertising Sales Coordinator 
Tel: (212) 686-7188 
Fax: (212) 686-7414 
(Display and Oassified Advertising) 


Stories from Asbnov's have won 41 Hugos and 24 Nebula Awards, and our 
editofs have received 17 Hugo Awards for Best Erfitoc Asimov's was also 
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Please do not send os your manuaxlpt witit you’ve gotten a copy of our marwscrlpt gukteSnes. 
To ob^ this, send us a self-addressed, stamped business-size envelq)e (what st^fonery stiM^ 
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February 2005 

idea, too, and we were going to cor- 
respond further about it in email, 
but I haven’t heard from him since 
the Worldcon. So, if you are that 
loyal reader, or are just interested 
in joining this discussion, please 
send me email at asimovs@dell 
magazines.com. It’s a concept that 
needs reader support in the form of 
viable suggestions . Remember, you 
can use the same address to send 
letters for pubhcation in the maga- 
zine. As I mentioned in my last ed- 
itorial, letters can be on any sub- 
ject connected to the magazine. 
They can be controversial, but they 
must be civil, and they may be 
edited or shortened before they ap- 
pear in Asimov’s. 

Recently our parent company, 
Dell Magazines, has come up with 
another way for us to interact with 
our readers. In late May, they are 
sponsoring a science fiction cruise. 
Gardner Dozois and I will be aboard 
representing Asimou’s and Stanley 
Schmidt, the editor of Analog, our 
sister magazine, will also be there. 
Connie Willis and Jim Kelly, as 
well as Kevin J. Anderson, his wife, 
Rebecca Moesta, and Robert J. 
Sawyer, have graciously agreed to 
come along (Connie might say 
they’ve “been shanghaied,” but 
don’t Usten to her either). The ship 
will set sail from Port Canaveral, 
Florida, and will make ports of call 
around the Western Caribbean. Al- 
though all the usual cruise ameni- 
ties will be available for our read- 
ers, only the members of our group 
will be allowed to attend the sci- 
ence fiction activities. 

There will be panels, readings. 


talks, movies, and writing work- 
shops. Jim Kelly will lead an SF 
trivia contest, play the Mafia party 
game in the evening with anyone 
who’s interested, and conduct at 
least one of the workshops. Connie 
Wilhs, who is as fiinny in person as 
she is in some of her fiction, will 
give a speech on “The Art of Come- 
dy.” There will be two cocktail par- 
ties, open only to the members of 
our group, and each night, the au- 
thors and editors will join different 
tables of cruise-goers for dinner. 
Each person joining the science fic- 
tion cruise will have at least one 
opportunity to dine with an author 
or editor, and the first fifty people 
who sign up will be able to pick the 
author or editor they dine with. 
You can find out more about the 
cruise at www.sciencefiction 
cruise.com. I hope I have a chance 
to share a toast with many of you. 

In other news: I am pleased to 
congratulate two of our long-time 
columnists for awards they’ve re- 
cently received. It was quite excit- 
ing at the 2004 Worldcon to see Er- 
win S. Strauss (also known as 
“Filthy Pierre”) pick up two awards. 
Our intrepid Conventional Calen- 
dar keeper was the winner of the E. 
Everett Evans “Big Heart” Award 
and a special Noreascon 4 Commit- 
tee Award. In addition, our book re- 
viewer, Paul Di Filippo, received 
the French “Grand Prix de I’lmagi- 
naire 2005” for his short story 
“Sisyphus and the Stranger.” We’re 
very happy to see both of these con- 
tributors receive the honors they 
deserve. O 


6 


Sheila Williams 




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REFLECTIONS 


by Robert Silverberg 


GRAND MASTERS, THE SEQUEL 


L ong-term readers of this column 
with long-term memories may 
remember the following nine 
paragraphs, which were pub- 
lished here exactly foiu* years ago, 
and which I am going to reprint 
now for reasons that Fll make clear 
very shortly for those who haven’t 
already figured it out from the 
heading above: 

The Grand Master award of the 
Science Fiction Writers of America 
is one of the two highest distinc- 
tions our field confers — ^the other 
being the Guest of Honor designa- 
tion at the World Science Fiction 
Convention. These awards recog- 
nize a lifetime of significant work; 
and anyone who wants to under- 
stand the history of science fiction 
in the twentieth century need only 
look at SFWA’s list of Grand Mas- 
ters. 

It was Jerry Poumelle, when he 
was President of SFWA nearly thir- 
ty years ago, who dreamed up the 
idea of the Grand Master award. 
Since 1965 SFWA had been giving 
its Nebula trophy annually to the 
authors of the best novels and short 
fiction of the previous year; but 
Poumelle felt liiat the accomplish- 
ments of some of our greatest fig- 
ures were being slighted, because 
they had done their outstanding 
work in the years prior to the Nel> 
ula’s inception. So he proposed a 
special award — an oversized ver- 
sion of the handsome block of Lu- 
dte that is a Nebula — to be award- 
ed by vote of SFWA’s officers and 


past presidents in acknowledgment 
of the significant work those writ- 
ers had done over the long term. 
And, to avoid cheapening the value 
of the award, Poumelle stipulated 
that it should be given no more of- 
ten than six times every decade. 

Poumelle’s suggestion was ea- 
gerly accepted by ffie membership, 
and in 1975 the first Grand Master 
Nebula was given to Robert A. 
Heinlein, surely one of the defining 
figures of modem science fiction. 
Heinlein’s recent work had come 
under attack by critics who foimd 
fault with it on literary and even 
political groimds, but no one ques- 
tioned the greatness of the man 
who had written Methusaleh’s 
Children, Double Star, The Moon is 
a Harsh Mistress, and the Future 
History stories. (And, in fact, his 
career was far from over even in 
1975: he would go on to produce 
such well-received novels as Friday 
and The Cat Who Walks Through 
Walls in the years following his re- 
ceiving of the award.) 

In those da}^ nearly all the writ- 
ers who had clustered around the 
great editor John W. Campbell of 
Astounding Science Fiction to cre- 
ate the so-called “Golden Age” peri- 
od of the 1940s were still alive, and 
they were the obvious choices for 
grand-masterhood in the next few 
years. And so Jack Williamson, 
who had given us The Legion of 
Space back in the 1930s, and such 
(^Iden Age Campbell-era classics 
as the Seetee and Humanoids 
books, became the second Grand 


8 




Asimov's 


Master in 1976. Clifford D. Simak, 
of City and Way Station fame, 
joined the group the following year. 

Because the original rules, since 
amended, stipulated only six awards 
per decade, no Grand Master was 
chosen in 1978; but in 1979 anoth- 
er golden-age favorite, L. Sprague 
de Camp, he of Lest Darkness Fall 
and The Incomplete Enchanter and 
ever so much more, was honored. 
Another year was skipped, and 
then in 1980 Fritz Leiber {Conjure 
Wife, The Wanderer, Gather, Dark- 
ness!) was the pick. 

Under the rules then in effect no 
further award could be given imtil 
1984, when Andre Norton became 
the first female Grand Master (a 
designation that created certain 
grammatical problems that have 
never been adequately resolved) 
and also the first who had not been 
associated with the Campbell edi- 
torship. 

You may be wondering, at this 
point, why the name of Isaac Asi- 
mov has not yet been included in 
the list. As it happened, Isaac was 
wondering the same thing, since 
he, too, had been a key member of 
the John Campbell team, and by 


the 1980s the name of “Asimov” 
was virtuafiy synonymous with sci- 
ence fiction, as the very magazine 
you are reading now will testify. 
And so, in his goodnaturedly self- 
promoting way, Isaac was given to 
observing, far and wide, that a 
certain conspicuous figure of the 
era had not yet been given his due. 
He said it playfully, of course, and 
made it clear that he was just jok- 
ing — ^but in fact there was no small 
degree of seriousness beneath his 
clowning. He privately suspected 
that he was not going to five many 
more years, and he wanted to win 
that award before he died. 

It is quite true that one of the 
considerations involved in nomi- 
nating people for the award is an 
actuarial one. Even great writers 
don’t live forever, and we have al- 
ways tried to honor oim oldest ones 
first. Heinlein and De Camp had 
been bom in 1907, Williamson in 
1908, Leiber in 1910, Norton in 
1912, Simak all the way back in 
1904. Isaac — ^bom in 1920 — ^was a 
veritable youth by comparison. No 
one was aware in the 1980s of how 
quickly Isaac’s health was weaken- 
ing, though. So, despite his other- 



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Reflections: Grand Masters, the Sequel 


9 


February 2005 

wise quite valid claim and all his 
yelps, he simply had to sit by and 
wait, even while his great friend 
and rival, Arthur C. Clarke (bom 
1917) carried off the 1986 trophy. 

But of course a group of (Jrand 
Masters of Science Fiction that did 
not include Isaac Asimov was plain- 
ly incomplete; and his torment 
came to an end in 1987 at a ceremo- 
ny in New York. I went up to him af- 
terward to congratulate him as he 
stood there cradling the trophy in 
his arms; and as I put out my hand 
he feigned a look of great alarm, as 
though I were trying to take it away 
from him, and cried, “You can’t have 
it! You can’t have it! You have to 
wait another fifteen years!” 

Well, lo and behold, etc., the fif- 
teen years predicted by Isaac went 
by, and two extra by way of lagni- 
appe, as they say in New Orleans, 
and then in the spring of 2004 the 
Science Fiction Writers of America 
named its latest Grand Master, 
and indeed the award went to the 
writer of these very words. 

I thus become the twenty-first of 
the Grand Masters, and although I 
am not the youngest to have been 
chosen (not only Isaac Asimov but 
also Heinlein and Williamson were 
younger at the time of winning than 
I am now), I am the first of the win- 
ners who was bom in the 1930s, a 
significant generational shift. An 
award whose winners were, in the 
beginning, exclusively drawn from 
that gifted crew who created the 
John W. Campbell Golden Age of 
science fiction in the 1940s (Hein- 
lein, Williamson, Simak, de Camp, 
Leiber), has begim to pass to the in- 
novative figures that built on the 
achievements of those titans to cre- 
ate the SF of our own day. 

Since the mles of the award stip- 


ulate that it can be given only to 
living writers, the pool of eligible 
Golden Age authors eventually 
was used up, as Lester del Rey, Al- 
fred Bester, A.E. van Vogt, and Hal 
Clement joined the ones I’ve men- 
tioned alwve. (Theodore Sturgeon 
and L. Ron Hubbard, two other 
conspicuous figures of the Camp- 
bell era, did not five long enough to 
be named.) Then came a group of 
writers who established their 
cl aims to the Grand Master trophy 
in the period immediately following 
World War H: Ray Bradbmy, Arthur 
C. Clarke, Jack Vance, Philip Jos6 
Farmer, Damon Knight, Frederik 
Pohl, and Poul Anderson. More re- 
cently, two writers who came to 
prominence a little later than that 
group joined the roster: Brian Ald- 
iss and Ursula Le Guin, both of 
them a few years older than I am. 
And now it is my turn. Though my 
own writing career goes back to the 
middle of the 1950s, I didn’t hit my 
full stride as a writer until 1966 or 
so, which makes me part of the 
Aldiss-Le Guin group rather than 
of the Knight-Farmer-Anderson- 
Pohl contingent. And within the 
next few years we will see winners 
drawn from the imposing pool of 
writers who entered the field in the 
last thirty years, as the great gen- 
erational wheel keeps turning. 

And how do you feel, Mr. Silver- 
berg, about winning this majestic 
awards 

On the most obvious level, I feel 
terrific about it. I regard it as con- 
firming that I did actually succeed 
in what I set out to do many decades 
ago: to write science fiction that 
would be as important to other 
readers as the science fiction of the 
writers Fve listed above was to me 
in my own formative years. Since 
I’ve put in half a century of hard 


10 


Robert Silverberg 


Asimov's 


work at that goal, Fm not going 
even to make a pretense of modesty 
here: I think that much of what I 
wrote over those decades was pretty 
damned good, and the fact that Fve 
now received the Grand Master 
award indicates that Fm not the 
only one who feels that way. 

But — ^but — there is this genera- 
tional issue — 

The eerie thing for me, because I 
am the first Grand Master who was 
bom in the 1930s, is that I find my- 
self swept up into a pantheon popu- 
lated almost entirely by writers 
whose work I read with awe and 
reverence when I was twelve and 
thirteen and fifteen years old. Fm 
talking primarily about Heinlein 
and Asimov and van Vogt, about 
Vance and Leiber and Anderson, 
about de Camp and Bradbury and 
Clarke and Williamson, about — 
well, just about the whole bunch of 


them, other than Aldiss and Le 
Guin. (Fine writers that those two 
are, they began their writing ca- 
reers after I had already become an 
adult, and I can’t look upon them in 
quite the same way as I do the idols 
of my childhood and adolescence.) 

My shiny new trophy tells me 
that I am now regarded as the peer 
of all those people. But somewhere 
within me is what remains of my 
inner adolescent self, who warns 
me to walk humbly among them, 
making the proper gestures of re- 
spect, and remembering to speak 
softly and say “Yes, sir” when spo- 
ken to. There’s something to that. A 
Grand Master I may indeed be, 
now, but in the company of Robert 
A. Heinlein and Jack Williamson 
and L. Sprague de Camp and Fred- 
erik Pohl and CHfibrd D. Simak Fm 
always going to feel like the new 
kid on the block. O 


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1 1 


Reflections: Grand Masters, the Sequel 



James Patrick Kelly 


On [he Ket 


AFRAID OFTHEDARKNET 


morals 

S ay yo\ir kid sister drops by for a 
visit. She lives on the Left Coast 
and has driven clear across the 
country to your place on the 
Right Coast. To keep herself from 
f alling asleep on the tedious stretch- 
es of 1-80, she has brought along 
some of her CD collection. Natural- 
ly, you’re interested in what she’s 
listening to these days and, as you 
idly flip the pages of her CD binder, 
you notice that she owns Herbie 
Hancock’s <http:/ / www.herbie 
ha.ncock.com> classic Head Hunters. 
You yoiirself bought that album on 
vinyl back in ’74, but your ex-girl- 
friend sat on it during a wild Hal- 
loween party in ’81. You have a CD 
burner on yoiu" computer, and yoiu” 
sister is amenable, so you make 
yourself a copy. 

Is that wrong? What if it actually 
was yoiu* girlfriend’s record? What if 
you never owned the album your- 
self but you’ve just recently discov- 
ered Herbie’s ftink years? 

Say you bought a membership to 
Con Jose <http: / / www.fanac. 
org I conjose>, the 2002 World Sci- 
ence Fiction Convention <http:/ / 
www.worldcon.org> and you want- 
ed to cast an informed vote for the 
Hugo Award <http:/ /worldcon. 
org / hugos.html>, so of course you 
read Ted Chiang’s <http:/ /www. 
fantasticmetropolis.com / show.html 
?iw,chiang,l> memorable Hell Is 


the Absence of God <http: / / 
www.fictionwise.com / ebooks ! Ebook 
4145.htm>. But you couldn’t man- 
age to roimd up a copy of Starlight 
3 <http: I / nielsenhayden.com / 
starlights. html>, where it originally 
appeared. Not to worry; that sum- 
mer you learned that Mctionwise 
<http:/ / www.fictionwise.com> was 
running a promotion that allowed 
you to download Ted’s story free for 
a limited time. You did and you 
loved it so much that you voted for 
it and — hallelujah! — it won. As a 
matter of fact, you were so im- 
pressed that you went out and 
bought a copy of Ted’s collection. 
Stories of Your Life and Others 
<http: II www.infinityplus.co.uk ! non 
fiction I storiesofyour.htm>. 

Now back to your sister, whose 
Herbie Hancock album you just 
copied. She has never read any of 
Ted’s stuff and naturally you’d like 
to educate her about the cutting 
edge of SF and so you offer to lend 
her your book. She declines because 
she remembers how snippy you got 
when she misplaced your auto- 
graphed first edition copy of Fire 
Watch by Connie Willis <http: 
/ ! www.scifan.com ! writers ! ww ! 
WillisConnie.asp> which would be 
worth well north of two hundred 
dollars if either of you could put 
your hands on it. Anyway, you tell 
her that at the very least she can 
download the free Fictionwise file 
of “Hell Is the Absence of God” onto 


12 





Asimov's 


her Palm Tungsten. Except the 
promotion is long since over and 
now Fiction wise is charging $1.25 
for the story. 

Is that wrong? What if you lend 
her your own Palm Tungsten to 
read it on? Or if you Xeroxed the 
story from your own personal copy 
of the book and gave it to her? 

Just for the record, I don’t have a 
sister. 


DRM 

Some people think that the an- 
swer to all of these questions is 
Digital Rights Management or 
DRM <http:/ 1 en.wikipedia.org I 
wiki / Digital _rightsjnaTiageTnent>. 
Basically DRM seeks to use a tech- 
nological stick — ^hardware or soft- 
ware — to enforce copyright. It’s 
DRM that prevents you from mak- 
ing backup copies of your collection 
of special extended Lord of the 
Rings <http:l / www.lordofthe 
rings. net> DVDs. But what is con- 
venient for Peter Jackson <http: 
/ / www.lordoftherings.net ! film / film 
makers I fi _pjack.html> can be 
damned inconvenient for you. So be 
sure to wash your hands before you 
pick up that fragile optical disc! 

In 1998 Congress passed the 
controversial Digital Millennium 
Copyright Act or DMCA <http: 
/ / www.copyright.gov / legislation / 
dmca.pdf>. The intent of this law 
is to provide new protection for 
content creators in the face of tech- 
nologies that are eroding copy- 
right. Content creators? You know, 
the folk formerly known as artists, 
like Steven Spielberg <http: 
/ / www.scruffles.net / spielberg> and 
Outkast <http:/ / www.outkast. 
com> and me <www.jimkelly.net>. 
Among other things, ^e law makes 


it illegal to disable DRM encryption: 
The DMCA mandates, “No person 
shall manufacture, import, offer to 
the public, provide, or otherwise 
traffic in any technology, product, 
service, device, component, or part 
thereof, that is primarily designed 
or produced for the purpose of cir- 
cumventing a technological mea- 
sure that effectively controls access 
to a work protected under this title.” 
If you think about it, this is like 
passing a law against using your 
VCR to tape that episode of Star 
Trek Enterprise <http:/ /www. 
startrek.com ! startrek / view! series 
/ ENTI index.html> you’re going to 
miss while you’re away on vacation. 
Worse, it makes a criminal of any- 
one who even dares to create the 
digital equivalent of a VCR, even if 
it is never used to copy anything. 

In case you’re wondering, DRM 
has long since arrived in ebook pub- 
lishing. All the major ebook readers 
have formats that use encryption to 
prevent copying. All the commercial 
ebook publishers have recourse to 
these secure formats, at least for 
some titles. So hack William Gib- 
son <http: / / WWW. williamgibson 
books.com> at your peril! 

You may rec^l in the last install- 
ment I called your attention to a 
talk about ebooks given by our own 
Cory Doctorow <http:l / www. 
craphound.com>, a frequent con- 
tributor to these pages. Cory’s day 
job is with the Electronic Free- 
dom Foundation <http:/ /www. 
eff.org>, the watchdog organization 
that advocates on behalf of fiee ex- 
pression in the digital age. As an 
EFF spokesperson, Cory has been a 
critic of DRMthink for some time 
now. Weigh his reasoning by click- 
ing over to a speech <http: / / www. 
dashes.com /anil / stuff / doctorow - 
drm-ms.html> he gave to the Micro- 


On the Net: Afraid of the Darknet 


13 


February 2005 

soft Research Group last June. He 
makes several arguments, i.e.: that 
DRM systems don’t work; they’re 
bad for society, they’re bad for busi- 
ness; and they’re bad for artists. 

Now since I happen to be an artist 
. . . er . . . content creator, this last 
point compels my attention. Are 
DRM schemes hmting my career? I 
suppose the answer depends on how 
one defines a career. Is my career 
the business model though which I 
earn the princely sums (not!) that I 
am paid to commit prose in public? 
Is my career the collection of aU the 
sentences I have ever typed that 
have gone on to be published, either 
in ink or in digits, even if they are 
now out of print? Is it the size of my 
readership, even if many of you 
have just stumbled across my stuff 
here in the pages oi Asimov’s^ Or is 
it my reputation among readers 
who remember my work and would 
look for more Kelly stories if they 
weren’t too hard to acquire? 

The way I see it, readers and rep 
are what really matter to a writer. 
Dollars should follow from a satis- 
fied readership, although exactly 
how this happens in these times of 
technologic^ and economic innova- 
tion is not immediately apparent, 
alas. I do believe that the net has 
irretrievably compromised twenti- 
eth-century notions of intellectual 
property and that no amount of 
DRM shenanigans is going to turn 
back the copyright clock. Or as Coiy 
puts it: “Technology that disrupts 
copyright does so b^use it simpli- 
fies and cheapens creation, repro- 
duction and distribution. The exist- 
ing cop 3 rright businesses exploit 
inefficiencies in the old production, 
reproduction and distribution sys- 
tem, and theyll be weakened by the 
new technology. But new technolo- 
gy always gives us more art with a 


wider reach: that’s what tech is 
for.” 


darknet 

But you don’t just have to take 
the word of a couple of tech-struck 
science fiction guys that DRM is 
doomed and copyright must be re- 
formed. In 2002 four computer sci- 
entists working for Microsoft 
<http:/ / www.microsoft.com>, Pe- 
ter Biddle, Paul England, Marcus 
Peinado, and Bryan Willman, pub- 
lished a research paper entitled 
‘^The Darknet and the Future 
of Content Distribution” <http: 
/ / msll.mit.edu / ESDlO/docs Idark 
net5.pdf>. What they call the dark- 
net is the entire “collection of net- 
works and technologies used to 
share digital content.” That is to 
say, if you nip over to the Usenet’s 
alt.binaries.ebook newsgroup, you 
are in the heart of the darknet. 
And despite the settlement of the 
lawsuit <http:/ I www. authors 
lawyer.com/c-ellison.shtml> be- 
tween Harlan Ellison <http: / / 
harlanellison.com> and AOL 
<http:/ / www.aol.com>, access to 
copyright-busting newsgroups and 
websites is still quick and easy. But 
the darknet extends beyond file- 
sharing on the World Wide Web. If 
you and your h 3 q)othetical sister 
exchange Herbie Hancock and Ted 
Chiang files, you are also part of 
the darknet. And if you subscribe 
to Consumer Reports Online 
<http:/ / www.consumerreports.org> 
and then share your password 
with your mom so that she can 
check out the best new laptops, you 
have both gone over to the dar^et. 

While this paper can be some- 
times thick going for the lay surfer, 
it is well worth the effort, if only so 


14 


James Patrick Kelly 


Asimov's 


that you can understand why these 
particular Microsofties are so pes- 
simistic that anything can be done 
to halt the spread of the darknet. 
(Note that this paper presents the 
opinions of the four authors only, 
and is not the official position of 
Microsoft.) In the last section of the 
paper they consider the challenges 
of doing business in the very near 
future: . in many markets, the 

darknet will be a competitor to le- 
gal commerce. From the point of 
view of economic theory, this has 
profound implications for business 
strategy: for example, increased se- 
curity (e.g., stronger DRM sys- 
tems) may act as a disincentive to 
legal commerce. Consider an MP3 
file sold on a web site: this costs 
money, but the purchased object is 
as useful as a version acquired 
from the darknet. However, a se- 
curely DRM-wrapped song is 
strictly less attractive: although 
the industry is striving for flexible 
licensing rules, customers will be 
restricted in their actions if the 
system is to provide meaningful se- 
curity. This means that a vendor 
will probably make more money by 
selling unprotected objects than 
protected objects. In short, if you 
are competing with the darknet, 
you must compete on the darknet’s 
own terms: that is convenience and 
low cost rather than additional se- 
cmity. 


exit 

So what happens to copyright if 
DRM fails? Don’t ask me! Better 
minds than mine have yet to map 
out a future that is acceptable to 
artists, consumers, and business 
interests. However, I can point to 
one route to the futiu'e of publish- 


ing that I have chosen for at least 
part of the Kelly oeuvre. 

The Creative Commons <http: 
/ ! creativecommons.org> move- 
ment offers a way for artists to 
make their works freely available 
to the world without giving up 
ownership. It seeks a middle path 
between full cop3night — all rights 
reserved — and the public domain. 
The files you can download from my 
site — stories, MP3 files of audio- 
books, and the archive of this col- 
umn, for example — are offered for 
the free use of anyone imder one of 
the many Creative Commons Li- 
censes. My license imposes just 
three conditions: you must credit 
me as author, you must not use the 
works for commercial purposes, 
and you must not alter, transform, 
or build upon the works. 

If you’re curious about the quality 
of Creative Commons works, here 
are just a few websites to check 
out. Common Content <http:/ / 
www.commoncontent.org> should 
probably be your first stop; it’s a 
general catalog of works licensed 
under Creative Commons. Open- 
photomet <http:/ 1 openphoto.net> 
features himdreds of stock photos, 
while MIT OpenCourseWare 
<http: / / ocw. mit.edu / index.html> 
offers seven himdred coiurses from 
thirty-three academic disciplines 
and all five of MIT’s schools. The 
Prelinger Archives <http:/ Iwww. 
prelinger.com> is a collection of 
“ephemeral” (advertising, education- 
al, industrial, and amateur) films. 

I certainly haven’t offered every- 
thing I’ve written under the Cre- 
ative Commons hcense and I’m not 
advocating this path for everyone. 
But I sleep better at night knowing 
that anyone, anywhere who wants 
to can read me. 

Who’s afraid of the darknet? O 


On the Net; Afraid of the Darknet 


15 


THE 

lED HOURS 
OF SODOM 


Jim Grimsley 


Jim Grimsley is currently at work on a novel that's a 
sequel to his story "Into Greenwood" (September 
2001), and another novel thafs mainstream. In his 
remarkable new tale, the author borrows from the 
motifs of the Marquis de Sade to explore the kinds 
of tedium a person may face when he can live for at 
least two or three hundred years. 

A word of warning: There are scenes in this story that may be disturbing to some. 

Figg and Sade met each other over drinks in a trendy place on top of 
Marmigon, at a table in the lushest part of the garden, a riot of blossom 
and verdant fohage. The restaurant had a sarsa flower with its own bloom 
slave as the centerpiece of the garden, which was in turn the central fix- 
ture of the restaurant’s main dining room. Figg foimd himself watching 
the bloom slave, a pretty girl of sixteen or so, throughout the course of the 
dinner. She curled like a lotus at the foot of the flower, stroking its lower 
leaves now and then. The Prudent Greenhouse served many cuisines, a 
menu of choices that changed, famously, each evening. The restaiirant was 
rumored to employ nearly a thousand chefs. Tonight’s theme was Post- 
Transit Mandarin cuisine, another example, Figg thought, of the essential 
sterility of Hormling culture, borrowing from the deep past. 

This sense of anachronism was perfect for a dinner with Sade, who had 
recently renamed himself after a figure of pre-Transit history, a famous 
marquis of a portion of Old Earth called France. He explained this to Figg 
over a martini the color of a blue sky in a summer evening, a rich aqua, 
almost a turquoise, but deeper and darker, swirled with violet. “A marqms 
was a rank something like Orminy,” said Sade. “This one was notable for 
his vices and his need to write about them.” 

“I know who he is. Why can’t you fix your star on a more recent exam- 
ple of decadence?” Figg petted the spider on his own head, named Pene- 


16 



Asimov's 


lope, who preened and spread herself toward his hand, purring like a cat. 
“Or have you run through all those? And you’re clear back to ei^teenth 
century France?” 

“So I take it you must know something about his story.” Sade was pow- 
dering himself with some sort of pleasm^inducing chemical; something 
called karma and another called flush were all the rage at the time. 

Figg watched with a trace of hunger and continue to coddle Penelope. 
“Yes.” 

“That expensive brain of yours,” Sade said, pinching a bit more powder 
flnm another container and smearing it onto the back of his hand. “Cross 
referenced with every sort of nonsense.” 

“Have you any acquaintance with his writings?” Figg asked dryly. “He 
is your namesake. He’s thoroughly unpleasant.” 

“You know I haven’t studied pre-Transit writers. You know I haven’t 
studied writers at all. But Fm sure you have.” 

“Not personally. But Fve got a good database of pre-read books; I know 
a good bit about him. Novels like Justine. And the famously lost 120 Days 
of Sodom.” 

“Lost?” 

“Yes. The manuscript was lost for several decades. This place France 
was having a revolution and Sade was in prison, where he wrote the 
book. He lost the manuscript while being moved from one prison to an- 
other. No great loss if it had never been found at all, according to most 
people.” 

Sade ogled the bloom slave, bound to the sarsa plant by long, white ten- 
drils. The plant had been eating her for months. !^gg liked the restaimant 
but feared it was becoming outr4, the result of a fame mostly due to the 
fragile beauty of the sarsa slave, whose name was Purity. She was re- 
cumbent now on a bed of moss that looked as if it had been combed; she 
had blonde hair and cocoa skin, her long, bony limbs folded beneath her 
as she rested. Information about Purity was readily available on the Pru- 
dent Greenhouse menu, a thin, almost transparent tablet which Figg 
read with some amusement. Purity had traveled here from the Breeder 
Planet, as had the sarsa-flower. The Breeders had created the symbiosis 
in the first place; the sarsa fed on its human slave in such a way that it 
numbed the slave to any idea of any other life. Purity had, at some point, 
for some reason, contracted away her freedom to berome plant food. Her 
sad story as an orphan on the most inhospitable of Hormling worlds was 
another commodity offered in the menu, and one could wholly believe in 
her sadness since here she was, draped with roots, or something much 
like roots, slowly digesting her. 

“We have to do something for your birthday,” said Sade. “And I want 
people to pay attention to my new name.” 

“No, we don’t have to do something for my birthday,” said Figg. “We’d all 
be doing me a favor by ignoring it.” 

“But Fve never had a fiiend who lived to be three htmdred.” Sade was 
making a perfect pout of his lower lip, a mockery of naive innocence. 
“Please, for me. Fve so wanted to give a party for the longest time, and 
3 rou’re the only significant anniversary I know.” 


The 1 20 Hours of Sodom 


17 


February 2005 

Sade evidenced something of a distaste for Figg’s spider, particularly 
when she ran so nimbly out of Figg’s hairdo, down his neck and arm to 
eat from the tray of live insects he had ordered for her. Sade stared at 
Penelope as if afraid she might jump. The spider’s body spanned about 
the size of Figg’s hand, partly organic and partly mechanical, effectively 
immortal, since none of its cellular or regulatory functions were particu- 
larly difficult to duplicate. Immortality for lower order life forms had 
proven relatively easy for Hormling me^cology. Penelope the spider was 
a family heirloom, one of the older arachnoborgs in existence, nearly nine 
himdred years, an age of which Figg, with all his money and all his con- 
nections, could only dream. 

“You need a pet,” Figg said. “Something to keep you busy, other than 
yoiu' social life, I mean. You need something that depends on you.” 

“Like that?” Sade indicated Penelope, whose back was currently cov- 
ered with emerald green fur the exact shade of Figg’s processor vest. 
Penelope was stooped over her prey in an orgy of consumption, her tho- 
rax shivering with delight, mouth ^ed on some kind of tropical beetle. 

“Don’t be rude to my spider, please.” 

“I don’t need a pet that lives in my hair.” 

“In my scalp, artually. She buries her legs in my scalp. All eight.” 

Sade, the famously perverse child of strange pleasures, trembled with 
disgust, a move that appeared much like Penelope’s ecstasies of suck. 

Figg explained further. “I have a set of low-grade pleasure sockets the 
shape of the ends of her legs embedded in my scalp. Her legs are some 
kind of light metal, with these hairy sort of tendrils at the end. She in- 
serts them into my skull and I get a constant rush of pleasure.” 

“She stabs you with those needles at the end of her legs? Those?” 

“She doesn’t stab me. She has transportable sockets on the tips for 
when she wants to sit on my arm or my shoulder.” 

“It comes to the same thing. You have a huge spider riding you and you 
think that’s what I need, as a au^ for my essential boredom.” 

“I wouldn’t have gone so far as to accuse you of essential boredom.” 

“I assure you that I am mdeed filled with ennui.” Sade sighed. “But I 
have an idea for your party.” 

“Plans for which I persist in wishing you would abandon altogether.” 

“But I won’t, and you know it. In fact, you like to protest about your 
party, but you’d be heartbroken if I stopped working on it.” 

Figg felt sincerely that this was far from the case, while at the same 
time he realized that only a complete ruptime with Sade would stop the 
party from happening. Sade, vmder his former name, had given occasion- 
al parties that were famous throughout Marmigon, and Marmigon was 
the most important power center of Senal; if Sade felt the need to give a 
party, it might be dangerous to thwart him. 

“Besides, I have an idea for the most marvelous centerpiece. Something 
truly new.” 

“There is nothing truly new.” 

“WeU, then, with aU the appearances and appurtenances of new. Some- 
thing virtually new.” 

Penelope, sated with bug for the moment, pricked her legs into Figg’s 

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February 2005 

forearm and climg there. Her legs were indeed fitted with sockets that in- 
serted themselves into any part of his skin on which the spider nested. 
He felt the undercurrent of happiness and pleasure from her touch on his 
arm as a servant wiped off the tiny beads of blood with a handkerchief. 
Figg adjusted the sensation of Penelope to a more conversational level. 
He watched Sade for signs of further dkcomfort and asked, finally, “What 
are you planning? You might as well tell me.” 

“My proxies have a lead on a licensed suicide.” 

“How licensed?” 

“Fully. Any death, any where, no conditions.” 

“Who?” 

Sade smiled. “Does it matter? From what I hear, she’s exquisite.” 

“She?” 

“Yes.” He sighed. “I know you’d prefer a boy but I couldn’t find one, not 
licensed like this one.” 

Figg was watching Purity again. She was wrapped around a stedk of 
the sarsa flower, its lower leaves draped lovingly over her dark skin. Pu- 
rity was eating well herself but still losing weight. She might last as long 
as another year, maybe, before she died, before the flower drew her com- 
pletely into its basal leaves in order to finish digesting her. Purity, or who- 
ever she had been, had willed this onto herself probably for one of the 
eternal reasons for such a sacrifice, to rescue her family from poverty, be- 
cause of a fetish, or out of sheer depression and self-destructiveness. The 
spectacle of public death fascinated Figg. As Sade knew. 

The conversation continued as they discussed guests for the party and 
Figg watched Purity. Penelope dug into Figg’s arm and drew blood that 
his servants wiped away wi^ towels. Figg never bled to excess, only for 
show. At such moments he recalled that the spider was eating him, too. 
After a while Penelope grew tired of the game, or lost her appetite, and 
retreated to her permanent nodes in Figg’s scalp. Sade and Figg contin- 
ued to plan the birthday party. The girl with the license to kill herself 
would ^1 or be killed at the end of the party, in front of the guests. Even 
though public suicide was becoming more common, no one had yet used it 
as a theme for a private party. When news of this got around, Sade would 
score a society first for Marmigon, and he knew it and looked very 
pleased with himself. 

The fiill and complete elaboration of a civilization requires that all its 
impulses, from darkest to hghtest, be expressed in some fashion. But in 
the case of extreme impulses, such as those Sade ei^joyed, the pleasiuros 
must necessarily be shared only by a few. This was not an option but 
rather a requirement. Such was Sade’s nature, for instance, that, should 
many people have become like him, he would have been forced to become 
like someone else, even more extreme. He could not stand among the 
commonality. Much like his namesake, Figg thought. 

The girl had given her name as Cherry Ann on the legal documents, 
which Figg obtained for review with his own fleet of barristers. Whatever 
quahns he had about the kind of party Sade was planning, he was aware 
of the danger of exposing himself on the legal front. His family agents 


20 


Jim Grimsiey 


Asimov's 


traced Cherry’s registered identity back to its origin, the child of a third- 
tier plm-al marriage, the members of which likely wanted to get rid of her; 
she had grown up in the Reeks of B4yoton, She was selling her death, not 
herself; there was no thought of indenture. Her right to die at a time of 
her own choosing was a long-standing legal principle. Her right to profit 
fix)m the sale of her death she had establish^ herself, with the help of a 
barrister firm of which Figg had never heard. 

Figg felt apprehensive after his lawyers confirmed that the transaction 
was entirely in order, as if he feared he should force Sade to call off the 
party anyway, but in the end he decided to do nothing. Due to the fame of 
Figg’s family and Sade’s own notoriety, word of the birthday spread. “Figg 
Tims Three Hundred, Who Could TeU?” “Sade Fetes Figg With Cherry Of 
Death.” Headlines in the tabloids, photographs and holographs in all the 
cheapest and sleaziest panes. 

While plans for the party unfolded, Figg ate a number of meals at the 
Prudent Greenhouse, watching Purity diminish amidst the flash of pho- 
to-mites and mini-cams. The news of the suicide birthday party and 
Figg’s attendance at the Prudent Greenhouse focused even more atten- 
tion on the restaurant, and Purit/s slow starvation was a foretaste of 
Cherry’s end. Along with Figg and Sade, other celebrities flocked to eat at 
the Greenhouse, some of them hoping to score an invitation to the par- 
ty — stars like Rudy Roloway and Luscious Pnde, superstar cinema actors 
freshly married for the third time. Figg enjoyed the commotion they 
caused, rushing into the restaurant amidst the swirl of fly-cams and spy- 
cams, glee-cams and try-cams. 

Figg’s birthday was the fifteenth of Ardent, and on a full moon, as it 
happened. He met Cherry, at his own insistence, near the first of the 
month, with time to spare to call the whole thing off. 

She sat in his dark-sapphire-blue room slumped in a chair with a head- 
set feeding something, probably music, into her skull. Headsets were for 
people who could not afford or endure a full biological link to the Horm- 
ling data mass, commonly ceilled the Surround; this link shaped so much 
of the life of Senal. She touched the hardware defiantly once she saw him 
and removed it, her lips set into a hostile sneer. Figg thanked her for com- 
ing and offered her a coffee, or a drink, or a narcotic. She asked for a glass 
of water. He served it to her with his own hand. 

“Thank you for coming.” 

“Skip it.” She looked aroimd with a grudging edge of respect. “You have 
a lot of room here.” 

“You know who I am?” 

She nodded, refusing to look at him. She was wearing a lot of cheap 
makeup, but she had t^en care in applying it. The effect was pleasant 
but too vivid, especially the impossibly huge eyelashes which were the 
fashion for both boys and girls at the time. Her clothes were of a pretty 
good quality, probably new. She had an agent taking c£ire of her imtil the 
party, one who had obviously done some work on her appearance. 

“Fd like you to be a bit more responsive,” Figg said. 

She glared at him. “Sure. Fine. You’re the guy who’s having the party.” 

“Fm the one having the birthday.” 


The 1 20 Hours of Sodom 


21 


February 2005 

“That’s what I said.” Now she glared at the floor and shoved her fists 
into the vest she was wearing, an imitation of a processor vest, bronze 
and black. 

“Do you have any idea why I want to talk to you?” 

She shrugged. “Who knows? Maybe you’re rehgious.” 

“Not particularly. I have been, in my time, but at the moment, no.” 

She shrugged again, her thin brown arms rising and falling. 

“I want to know why you want to do this,” Figg said. 

She was staring at the floor more fixedly now, and her shoulders had 
set into a stubborn line of tension. “Maybe Fm religious.” 

“Are you?” 

Her two knees came together in a point. Some other expression was try- 
ing to break through her sullen veneer. She looked hopelessly young. 
“Sure. And maybe I want to go in a big way. You know? This is my chance.” 

“Excuse me?” 

She looked him in the eye, something defiant and hard at the center of 
her gaze. Her soft, high-pitched voice grew steely. “What does it matter to 
you? Fm legal. I convinced a judge to give me the papers. What does it 
matter to you anyway, as long as you have your party?” 

Up till then Penelope had been qmetly sleeping, but now she awakened 
and rose out of Figg’s hair. Cherry shrieked and drew back in her chair, 
stood up from it and retreated a few steps. 

“It’s ^1 right,” Figg said. “This is my pet.” 

She was trembling and refiised to come closer, watching Penelope creep 
on delicate legs down Figg’s chest. “You let it walk on you.” 

“Her. She. Penelope is a female spider. She’s mostly machine and she’s 
very old. She’s my pet and my bodyguard.” 

“What do you ne^ a bodyguard for? I won’t hurt you.” 

“I always keep Penelope with me. Fm sorry she startled you.” 

“She won’t crawl on me, will she?” 

“No. I won’t let her.” \\^ich was true, as long as Figg kept control of 
Penelope and Cherry presented no threat. Figg found himself flushed, al- 
most excited, at Cherry’s fear. He sat there, breathing deeply. “Fm legally 
obliged to make sure you’re agreeing to do this of your own accord.” 

“To kill m3rself, you mean.” 

“Yes.” 

She sat in the chair again. His words apparently angered her a bit, and 
she rubbed her arms with her hands impatiently. “So. Okay, sure, it’s vol- 
imtaiy. I know what Fm doing.” 

“Fm very serious. Cherry Ann, or whatever your name is. If you don’t 
convince me you sincerely want this, I won’t go through with it.” 

Her jaw took on that stubborn, set look that Figg remembered well 
from the early years of his own daughters, a very long time ago, a very old 
memory. But there was a bleakness in Cherry, an emptiness. She said, “I 
don’t actually have to convince you of anything. You’re not really the cus- 
tomer, are you?” 

“Sade won’t have the party if I insist he cancel it.” Figg attempted to 
put this across in a convincing way and hoped the girl had not met Sade. 
“Tell me why you want to die.” 


22 


Jim Grimsley 


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February 2005 

She sharpened her eyes on Figg and stared. Even he began to feel \m- 
comfortable. Drawing in the short, impatient breath of an adolescent irri- 
tated with an elder, she slumped in the chair, resigning herself “I’m a 
third child of an illegal. I have negative status, my whole family does. But 
I have a brother. I can sell my death for my brother and buy him status 
and he can have a start.” She spoke fiercely and intensely. 

“So you are rehgious,” Figg said. Now that he knew her story, he was at- 
tempting to harden his heart toward her, and largely succeeding. “The 
way of sacrifice. Brief hfe. All that.” 

“Fm not a Quick Flame person.” 

“You soimd like one.” 

“I feel extra,” she said, and Figg heard a true piece of sadness in her 
voice. Immediately she grew cold again. “I don’t want to explain this to 
you. I already talked to the doctor, and to more doctors, till Fm sick of it. A 
person has a right to make this choice. It’s the law.” 

Figg studied her a long, still moment. He felt himself staring at the 
young, moist glow of her skin. “You’ve signed some papers that entitle 
Sade to give you a very imcomfortable death.” 

“Yes. So?” 

“Why?” 

She flushed, and spoke into her cupped palms. She had drawn her body 
into a knot in the chair, knees under her chin, arms aroimd her knees. 
“Like I said, I want to go in a big way.” 

“So you want this to make you famous.” 

“You wouldn’t understand,” she said. “You’ve been famous all your hfe.” 

“Weh,” Figg said, “not quite.” 

“You’re from a famous family. Your mother was some kind of famous 
something.” 

“Yes,” he said, as dryly as possible. “Indeed she was. And my father was- 
n’t bad in that department, either.” 

“Why shouldn’t I go out like Fm somebody?” she asked, and Figg was 
pretty sure she was talking to someone other than him, somebody not 
present except in her mind. “Why shouldn’t I, since I have the chance?” 

He raised his arm and let Penelope scamper toward his head. Rising 
out of the chair, he wished for a drink, and pretty soon a servant brought 
one, along with more water for the girl. One of the Hildas carrying drinks 
on a silver tray. The girl gaped like she had never seen a Hilda before, and 
maybe she hadn’t. 

Only a day later a card arrived fi-om Sade, with a message requesting 
Figg to meet him that evening for dinner, something urgent. Sade had 
borrowed Figg’s favorite pre-read-copy of The 120 Days of Sodom; the 
reading was a particularly good one recorded by one of Figg’s favorite pre- 
readers, Ohvah Toss, dead for a few miUennia but with much of her mem- 
ory still floating around in the immense Hormling data mass. Toss had 
read a vast library of texts and had made a fortime on her sensitive pre- 
readings. 

Sade handed back the data set to Figg. “The book has given me some 
ideas for the party.” 


24 


Jim Grimsiey 


Asimov's 


He laid out his plan very simply. He wanted to title the whole event 
“The 120 Hours of Sodom.” The party would begin five days before Figg’s 
birthday. Sade wanted to enjoy the party rather than perform in it, but he 
could easily hire all the sadists and masochists he needed. He would 
arrange to have Cherry Ann injected with a slow-acting neurotoxin that 
would be timed to kill her somewhere near the end of the fourth day. She 
would be on display the whole time, like the sarsa-flower-slave. She 
woxild take the poison in pubhc. 

Knowing Sade as Figg did, the plan appeared remarkable for its re- 
straint. Figg had expected a much more gruesome end for Cherry, as al- 
lowed for in the contract. He foimd himself reheved to a degree that was 
surprising; he foimd himself, in fact, picturing the cherubic expression on 
Cherry’s face at the moment in which he had first seen her, before she 
knew someone was watching, when she was simply sitting in the chair in 
his private study waiting for him to enter. 

Sade was eating his chilled soup. He looked hardly older than Cherry 
himself to the untrained eye, a tall, slender man, with nothing like the 
corpulence of his namesake; but Figg could detect the slight shine of 
Sade’s regenerated skin, the hint of puffiness in the comers of the eyes 
which even the best tissue regression speciahsts foimd hard to avoid a^r 
a certain number of treatments. The backs of his hands had a grainy look. 
What was more important, however, was the expression on his face, 
which could never have been described as young or fresh. Cherry’s face 
had the moistness of a freshly opened blossom. There she was, in fact, 
spread out on panes and films over the unused part of the table. Cherry 
posing in several gowns, suits, and other costumes, so that Sade could 
choose what she would wear during the event. Some of her more obvious 
physical defects, including her rather short waist and broad hips, were 
being correctly surgically, and the pictures reflected the lines of the new 
Cherry, the one who would soon emerge from her cocoon. Sade touched 
the picWes with a delicacy that made his desire obvious. 

“She looks like Wen.” 

“Not really,” Figg said, although in fact it was tme. Especially after the 
surgery. 

“Do you think I’m obsessed?” 

“Why would I think that?” 

“I changed my name because of Wen,” said Sade. “She nearly ruined me.” 

“This is a different girl,” Figg said. He felt Penelope move restlessly on 
his scalp, and willed her to quiet herself For once, she obeyed. No ne^ to 
startle Sade at such a moment. 

“Fm too old for these kinds of feelings.” His voice was somber and vmaf- 
fected. 

“Now you know how I feel,” Figg answered. “After all, Fm the one who’s 
tinning three hundred.” 

But Sade hardly appeared to hear the words at all. He was turning a bit 
of bread between his fingers, looking at it as if he could see into the cellu- 
lar structure, and it was possible that he could, of course, with the kind of 
money he could spend on implants and adaptations. At the moment, he 
wore the expression of a person who had seen, perhaps, too much. 


The 1 20 Hours of Sodom 


25 


February 2005 

He had lost his principal wife, Wen, several years ago, and this was the 
cause of his name-change from Kennick to Sade. Neither Kennick nor 
Sade were part of his legal name, of course; like most members of the 
Orminy, Sade kept his true names confidential, though he was known to 
be a member of House Jimartelate. When known as Kennick, he had been 
a famously dissolute member of the top levels of Beyoton political society 
who met Wen during one of his house parties. Their marriage had lasted 
only a decade. By all accounts he had cared for her in a genuine way, 
though he had hardly sheltered her. Her suicide and Kennick’s subse- 
quent grief had made headlines in many parts of Senal; the image of Ken- 
nick as a grieving husband had done considerable damage to his reputa- 
tion as a decadent socialite, and therefore when he came to his senses he 
had vmdergone an identity modification, not his first, in order to rehabil- 
itate himself He had taken the new name, Sade, and had paid the enor- 
mous sum needed to replace his old identity with his new in much of the 
Hormling data mass, including, whenever possible, in the memories of his 
friends and acquaintances. The new name-package came with enough 
references to the original Marquis de Sade that even the ignorant imder- 
stood the reference, and interested parties could follow the thread to fur- 
ther information on the pre-Transit figure of scandal. Whoever had sug- 
gested the name to Kennick/Sade was a mystery; but certainly he had 
many learned friends. The memory of Kennick had subsequently grown 
dim, both in the pubhc record and among his fidends. This was a function 
of the fact that Hor mlin g minds were nearly all linked together; a person 
with sufficient resources, could do much to manipulate what others knew 
or remembered about him. 

Sade’s comeback remained incomplete, however; by hosting Bigg’s three 
hundredth birthday party in such a spectacular fashion, he meant to re- 
claim his place as one of the influential persons within the constantly 
shifting politics of Marmigon, which was central to the politics of the Min- 
istries and the rest of the Hormling trade network, even in these modem 
days when the Mage had established a kind of hegemony over everyone. 
Bigg’s family had built Marmi g on and maintained controlling interest in 
its operation even centuries later; by being seen as Bigg’s intimate fidend, 
Sade meant to re-establish his power base, and even to extend it. 

“I can’t tell you how many designers and artists I’ve met with,” Sade 
said. “Fm employing half of Marmigon on this party.” 

“Did Marisol get you the rooms you wanted?” 

“Do you think you wouldn’t already have heard if Marisol turned me 
down?” He was smiling, reaching for his vied of happy powder. He checked 
the top of Bigg’s head cautiously. “Where’s that spider of yours? It always 
comes running down your arm when I dose myself.” 

Penelope was deep in a sleep cycle, and Bigg reached up to stroke her 
back gently. “She won’t bother you,” Fdgg said. “She’s asleep.” 

“In a way, it will be a shame to kill her.” Sade signaled the waiter to the 
table. 

“My spider?” 

“No. Cherry.” Sade ordered a brandy and the waiter flitted away. Sade 
looked at Bigg almost mournfully, and Bigg wondered what the tabloids 


26 


Jim Grimsiey 


Asimov's 


woiild have made of this picture, the somber Sade contemplating the im- 
phcations of his plan for virginal Cherry, doomed imder contract to die. 

“You covild alwaj^ try to save her life,” Figg said. 

“How can you be such an optimist at your age?” Sade asked, and shook 
his head. “She’s determined to do this. And I’m determined to let her. It’s 
just that regrets are always sweet, you know. A form of pain.” He smiled, 
and Figg felt a chill. 

The first day of the party came. Most of the guests had taken rooms in 
Marmigon, in one of the hotel complexes that it contained, to be nearer 
the two penthouse floors in which Sade’s party was to be held. Figg pos- 
sessed, of course, his own permanent rooms there, and settled into them 
for a stay of some da 3 rs. 

On the news panes and filling the flatscreen entertainment programs 
was information about the party, gossip about who had been invit^ and 
who had been snubbed, as well as five footage of the various, and careful- 
ly staged, arrivals of guests. For this first day of festivities, Figg had few 
duties, other than to appear at the party very briefly later in the evening. 
The least important guests had received firet-day invitations, since the 
first day of the party was practically open to the public. News reports 
were already gleefully engaged with Sade’s careful recreation of various 
episodes of ^e Marquis’s grisly novel. 

The 120 Days of Sodom, in its original French, told of a quartet of hb- 
ertines who at the beginning of the tale have formed a kind of supper 
club, devoting their considerable wealth to weekly dinners at which vari- 
ous kinds of sexual perversion were explored. The Marquis, being a devo- 
tee of symmetry, described in some detail the differing natimes of these 
four banquets, held in regular sequence, at four different locations in the 
city of Paris. The Marquis’s namesake, Sade of the present, had devoted 
considerable resources to recreating these banquets through a mixture of 
live performance, avatar, and holographic projection, and tours of these 
four installations were held throughout the first day, culminating in a 
magnificent period feast in the evening at which Figg would appear and 
at which Cherry would be introduced. 

Figg had toured the installations before they opened and foimd it all 
too tedious. One room was full of a number of men buggering one anoth- 
er; another was full of prostitutes in various poses of thrill and torment, 
some of them in the midst of being mutilated and murdered. One room 
was full of young maidens and the other full of monstrosities and freaks 
of every kind. Actors portraying the Due de Blangis, the Bishop of X***, 
Durcet, and the President de Cerval, the four redoubtable heroes of the 
novel, wandered fix)m room to room in various states of imdress and ex- 
citement. There were ghastly sounds and horrific smells fi:nm the rather 
monstrous practices underway in all the rooms; Sade had spared no ex- 
pense in his recreation, and Figg was impressed, to a degree. The specta- 
cle was certain to excite a great deal of comment m the media and among 
the intelligentsia. 

Figg dressed carefully in a formal suit and neck-wrap, keeping his 
processor vest but switching the color to formal black. He had a valet, one 


The 1 20 Hours of Sodom 


27 


February 2005 

of the Hermans, to help him with dressing; the Herman wrapped Figg’s 
neck-piece for evening wear and adjusted his toe-boots to perfection. His 
suit was throbbing with energy, pulsing with a deep, deep violet wave, 
and the Herman adjusted the variance on the randomizer; sometimes the 
pattern would be regular and sometimes it would not, the best choice for 
a personal special effect of this type, in Figg’s opinion. 

He groomed Penelope himself^ ac^usting her back-fur to a dark maroon, 
close to black, and brushing it by hand till it looked soft and even. The 
tips of her legs glowed softly, and a pattern of colors shifted on the siuface 
of her multiple eyes. She burned a lot of energy during her grooming and 
had to eat one of her captives, a small rodent, trapped in her web in Figg’s 
office. Maybe she was supping from one of the chipmunks he had released 
into the room a few days ago. The cocoon of web was quivering a bit, so 
supper was fresh, at least. Figg watched with satisfaction, wondering 
why this spectacle never bored him. One life was eating another. Life 
must eat life, always, he thought. The way we will all eat Cherry tonight, 
or begin to eat her. 

He had a meeting with his press person, his attorney’s representative, 
and his agent’s assistant, just before he descended from the Marmigon 
penthouse to the floors of the party. He had been waiting for them in his 
office with the cloud-windows, lool^g over a sea of cumulus undulations. 
Very distant and very far below was a glimpse of an ocean, the Inokit, 
somewhere in which was the Gate to Irion, the land of the Mage. 

“Fve brought the last of the broadcast contracts,” said Costermonger, 
his agent. 

“Put them in the signatm^ tray and Fll get them stamped,” said Figg, 
gesturing to his desk in the comer of the room, large and sparsely fur- 
nished. Costermonger put the secure data-sticks into the signature ap- 
penditure of the desk, a considerable walk past an exotic floating garden 
that drifted throu^ the center of the office. Figg turned to Mistigan the 
Attorney and Edelyne Harridan the Press Agent and asked, “Any news?” 

They looked at one another, Mistigan and Harridan, and Mistigan an- 
swered, “The young woman signed the final releases this morning.” 

“Then ever^hing’s legal.” 

“Yes. Certified by the Seventh Spherical Court of Appeals, all three 
judges. Now binding. Barring any appeal of the contract, which can’t be 
halted, of course. But this girl is serious. I don’t think she’ll change her 
mind.” 

Figg felt an oddly out-of-place lurch in the stomach at the news, un- 
characteristically young of him. The trio of his experts were waiting for 
his next question. He was about to be briefed on his entrance into the par- 
ty. He would attend alone, of com*se, as it was his trademark to be alone, 
accompanied only by a Hilda and a Herman and by his bodyguard Pene- 
lope. Out the windows rolled the sea of atmosphere, purples, blues, steely 
silvers. No one spoke while he collected his thoughts, and he found the 
thoughts suspiciously hard to collect in light of the news that Cherry had 
signed the final papers giving permission for her murder. 

All three of Figg’s retainers were present in the flesh, and each repre- 
sented a horde of other experts linked to one another and to their point 


28 


Jim Grimsley 


Asimov's 


person in various ways. At the prices Figg paid, he no longer dealt with 
avatars or simulacra. There was always a quality difference with the real 
thing, he found. 

Penelope nested on his shoulder, and the Hilda and Hermem took up 
their flank positions, their bodies making those odd, quiet whirring-hiss- 
ing noises that marked their largely mechanical natures. Mistigan, Har- 
ridan, and Costermonger took up the rear of the elevator; they would re- 
main out of public view but would be available to Figg should he need 
them during the evening. 

His plan was to enter through one of the family passages escorted by 
another la3rer of security, six guards plus a scout, so that by the time Figg 
actually arrived at the party, he had a sizable entourage, and felt quite 
able to face a crowd. A crowd of living extras had been hired to fill the 
public space through which he would cross, dressed in a variety of styles, 
highly fanciful versions of pre-Transit figures, including gladiators, 
samurai, Tauzt Monks, and rather too many interpretations of seven- 
teenth century France, a mostly mythical nation on a planet presmned to 
be lost or dead to present-day Hormling. To this mix was added a niunber 
of the curious, people who could bully or bribe their way into the event, 
especially celebrities or would-be celebrities who had been snubbed in the 
matter of an invitation to the party itself. A hubbub of voices filled the 
space, lights of changing color positioned on Figg as he walked, flying and 
land-based cameras, news personalities fix)m various media, a cluster of 
middlewams belonging to some religious order. He could actually hear 
the stream of some of it in his head, on his own internal feed. Here is Figg, 
Scion of the Most Powerful Motherate of the Orminy, Oldest Son of House 
Bemona-kakenet, Here He is at Three Hundred Years, One of the Very Ex- 
tremely Richest, Owner of Marmigon, Estate in the Pomone of Tens of 
Thousands of Acres, Old Bachelor of Eclectic Habits, Here He is Walking 
to His Birth^y Party, and on and on. 

Coverage of the rest of the party, the arrival of Nero Vorteme and the 
members of the boy band Knee Meme, the incredible security which was 
prelude to Mima Morgenate, pom heroine of the sex channels, strutting 
out of her rattle-shaw carriage, flooded his head. He could see it with his 
eyes and follow the internal channels he was receiving at the same time, 
though he put the coverage in the background afi«r a while, the media 
doublespe^ having begun to tire him. All was in readiness inside for 
Figg’s own entrance. Sade’s face filled the cameras at several points, 
watching a screen on which Figg’s progress through the courtyard was 
being followed. Figg, watching this image of himself being watched, felt 
himself and Sade both multiplied in all directions, the media reflecting 
and reflecting again, stupidly and repetitiously but altogether thorough- 
ly and with eveiy appearance of enthusiasm. 

Hardigan the Press Agent had an arrangement with the press for Figg 
to pass through the myriad reporters without anyone making an attempt 
to interview him. Other people spoke on camera, but Figg was well 
known to avoid this. Penelope had gone on alert and her presence, on 
which all the cameras lovingly lingered, along with the glowering of the 
security guards, encouraged a sense of decorum in the living reporters. 


The 120 Hours of Sodom 


29 


February 2005 

Marmigon legal AI were engaged in continuoiis real-time repeat-filing of 
restraining orders and injimctions to hold the automated cameras and re- 
porting drones in check. Added to these discouragements, the Uppermost 
House Bemona-kakenet was known to be licensed for a certain number 
of murders in any given year, and Figg had in the past spent some of his 
share on reporters and photographers who bothered him here in Mar- 
migon, where he was often to be foimd. 

Glimpsing, to the side, the image of a tall, lanky man ripping the nipple 
off of a prostitute, Figg passed unhiirriedly through the exhibits. Nipple 
degradation was a favorite trope of the original Sade’s, along with other 
kinds of vile death, lavished with uncommon cruelty on whatever women 
were at hand, though men, and boys in particular, were not altogether 
spared. The farther instaUation of male simulations and live performers 
offered several examples of male-centered tortures, including one young 
man being strangled at the same time as he was penetrated behind, his 
dark skin flushed purple, the choke loosened a bit to let him breathe a bit, 
then tightened more. 

The crowd was an older bimch, the sort of people with the time to de- 
velop tastes for the tableaux which surrounded them. Some of the spec- 
tators were impassive, like Figg, while others were participating via de- 
vice-links to hook into the psyches of some of the saists and masochists 
who were performing. So that, for instance, at the moment of some par- 
ticularly savage tortiire of the boy, a wave of response passed through the 
crowd as all those linked to his mind felt the shudders of pain and plea- 
sure along with him. 

Figg’s goal was to appear imperturbed by his surroimdings and to con- 
tinue to move more deeply into the rooms, toward a space where a large 
crowd was being herded with an air of expectancy, down a star carpet for 
celebrities, which Figg naturally followed along. There, beyond a small 
cluster of the very famous and a large cluster of the less famous, on a 
floating platform near a sizeable Eiss sculpture (from her Arch Period) 
stood a chrysahs meant to contain Cherry. Cherry herself was awaiting 
her entrance below these rooms, in another suite, preparing to be hfted 
into the cluysalis and put on display in order for the networks to sell a bit 
of advertising. At the end of the second or third commercial break follow- 
ing Cherry’s appearance, depending on the moment-to-moment ratings, 
Sade, in fiunt of all these people and the watching world, would poison her. 

The dress that contained the poison, keyed to Cherry’s DNA and there- 
fore perfectly safe for anyone else to handle, was on display, framed in 
Eiss’s Arch Nineteen. The cloth gleamed and rippled with color. It was a 
peculiar style of dress popular at the time, a floor-length shimmy with one 
strap over one shoulder, this one designed by Oscartine and run up in one 
of the ciurent radiant fabrics. The dress hung like a ripple of water, like a 
drain of light down a pipe, while cameras of all kinds photographed it. Af- 
ter too long a spell of this, the chrysalis opened and Cherry Ann appeared. 

She was wearing nothing at all, her skin a gleaming cocoa color, so soft 
the light appeared to caress it. Sade was walking toward her. Information 
about the poison permeated the Svuroimd, along with bits about the de- 
sign of the dress, and pre-Transit references to women being presented 


30 


Jim Grimsiey 


Asimov's 


with various kinds of poison gowns, none of which had anything to do 
with the historical Marquis de Sade but all of which appealed to the edu- 
cation snobs in the audience. Cherry spoke a poem that No had written 
for the occasion, three lines in the classic pattern, very beautiful, imme- 
diately vanishing from memory, Sade presented her with the dress and 
she shpped it over her smooth, shining skin. 

Not a so\md could be heard, as if everyone had drawn a breath at the 
same moment. Figg felt it in hims elf, her innocence and something more, 
her resignation, as she adjusted the hang of the supple, heavy fabric. The 
image of her movements was repeated around the world and Figg 
watched them on his inner eye as at the same time his outer was watch- 
ing the living Cherry, whom Sade was kissing now, Cherry raising her 
slim hands to his shoulders as if she would like to push him away. 

The next morning, Figg watched a special report entitled, “The Silence 
of Figg,” broadcast on several different channels of the Surroimd, a few of 
them just sHghtly out of sync with the rest, so that he saw this broadcast 
about himself in a sort of rippling, wavering present moment. He had 
been aware of the docmnentary for some time and his agents had secret- 
ly encouraged its production and placement while his lawyers had at- 
tempted to quash it at every stage of its development in order to make it 
notoriously and widely discussed. Figg’s own personal polling services 
had detect^ a slight droop in his profile of late, and it was felt he could 
use this opportimity to bolster his place in the spectrum of the famous 
and powerful. 

The documentary told the story of his childhood, his early careers and 
successes, his inheritance of title to Marmigon on the passing of Thabian 
Curtide, Figg’s uncle and mentor. Fineas Figg became the new proprietor 
of the most powerful property on Senal. 

Intercut with the narrative about his marriages with various men and 
women were live updates from the party, where his good friend Sade 
reigned in splendor over a recreation of the audition of yoimg men and 
women and boys and girls for retirement to the Chateau Silling, one of 
the primary episodes of the early pages of The 120 Days of Sodom. In the 
novel, the four heroes retire to a chateau in the remote mountains of 
France to hold a series of theme-driven orgies with their partners, chosen 
from the cream of French youth by means legal and illegal. The Sade of 
the current-day had adapts this narrative to his own purposes, 

Figg sent down a proxy sphere to wander through the crowds and take 
in the sights. Cherry was among the performers, wearing the elegant 
gown, sipping something from a stemmed glass, looking a bit out of her 
head. She was playing the part of a stepdaughter sold in a back alley of 
Paris to one of the procuresses. Over the elegant Oscartine gown was her 
period costume, with puffed, ruffled sleeves and a long, fuU skirt, a high 
waist cut just imder the bosom, and a kind of hat called a bonnet over her 
own now-varicolored hair. She hadn’t the least look of someone acting in 
any kind of spectacle, neither fiightened nor reluctant. The camera took 
her in as often as possible. 

Her linage was capturing a good percentage of bandwidth that mom- 


The 1 20 Hours of Sodom 


31 


February 2005 

ing; the Surround was fiill of snatches of her story, nothing terribly co- 
herent. A couple of newsmixers had sent a crew into the Reeks to explore 
Cherry’s home environment; the Reeks were not so much a single location 
as a state of certain parts of the Third Tier, people crammed shoulder to 
shoulder day and night, able to claim only as much space as they could 
occupy, lucky ones, like Cherry’s family, part of a large enough group to 
hold onto a space inside some walls, where there was a bit of security. 
Figg watched scenes allegedly taped in a market in the Reeks, the frame 
so crowded with bodies that it was impossible to make much of the mer- 
chandise, glimpsed now and then behind a tapestry of sallow faces. In 
many parts of the Third Tier, there was never much of sunlight, either 
real or transferred, and the whole panorama of the news item had a 
macabre quality, a scene as perverse, desperate, and flesh-filled in its way 
as the scenes ^m Sade’s party. 

Scenes of squalor in the Reeks were sometimes projected over images 
of Cherry, the ghost images weaving in and out of each other. Cherry so 
graceful, so small and slight, emerging naked from her cluysalis and don- 
ning the shimmering gown. Cherry moving among party guests, her 
bodyguards keeping them all away ^m her, and many of ^em hanging 
ba(i without any encouragement to do so, as if reluctant to come too close 
to the poisonous fabric of her shimmy. These were the first images fix)m 
the party that moved Figg in any erotic way. The clench of her small, 
round buttocks imder the fabric of the dress excited him. 

He was due to attend the party later in the evening. In the meantime 
he had a regression session, not very satisfying, to bring back some lus- 
ter to his three-hundred-year-old skin. His actual birthday came in two 
da}^, the day Cherry was to die. He wanted to look his best. 

After the party that evening, he had a singular dream. His body was 
randomized to dose itself with a mild hallucinogen during sleep, calculat- 
ed to give his dreams a rich, vivid, altered-consciousness quality; he pre- 
ferred not to know when these dreams would visit him, in order to keep 
fi*om falling back into habitual use of these same hallucinogens, a problem 
that had plagued him off and on for the last century or so. The dream con- 
cerned the Reeks, impersonal images of the crowding, the way it would 
feel to walk in the crowd, the press of bodies fi:t)m all sides, the smell of the 
imwashed, the dank breath, the dirty look of the hair, the pallor of the 
lighter skin tones, the sallow quality of the browns. Moments later in the 
dream Figg wondered what it would be like to run into Cherry there, and 
shortly after he did, of com^, and he and she were walking hand in hand. 
The chemical made this part of the dream richly colored, the feeling of her 
warm hand pressed against his own very vivid, even to the slight moisture 
of her palm. She tomed and smiled at him eveiy so often, the same smile 
each time, and then closed her eyes and turned her face away. 

The low ceilings, the narrow corridors full of people, the shops with 
their armed guards, the markets like armed camps, all oppressed Figg 
greatly, and not only that but actually pressed against him, or seemed to, 
firom aU sides. He felt confined as never before in his life. Was this what it 
was like in the deepest sections of the Reeks? 


32 


Jim Grimsiey 


Asimov's 


Suddenly Cherry vanished and a new face pressed closer, a gaunt, sex- 
less middlewam with a bony pelvis and foul breath, a set of greasy urchins 
against his legs, other faces swimming in all directions but refusing to re- 
solve themselves into wholes, and a smeD of rot that was overwhelming. 
Hands reached into his clothing. ChiUy skin touched his own and he shiv- 
ered and awoke, the flush of tiie hallucinogen adjusting itself^ subsiding a 
bit, sensing the sudden change in his consciousness. He looked around his 
sleeping room at the play of shadows from the narrow windows. Light 
from the moon bathed him in the bed as his breathing quieted. Penelope 
stepped oflFhis head to preen herself on the pillow, mindless of him. 

To anchor the third day of the party, Sade had incorporated some of the 
most horrific moments from Olivah Toss’s own reading of the Marquis’s 
novel, including the rape of the kitchen maids, their subsequent torture 
and destruction. The masques, as he called them, took place in a different 
part of Marmigon, the Transcendent Momingstar Promenade, which had 
been transformed into a maze-like representation of a pre-Transit 
chateau, a huge house made of stone with thick walls, gloomily lit by 
lamps and candles, decorated with couches, settees, cushions, carpets, 
and torture devices. A parade of celebrities, pohticians, and Onniny an- 
chored the media coverage. Sade had even invited a few select schools at 
all age levels to send groups for an educational tour of the elaborate liv- 
ing exhibitions. Various guest hosts, interviews, autographings, and auc- 
tions, kept the party guests entertained. The overnight reports on the sat- 
uration of media coverage of the party had obviously pleased Sade, who 
sent Figg a mentext message of congratulations, as if Figg, too, had a per- 
sonal stake in this triumph. 

Cherry was on display through the day, sometimes walking through the 
party with her bodyguards, other times inhabiting a high platform that 
rais^ her above the co mm on crowd. She moved serenely in the Oscartine 
gown, now and then reclining on a couch or studying a handheld. The 
platform was secured by its own set of well-dressi security people and 
no one was allowed to go to the top except Cherry and her guests. So far 
she had invited no guests. 

Figg foimd himself repulsed by the orgies rather than feeling any ves- 
tige of his old attraction to this sort of pleasure. Even an adjustment of 
his blood chemistry to a state of pre-arousal failed to stimulate his inter- 
est. At one time, he would have been at the center of the crowd, watching 
avidly as Durcet and the Bishop each administered two hundred lashes 
to the poor, nameless maid, her backside streaming blood and raw with 
flayed skin. He would have been fascinated at the amputation of several 
of the boy Giton’s fingers dxiring another episode in another part of the 
faux chateau. Arriving at the party for his scheduled appearance, he 
foimd the whole scenario to be more tedious than titillating. 

Instead of the orgies, he attended Cherry. As she drifted fi*om place to 
place on top of her private temple, she appeared as comfortable and easy 
with herself as if she had been perfectly alone. A crowd ringed the plat- 
form, watching her every move. 

Sade said, “I hope you’re enjo3dng yourself,” in a low tone. 


The 120 Hours of Sodom 


33 


February 2005 

Figg nodded his head slightly. 

Sade leaned close to Figg. “I can’t get that girl to come off the platform. 
She should be down here where the guests can see her.” The lean-in and 
the low tone were for photo-effect, for the cameras, their conversation 
screened by their two privacy fields. 

“I think she looks quite mysterious.” The Hilda had fetched Figg a 
drink and handed it to him; he sipped the cool, biting hquor and went on. 
“People appear to be paying a good deal of attention to her up there.” 

“Yes, but it’s splitting the focus.” 

Figg shrugged. “I suppose yoiir party’s not much to her taste.” 

A genuine look of vexation took over Sade’s features and he spoke with 
some exasperation. “I don’t care what’s to her taste. She’s supposed to be 
down here, dying, in public.” 

Above them and at some distance, she was fondling a piece of sculpture 
which obviously gave her a low-grade pleasure stimulation, judging fi*om 
the way she moved her hands over it, and the way she moved the sculp- 
ture, a twist of smooth stone, against her torso. A large cluster of cameras 
was filming her from a distance; her status as a legal suicide actually 
gave her a larger zone of protection than even Figg’s attorney system 
could manage. “I could go and talk to her,” Figg said. 

“If She’D let you up. Those are her guards, over there. She’s only spoken 
to one or two reporters during the whole party and Fm sure they paid for 
the privilege.” 

“She’s turned out to be a very clever yovmg woman.” 

“Yes, she has,” said Sade, and his eyes sharpened on Figg at that mo- 
ment. “Do you t hink she’s going to bolt?” 

Looking at the slim figure moving in the shimmering light, a kind of 
dreaminess to her presence, Figg shook his head. He found himself sad at 
the thought, and irritated by the sadness. “No. I don’t think she will. As 
long as we don’t try to force her to do anything she doesn’t want to do.” 

“Where’s the fim in that?” Sade asked. 

Figg and his entourage wasted no time in crossing to the platform, and 
Figg presented his compliments to Cherry, who, to the surprise of nearly 
everyone, sent word for him to climb to the top for a chat with her. 

She was aware of her status in this moment of the party, clearly. Stand- 
ing at the center of the platform, she was smoking a thin, long cylinder as 
Figg approached. She offered the butt of whatever it was to Figg, and he 
shook his head. “Fm already using,” Figg said, “I don’t want to mix.” 

She shrugged, and blink^ at him. “Did the freak send you up here?” 

“The fi:«ak?” 

“The party boss. The one with the sick imagination.” 

“You don’t like Sade’s party?” 

“What kind of party is full of weird stuff like this?” Cherry asked, mak- 
ing it plain she meant the tableaux, which appeared small and insignifi- 
cant from this vantage, to a greater degree than the height of the plat- 
form could explain. “Is that really what you people like to do with all your 
money?” 

“Sometimes.” 

“Do you like that stuff?” 


34 


Jim Grimsiey 


Asimov's 


Figg reflected, stood there just long enough to consider decently, and 
said, “No, not reaUy. I used to. But Pve changed, it appears.” 

“You used tor 

“Yes.” 

“Ripping off women’s nipples and amputation and torture and all thatr 

Figg felt vaguely imcoinfortable. “Most of that’s being faked, of course. 
But yes, I used to enjoy it. Some of it.” 

Figg foimd himself watching her in a familiar way, with a softening of 
his feelings toward her, and a kind of nimbus of light around her pres- 
ence. An old and xmwelcome feeling threatened to unloose itself 

“I know exactly what you came up here to do,” she said, smiling. “You 
want me to come down there.” 

“That’s what Sade wants. He wants me to convince you to come down.” 

“Do you really think I should?” 

“Possibly. He could make things difficult, you know.” 

“m be dead tomorrow. How much more difficult can it get?” 

He gave her a wry smile. “He could dispute your contract after you’re 
not here to defend yourself” 

“He’ll have to fight my attorneys. Fm in comphance.” 

“Why doesn’t Sade agree?” 

She shrugged, not at aU hostile. “I don’t know. I’m at the party. You see? 
That’s all I ever agreed to do. That and dying are my only commitments. 
And I assume this dress is doing its work.” 

She spoke with such conviction it was impossible to contradict her. Figg 
checked himself, moving very carefully in her vicinity. The old, unwel- 
come feeling had failed to crystallize so far, but neither had it vanished. 
He continued to look at her with careful neutrality, testing himself at 
each moment. He said, “All right, then. I don’t really care whether you 
wander around down there one way or the other. The whole thing is much 
more mysterious if you stay up here, aloof.” 

“That’s what my agent says.” 

The mention of her agent brought just the right squalid note to the mo- 
ment, and Figg took a deep breath. “Well, I won’t keep you. Could I ask 
you one question? You said you’re doing this for your brother.” 

“He gets the money. I spent some of it, but he gets the biggest part.” 

“Is he stifi in the Reeks?” 

The question stilled her, and she studied Figg with care. “Why do you 
want to know?” 

“It’s possible I might want to help him.” Figg spoke cautiously. He had 
known what he woiild say only an instant before he spoke. 

“Help?” 

“Beyond the money you leave him. It’s possible that I may be of some 
service.” 

“Why?” 

Figg shrugged, uncomfortable. “Fm a very old man. It’s simply a whim.” 

She wait^ a moment, as if gauging the truth of what he said, rolling 
the words around in some sifter in her head. “His name is Keely,” she 
said. “My attorney knows where he is. He lives with my older sister’s 
group right now. But they don’t have room for him to stay.” 


The 120 Hours of Sodom 


35 


February 2005 

“Yovir parents?” 

“In public wards. They couldn’t maintain group housing.” 

The spectacle of her face in a truly vulnerable expression astonished 
him, and he felt a pang of caring for her that he qviickly attempted to iso- 
late and suppress. With the help of his emotion^ enhancements he was 
able to do so, but for a moment, he felt a deep bond of affection for Cherry, 
or for whoever she really was. 

“Til see what I can do,” Figg said, and turned away, unsettled. 

He thought no more about the party or Cherry’s brother but only about 
Cherry herself Retiiming to his private rooms, leaving the party sooner 
than expected, though it did not matter, with so many other celebrities in 
attendance. He stood at the window, looking at the distant ocean. 

The next day he went down to the party finale dressed in simple 
evening clothes, accompanied by the Hilda, the Herman, Penelope, and 
his bodyguards. 

The size of the crowd astonished him, liuninary after luminary crowded 
into the Azure Peacock Stillness Room, the penthouse ballroom usually 
reserved for private functions of House Bemona-kakenet. Here was 
Carmela Carvaughn waving her white handkerchief to her fans, there 
was President Mbimibo of AnRanCity and his wife the First Lady of Good 
Harbors hanging on his arm. Yonder was Chang, famous B^yoton 
Bombers tight-end of stipple-ball accompanied by yet another beautiful 
boyfriend. Above them all beyond the transparent ceiling, astonishing 
and stark, opened a sky darkening to violet, clusters of stars twinkling 
beyond rags of cloud. 

Cherry walked among the crowd in a globe of light that moved with 
her, a couple of bodyguards at her side. Wherever she moved, the crowd 
parted for her as if in the presence of an Orminy matron. She was speak- 
ing to people with an air of physical ease, pla3dng the part of hostess with 
everyone here a guest. At first she moved too far away for Figg to see her 
face, but he passed near enough, on the way to his own station, to catch 
the drawn, tired air of her, eyes bleary as if she had not slept. 

She had been doing this duty for a while, the Surround full of her im- 
age, moving among the party guests in the dramatic last moments of her 
life. For tonight she was the only star of the party and the theme of the 
Marquis de Sade and Chateau Silling were forgotten. She drifted among 
the most beautiful people in the world. 

Quiet music was playing, waiters ambling through the crowd, tables of 
food and drink scatter^ through the ballroom. Along the far wall of glass 
overlooking the ocean paced Sade himself, on the broad dais where the 
most intimate birthday guests had gathered, awaiting Figg’s arrival. 

Overhead, at the center of the room, a clock was counting down. Only a 
few more minutes were left. The arrival of Figg heralded the beginning of 
the end, as Sade had planned. When Figg took his seat on the dais, eldest 
of the eldest Orminy house, Sade came to stand beside him, and Cherry, 
imdulating through the crowd in her glowing shinuny, headed gradually 
toward him at the same time. 

Her step became imcertain as she approached, and she paused to move 

36 Jim Grimsiey 


Asimov's 


strands of hair carefully out of her eyes. She was weakening visibly as the 
clock womid down toward zero. Sade smiled in satisfaction. She looked at 
Figg as she approached, her yoimg face fresh, gleaming, her skin so moist 
and soft he longed to stroke her cheek with his thumb. Sweating hghtly, 
as if fevered, for a moment she had a tentative look, as if she might be 
changing her mind, as if she might turn to one of her attendants and sig- 
nal that she wanted to appeal the contract she had signed. She still had 
time. But up the steps to the dais she climbed and as she rose higher, 
looking over the crowd of stars and luminaries who had come to watch 
her die, she grew more and more serene. 

She turned to Figg and said, “Happy birthday,” as the last seconds of 
her life flowed away and she sank to her knees. 

Sade walked slowly toward Cherry as she panted, struggling to 
breathe. He was holding something in his hand, a control of some kind. 
Guests pressed toward them on the dais, but everyone left a space aroimd 
Figg, Sade, and Cherry. “Before we say good-bye, I have a surprise for 
you,” Sade said to her, glancing at Figg a few meters away. 

“I’m not sure I want anything more from you,” Cherry answered, sup- 
porting herself on hands and knees, looking up at him with effort. 

Cameras had been warned by someone and were picking up the scene. 

“Aren’t you curious about my surprise?” Sade asked. 

“Why should I be?” 

“Well, for one thing, because I’m paying you a great deal of money.” 

She gave him a scomfiil look. “And Fm about to give you what you want.” 

“There’s someone who wants to share your last moments with you,” 
Sade said, and gave her a smile that chilled the air. He touched the con- 
trol in his hand. “I brought him here to see you.” 

A small boy appeared beside him, concealed in a privacy cloak until 
Sade turned it off. He was slim to the point of gaimtness with large roimd 
eyes and jug-sized ears, a homely child, and fium Cherry’s startled, ten- 
der reaction, it was obvious he was Keely, her brother. 

She turned on Figg a look of purest hate that froze him and numbed 
him. The next second, she knelt in front of her brother. She had eyes only 
for him. She tried to say something, and the thin boy gripped her tight, 
face stricken with fear. Her face went ashen, suddenly, and the life drained 
out of her so gradually Figg could not have said exactly at what moment 
she died. But she was facing her brother until at last only he was holding 
her up. This was the image that swept around the world in a heartbeat, 
the brother lost, holding his dead sister, Sade standing over them both. 

The look of hate Cherry had given, the clear suspicion that Figg had be- 
trayed her, made Figg go cold. He glared at Sade, who was smiling, with 
not the least inkling of what he had set in motion. 

The deed was done in a moment. Mistigan was on duty for any problem 
that might arise with the party finale. Figg registered his intentions with 
the proper authorities in a trice, targeted Penelope, and moved forward 
to take the boy, Keely, into his arms in one smooth gesture. Sade made 
some soimd of protest and then one of terror, as Penelope appeared and 
hurried toward him. 

The child hardly resisted, so fight that Figg could carry him easily. He 


The 1 20 Hours of Sodom 


37 


February 2005 

moved down the dais, away from Cherry’s body as, behind them, Penelope 
circled Sade with web, climbed partway up his legs to bite him, paralyzed 
him to stop his cries, and killed him in front of all those present at his 
party, driving those needlepoint legs into his soft, pale flesh. 

The Herman and the Hilda stayed behind to guard Cherry. Figg’s 
bodyguard swept him and Keely through the stimned crowd. The news 
went out that the eldest of Bemona-kakenet had killed his old friend 
Sade. This would be the stuff of opera, one member of the Orminy killing 
another, like old times. The gueste, expecting only a suicide, received the 
murder of their host as an added bonus. Senal’s most powerful Orminy 
family had once again exercised its hereditary right to legal murder; the 
headhnes were already beginning to jangle against each other in the Sur- 
roimd. Liberals would wring their hands but the Ministries, being them- 
selves controlled by the Orminy, would do nothing. 

Penelope caught up with them before they reached the private elevator, 
slipped quietly up Figg’s sleeve and nestled into his scalp without any fuss. 

As the elevator doors slid efficiently closed and the elevator began to 
carry them to the penthouse, Figg saw Cherry’s face again, the pvuity of 
her hate when she had assumed he had betrayed her, and then her de- 
spair as life ebbed away. He shivered and looked down at the child, still 
sobbing, but attempting to stifle himself against Figg’s trousers, shiver- 
ing with terror and trying to be silent at the same time. 

A moment of heartache filled Figg, unfamiliar after so long and yet so 
full, the kind of emotion he had despaired he might never feel again. He 
knelt gently and Keely, startled, made a soimd of fear. “It’s all right,” Figg 
said at once, in a hush, as the boy, big-eyed, looked at him. “I promise, it’s 
all right. It will be all right.” He repeated the words, as if for himself 

“I want my sister,” the boy said, in a hollow wail that filled the elevator 
car, a soimd so big it shook even the bodyguards. 

Kgg’s voice steadied. “Your sister is dead. I’m sorry.” 

Keely, face collapsing into hurt, nodded that he understood. He was al- 
most frowning and his face, trembling, was like Cherry’s. He collapsed 
against Figg, and it was too late, then, to do anything to stop the feelings 
that flooded him, again, after such a long time. He took Keely home, fed 
him, sat with him, put him to bed. Figg could feel, as he did, that his life 
would have to open again, like a flower in bloom. As the night faded and 
morning light flooded the windows of the room where the child was sleep- 
ing, Figg realized what he was feeling was a change in himself, welcome 
because it meant he was still, truly, alive. 

Sade’s picture, taken at the moment of his death, filled every comer of 
the Surround for days. In the best of the images, Penelope had ham- 
strung him with web and was climbing up the side of his neck, sinking 
her legs into him as she climbed. Streams of blood flowed from the thin 
shafts. Sade raised both hands as if in supplication, his face flooded with 
ecstasy, and he gazed beyond the camera as if at something waiting. He 
was, as he had wished to be, at the center of the media world for a time, 
but was soon superceded when the news went out that Purity, the sarsa- 
flower slave at the Prudent Greenhouse, had finally wasted away to noth- 
ing and died. Her master, the flower, afterward perished of grief O 


38 


Jim Grimsley 


OMNIVORES 


The physicists want 
a Theory of Everything. 
They sit in their 
cafeteria dining halls 
scribbling the secrets 
of the universe on 
napkins while brushing 
away bread crumbs 
and angling their 
pens so that their 
equations don't run 
into the mustard stain. 
One of them pulls 
a fresh napkin from 
a dispenser. This one's 
cleaner, he says. 
Another physicist 
hesitates, then takes 
it and explains her 
Theory of Everything. 
All the physicists 
watch her but they 
are thinking about that 
last slice of apple pie 
waiting on the counter 
under the glass for 
one of them to say it's 
mine it's all mine. 


— Mario Milosevic 



William Sanders began writing professionally over 
thirty years ago, though it was only in the nineties 
that he took up the short story. A regular contributor 
to Asimov's, he has also appeared in other magazines 
and anthologies, and has twice won the Sidewise 
Award for Alternate History. Mr. Sanders's latest story 
collection— Is It Now ^el.^s published by Wildside 
Press. Terror in the skies takes on a chilling new 
meaning in Mr. Sanders's frightening look at . . . 

ANGEL KILLS 


William Sanders 


I was there when Carmody got his twenty-second angel. Fd been there 
when he got some of the others, but I hadn’t actually seen it happen, hav- 
ing been pretty busy m 3 rself at the time. 

This time, though, I had the best seat in the house: I was flying Car- 
modys wing. That was pretty imusual, since as squadron exec I led my 
own flight; but there was a virus going around and we were running 
shorthanded, and then at the last minute Robinson’s wife went into labor 
and I took his place so he could go to the hospital. 

The angels showed up late in the patrol, going after a United 757 that 
was coming in to the south runway, and we intercepted and scattered 
them with no damage to either side. I didn’t even get in a shot, being oc- 
cupied covering Carmody. Orozco, coming up behind, said later that she’d 
taken a couple of shots and missed. That was all of us; as I say, we were 
shorthanded. 

This bvmch of angels weren’t very aggressive; they started disappear- 
ing almost as soon as we showed up. The 757 touched down unharmed, 
except for tires smoking from a too-fast landing. So much for that, I 
thought, checking the clock and the fiiel level as we swimg out over the 
big freeway interchange and started a tight circle back toward Sky Har- 
bor. We tried to avoid flying over downtown Phoenix if we could help it; 
the chainsaw racket of tun^-up Lycomings made the citizens nervous. 

Then Carmody’s voice came though the headphones: “Huey, two o’clock 
low!” 

I looked but I didn’t see anything. Balls, I would have said if it had been 
anybody else, but everybody knew about Carmod/s freakish eyesight. I 
craned my neck to stare down past the cockpit coaming, and sure enough, 
there the bastard was, down low, flying east above Buckeye Road. What 


40 




Asimov's 


it was doing, why it hadn’t vanished with the others, there was no point 
in trying to guess; trying to figure angels is a good way to go crazy. 

Carmody was already rolling into a steeply descending pursuit curve, the 
little biplane dropping like a stooping &lcon toward the flitting white shape 
below. I followed him down, looking aroimd quickly in case it was a trap — 
not that anybody’s ever heard of angels trying anything that tricky, but you 
never know — and a moment later I heard him call, “Alpha Two, clear me.” 

“Alpha One,” I said, “you are clear.” 

The actual kill was no big deal. The angel was still flying straight and 
level — maybe there was something wrong with it, whatever that would 
mean in angel terms — and Carmody simply dropped down eistem and 
fired. From my position I couldn’t see the flash of Carmody’s gun, but a 
red spot appeal^ on the angel’s back, right between the wings, and then al- 
most instantly there was a great big yellowish flash and the angel was gone. 

Carmody was yelling at me again. “Alpha Two, can you confirm?” 

“Affirmative,” I said. You had to observe all the formahties with Car- 
mody or he’d get his jock in a knot. “Destruction confirmed,” I added for the 
record. They didn’t like us to say “kill” on the radio; it upset some people. 

There was a sudden scream in the earphones. “Control to Alpha One,” a 
woman’s voice said, soimding very excit^. “Congratulations! You did it!” 

That was when I realized what had just happened. Fd forgotten about 
Carmody’s record. As of now, he was the top scorer in the United States 
and maybe the world. The Russians were claiming one of their gu 3 rs had 
knocked down sixty or so, but if you believed that you’d believe an 3 rthing. 

Carmody’s port wings lifted as he started to turn back toward home, 
while sounds of cheering came through the earphones; and I followed, 
thinking: well, now the bullshit starts to get deep. 

It was two da}^ later that Lewis showed up. Carmody was off to Wash- 
ington to get his hand shaken by the president, leaving me in charge, so 1 
got to meet the new man first. 

He strode briskly into the office and came to attention in front of my 
desk. I let him stand there for a few seconds while 1 looked him up and 
down. Healthy-looking lad, solid shoulders under his crisp uniform 
blouse, wiiy no-ass build. On the short side, but then if he hadn’t been he 
wouldn’t have gotten hired; a Pitts cockpit just isn’t roomy enough for the 
big bo)rs. You could have called him handsome, I suppose, if you liked that 
strong-jawed, clean-cut look. Kind of a three-quarter-size Lil Abner. 

I said, “Sit down, for God’s sake.” 

“Yes, sir.” He went over and sat in the nearest chair. I swear he man- 
aged to sit at attention. 

I started to tell him to knock it off, but then I realized I wouldn’t be do- 
ing him a favor. Carmody would love him, just as he was. We weren’t re- 
ally a military organization — technically we were a branch of the Trans- 
portation Security Administration, just like the guy who puts your 
baggage through the scanning machine — but Carmody thought we ou^t 
to be, and he could get very tiresome if you didn’t go ^ong with his little 
Dawn Patrol fanteisy. 

I said, “Fve looked at your records. You did pretty well in training.” In 


Angel Kills 


41 


February 2005 

fact he’d been close to the top of his class; his scores were sure as hell bet- 
ter than mine had been. “So,” I said, “I’m sure you can answer a simple 
question for me.” 

I reached into the top drawer and took out a movmted photo and held 
it up. “What is this?” 

He glanced at the picture. “Sir,” he said, “that is a Hostile Unidentified 
Entity. Popularly known as an angel.” 

“Uh huh.” I laid the picture on the desk, face up. “Officially we’re sup- 
posed to call them HUEs, because ‘angel’ offends the rehgious whackos 
who form such an important part of our revered president’s base of sup- 
port. And for official purposes we go along with it, and on the radio we call 
them Hueys because somebody might be listening. Unofficially, though, 
among ourselves, we call them angels, same as everybody else.” Even our 
heroic leader. Lord Carmody Ye Penis-Headed. 

“Yes, sir,” Lewis said. 

I wanted badly to teU him to quit calling me “sir,” but I knew if I did he’d 
say, “Yes, sir,” and then Fd have to kill him and that would look like heU on 
our efficiency report. I sighed and tapped the picture with my fingertips. 

“Wrong answer, in any case,” I told him. “You told me what this is 
called. I asked you what it is. And the correct answer is: nobody knows.” 

“Uh, yes sir. I mean, no sir.” His smooth-shaven cheeks went faintly 
pink. “T^at is — ” 

“Nobody knows what they are,” I said. “Nobody knows if they’re alive, 
or some sort of non-living devices, or something else that we don’t have 
any words for. Nobody knows if they’re intelligent, or just progranuned, 
or being directed fi’om wherever they come from, not that anybody knows 
where that is either. Or even if where they come from is a ‘where’ in the 
sense of a location in our universe.” 

It was obvious he wanted to speak, but I raised a hand. “No, Lewis, just 
listen, all right? Fm aware they went over all this at the training school. 
And you took notes and learned the answers for the tests but deep down, 
like everybody else, you wondered if they were telling you the whole 
truth. Didn’t you? Di^’t you sort of figure that when you finally got out 
and joined an operational squadron, you’d find out the real story?” 

I stood up and walked around the desk. “Well, I hate to disappoint you, 
but what they told you is pretty much the straight word. There aren’t any 
secrets. At least none that anybody in the field knows. Maybe the govern- 
ment’s got something more, but if they do they’re not sharing it with us.” 

I hung my ass on the edge of the desk and looked down at him. “We still 
don’t know what the angels are. They don’t show up on radar, and they 
don’t leave any heat signature except when they’re using those cutting 
torches or energy-beam weapons or whatever the hell they are. Nobody’s 
ever had a chance to study one, because they explode and vanish without 
a trace when you kill them. Try to capture them and they simply disap- 
pear, and you’re lucky if they don’t kill you first. A lot of good men died, 
Lewis, finding out how much we don’t know. Made the supreme sacrifice 
to expand the boundaries of our ignorance.” 

I paused, but he didn’t say anything, not even another yes-sir. He actu- 
aUy appeared to be thinking. Amazing. 


42 


William Sanders 


Asimov's 


“We think we know a few things about them ” I said. “We think we 
know they never go after anything on the ground, but all we really know 
is that they haven’t done it so far. We think we know a little about their 
performance envelope, but it’s all just extrapolation from observation. 
There’s no scientific basis, because by any of the known rules of aerody- 
namic science they can’t fly at all. Those white wings don’t have enough 
area even for gliding flight, let alone the kind of hairy-ass maneuvering 
these bastards do.” 

In fact there’s a very persuasive theory that the “wings” aren’t for flying 
at all; that they serve some other purpose that we can’t even guess at. 
But no doubt Lewis knew about that, too. 

“But then,” I added, “by any scientific rules, they can’t exist. And no- 
body knows for sure if they do, as we understand physical existence.” 

I picked up the pictm-e again and looked at it. It was a typical gun cam- 
era shot, grainy and fiizzy, but you could still see all the main details. An 
angel looks an^hing but angehc when you see its face up close. If you can 
call that a face; if that’s even what it is. That nasty-looking V-shaped slit 
that looks like a mouth could just as well be its equivalent of an asshole. 

“It’s been a little over two years since they showed up, Lewis, and the 
state of our knowledge can be summed up in the words: jack shit. All we 
know for sime is that they like to cut airplanes open in midair and do hor- 
rible things to the people inside. And we don’t even know why they do 
that — food, tissue specimens, hell, sacrifices, they could have a religion for 
all we can say — and it’s possible we never will.” 

I tossed the picture onto the desk. “The other thing we know is that it’s 
our job to stop them from doing it. Which gets us back to you and the rea- 
son you’re here, so let’s get you processed in and then we’ll go see what 
you can do with a Pitts.” 

Lewis was already suited up and waiting for me outside the ready room 
door, helmet tucked under his arm, when I came out of the office a couple 
of hours later. He didn’t quite come to attention when he saw me, but he 
pulled himself up even straighter as he said, “Ready, sir?” 

“Right with you.” I went into the ready room and got my helmet out of 
my locker — screw the coveralls, it was too damn hot and Carmody wasn’t 
aroimd to give me shit about regulations — and went back outside. Lewis 
was still standing there, gazing up at the sky to the west, where not much 
was happening. A 737 was climbing steeply over downtown Phoenix, too 
high now to identify the airline. Lower and closer, you could just make out 
the little shiny dots that had been its escort, wheeling back toward the 
airport, their job done now that it had enough speed and altitude to be 
safe. The buzz of their engines soimded toylike at this distance. 

Lewis said, “Seems awfully quiet, sir.” 

Without looking at him I said, “Where are you from, Lewis?” 

“Rawlins, Wyoming. That’s in the western part — ” 

“I know where it is. Been very many angel attacks there?” 

“No, sir. We’re over six thousand feet.” 

And the angels can’t, or at least don’t, operate higher than about a mile. 
Which is why they show up around airports — since they can only get at 


Angel Kills 


43 


February 2005 

the planes during takeoff or landing — and also why Denver finds itself a 
major international airline hub, 

I said, "And you thought things would be livelier at a place like this, did 
you? Fighting off hordes of angels, day after day?” 

“Well, not exactly — “ 

“Oh, I don’t blame you. The way the news media go on, you could easily 
get the impression it’s a regular combat zone over any major airport.” 

I nodded in the direction he’d been looking. “In fact, though, this is pret- 
ty typical. We’ll go for two or three weeks, occasionally a month or more, 
without seeing an angel. Then all of a sudden there they are, and things 
get intense for a little while, and then they’re gone and it’s back to rou- 
tine patrolling again.” 

He stood for a moment digesting this. “Yes, sir,” he said finally. “I sup- 
pose I didn’t realize ... I mean, 3mu hear about a new angel attack almost 
every day or two.” 

“Sure. Somewhere in the world, they materialize and try for a plane. 
But you’ll find that usually that was the only attack reported that day, 
anywhere. Now and then there’ll be two in a twenty-foxir-hour period, on 
a few rare occasions three or fom; but I’ve never heard of more. And al- 
most never twice in a row at the same location.” 

I turned to face him. “I hope you really like to fly around in circles, 
Lewis, because that’s what you’re going to be doing for most of your time 
here. Come on.” 

We walked over to the hangar area. The heat was coming up off the con- 
crete apron with brutal force; it was like walking across the top of a stove. 

The two planes were sitting at the front of the hangar with their noses 
sticking out like a couple of inquisitive puppies. They looked slightly com- 
ical, despite their black-and-white govemment-cop paint jobs: dinky lit- 
tle open-cockpit biplanes with spatted wheels, like something from the 
nineteen-thirties. They certainly didn’t look like professional killers. 

But then they’d never been designed for that; they’d alwa3rs been strictly 
for sport, for competition aerobatics and air-show exhibitions. If you’d told 
Ciu^ Pitts, back in the forties, that his basic design would one day prove 
to be the perfect weapon in a specialized war, he’d have lauded in your face. 

It’s true, all the same. Only a little gymnast like the Pitts can mix it up 
with the darting, jinking, flitting angels. The military tried with their big 
proud jets, and lost too damn many of them before ^ey finally admitted 
defeat and left the job to us. 

Larabee came out the side door of the hangar. “Everything ready?” I 
said, and Larabee nodded. 

“Didn’t want to roll them out till you got here. Leave them sitting out 
in that sun even a few minutes, you’d get a blistered ass when you 
climbed in.” Larabee grinned. “This the new man?” 

“This is Lewis,” I told her, and she gave him an up-and-down once-over 
and then looked at me and raised one eyebrow, just a little bit, still grin- 
ning. I stifled a laugh and made a follow-me gesture to Lewis and we 
walked on into the hangar. 

I gave my plane a quick walk-aroimd and then hoisted myself into the 
tiny cockpit — ^you don’t so much climb aboard a Pitts as pull it on like a 


44 


William Sanders 


Asimov's 


pair of pants — and sat for a moment, enjoying the slightly cooler air in- 
side the hangar, before starting the primary check routine. I flipped the 
battery switch and watched the instnunente come alive. Nothing seemed 
to be waving its arms at me. I glanced up at the Hght gun on its mount 
above the upper wing. The little red LED was on, showing the auxihary 
battery fully charged; even though this wasn’t a combat flight, we were 
supposed to be ready for action any time we left the ground. 

The gun was the one wrong-lookhig thing about the Pitts, and even then 
it didn’t look like a weapon. After all, it was just a glorified flashlight, to- 
tally harmless to hmnans or any other living thing except an angel. 

VVhich is yet another of those questions without answers. Why should a 
beam of highly focused light, at a certain notch on the red spectrum — ba- 
sically a modified laser — ^have such instant and terminal effects on any 
angel it hits? Nobody even has a credible theory on that one. They only 
discovered it by accident, while trying to develop a new aiming system; 
and thank God, if there is one, that they did, because so far it’s the only 
way anybody’s foimd to kill the bastards. An angel can take any number 
of direct hits fi-om cannon shells or rockets without even seeming to no- 
tice, but nail him with the light gun and he’s gone. 

And there are other advantages, like being able to shoot them off a 
plane imder attack without harming the aircraft or the people inside. In 
fact the light gun represents one of the few positive developments in the 
war against our angelic visitors. 

I looked over at Lewis. He gave me a thiunbs-up signal. I switched off 
and jacked m3^1f up out of the tiny cockpit and said, “Okay, Larabee, let’s 
roll them out.” 

We climbed to six thousand and I led the way northward, past the 
ragged brown bulk of Piestewa Peak and the shiny sprawl of the wildly 
misnamed Paradise Valley. Somewhere down there, I remembered, there 
used to be a field for ultralight aircraft and gliders. Christ, had it only 
been a couple of years ago that people thought nothing of flying aroimd 
at low altitudes, moving slower than a good motorcycle, with nothing 
worse to worry about than engine failures and bad weather? Even ordi- 
nary private flying was just a memory over large areas of the coimtry, ex- 
cept for the few privileged bastards who could afford something like a 
Leaijet. Last I heard, Cessna was laying off half their work force. 

Finally we were over more or less empty desert. I thmnbed the mike 
switch and said, “Okay, Lewis. Try and stay with me.” 

I opened the throttle and eased the nose down into a shallow dive, build- 
ing a bit of speed, and then suddenly I yanked the Pitts up into a vertical 
climb, watching between my feet as the horizon came into view through 
the clear panel in the cockpit floor. I gave her a little rudder, keeping her 
perpendicular, while the airspeed needle swung rapidly counterclockwise. 
Just 8is the Pitts ran out of speed I kicked hard right rudder. 

The world beyond the cockpit went momentarily crazy as the Pitts 
flipped sidewise into a stall turn and pinwheeled down the sky, the Ly- 
coming screaming like an axe murderer. When the nose was pointing 
straight down I steadied her and then threw the stick over. Maricopa 


Angel Kills 


45 


February 2005 

Covinty rotated through 360 degrees as it rushed up toward me. I hauled 
back on the stick and pulled her out of the dive, somewhat lower than the 
authorities would have approved of, and kept going up into a loop. At the 
top of the loop I changed my mind, rolled upright, said why not and con- 
tinued through a triple snap roll, and then leveled out and looked around 
for Lewis. 

I couldn’t see him anywhere. I started to get on the radio, to ask where 
he was, but then I had a horrible thought. I checked the mirror. 

There he was, snuggling up behind me like a mad proctologist. I said, 
“Jesus!” involimtarily, and then, still with the mike off: “All right, pretty 
boy, let’s dance.” 

I spent the next hour leading Lewis around the sky, trying to lose him. 
It was a very long hour. 

I took him through Cuban eights and hammerhead stalls and outside 
snap rolls, boomerang turns and inverted loops and negative flick rolls, 
damn near everything in the book and a few things that aren’t. An ob- 
server on the ground might have concluded that the pilot was having 
some sort of seizure. The only thing I left out was tailslides; the way 
Lewis kept coming up behind me, I was afraid Fd fall right into him. 

And I couldn’t shake him. Every time I paused and looked around, there 
he was. He had sense enough to back off and give me room when a maneu- 
ver called for it, but then there he’d come again. At the end, after a particu- 
larly violent series, I checked the mirror and he was following me inverted. 

I sighed and flicked on the mike. “Right,” I said. “Point made and taken. 
Let’s go home.” 

Later that afternoon I locked the office and headed for the parking lot, 
pausing to watch the six o’clock patrol take off. Tsosie’s Delta flight, back 
up to strength now; the virus seemed to have run its course. The blare of 
their engines rattled off the hangar fronts as they lifted off 

The demonstrators were waiting outside the gate beyond the security 
booth. Having our own parking lot and our own gate is one of the min or 
perks of the job, but then the religious gazoonies foimd out about it and 
they’d been picketing ever since. They yelled incomprehensibly as I drove 
past, and a couple of them waved signs: SLAY NOT GODS ANNOINTED. 
WOE UNTO THEM THAT RESIST THE LORD’S JUDGEMENTS. An 
old lady wore a sandwich-board placard that warned bluntly HELL 
AWAITS YOU. 

At least they’d quit trying to block the gate, after several confrontations 
with the law. They weren’t giving up, though. According to them the an- 
gels were just that: heavenly spirits sent by God to punish humanity for 
being wicked. For xis to try and stop them was blasphemous; to kill them 
was a sin even worse than oral sex. 

Not that all the religious knuckle-walkers felt this way. On the con- 
trary, the majority held to a counter-theory that the angels were in reali- 
ty Satanic beings, come to torment the world, their appearance merely a 
trick by Lucifer — a fallen angel himself — to shake people’s faith. They 
thought we were wonderful; they’d come down to the gate and wave flags 


46 


William Sanders 


Asimov's 


and Bibles at us and sing hymns and pray loudly for us. Often the two 
groups would get into a singing and yelling competition, each trying to 
drown the other out; and a couple of times they fell to beating the shit out 
of each other in front of God and the CNN cameras. 

And yet they just might have been onto something, in an assbackward 
sort of way. At least some knowledgeable people had suggested that the 
old Biblical and medieval stories of angels with flaming swords might 
represent some earher visitation. 

Anyway, their ideas weren’t any screwier than some of the other expla- 
nations you could hear. Like the story, widely beheved in many parts of 
the world and among the looser-head^ types in this coimtry, that the an- 
gels were escapees from a secret CIA program. Somebody even made a 
movie about it. 

I was living out in Glendale at the time, in a moderately crappy httle 
duplex on a street with a silly name. At the front door I paused to empty 
the mailbox. As usual there was nothing but junk mail: subscription of- 
fers, solicitations for charity, a letter from my ex-wife’s lawyer. I went in- 
side and back to the kitchen, where I threw the lot into the trash bin. 

I got a frozen pasta dinner out of the freezer and stuck it in the mi- 
crowave and waited till the beeper beeped. I opened the box again and is- 
sued m 3 ^elf a beer and carried everything back into the living room. Then 
I sat down in the big chair and reached for the remote and switched on 
the TV and almost immediately said, “Oh, Christ.” 

The angels had gotten another airhner. Worse, it had crashed into a 
populous suburb of Melbourne, destroying homes and starting fires over 
a large area. “The fires seem to be under control now,” an Australian-ac- 
cented voiceover was sa 5 dng, while the camera panned over a row of 
burning houses and then steadied on a group of men in firefighting out- 
fits piling out of a truck. “There’s still considerable danger, though, that 
they might spread. It’s been veiy dry lately and the wind is picking up.” 

Tlie scene shifted to a studio desk, where a man in a good suit, evident- 
ly the US anchor, was looking anxiously at the camera. “Still no figures,” 
he asked, “on the ninnber of dead and injiired?” 

“Still nothing official.” Now the screen showed a thin yoimg man hold- 
ing a microphone. His short-sleeved khaki shirt was badly rumpled and 
his hair hung limp across his forehead; deep stress lines showed at the 
comers of his eyes and mouth. Behind him smoke rose above a scene of 
general destruction. 

“But,” he said, “Fd say it’s got to be in the hundreds at least, even leav- 
ing aside the passengers and crew of the aircraft. This is a holiday here 
in Australia, so a lot of people were home.” 

Back to the anchor desk, where the suit said, “This just in: the aircraft 
has been identified as a Japan Air Lines Boeing 747, inbound from Tokyo. 
No further details at this time. We’ll be right back.” 

The camera piilled back, as a different voiceover said, “This has been a 
special news bulletin, brought to you as part of our ongoing coverage of 
the HUE crisis. And now these messages from our local affihates.” 

The picture dissolved into a view of a 777 under attack, with a garish 


Angel Kills 


47 


February 2005 

red-lettered legend TERROR IN THE SKIES, So they were still using 
that same stock photo, not that there were all that many available with 
the various governments sitting on most of them. Another fuzzy gun-cam- 
era shot, but you could clearly see the white forms of half a dozen angels 
crawling over the rear fuselage and the wing roots, with bright spots 
where their torches were cutting into the shiny metal. That particular 
plane had survived, thanks to a king-hell pilot and the nick-of-time ar- 
rival of the fighters, but it was still a stomach-churning picture. 

I went ahead and ate my dinner and watched as more reports came in. 
They showed the wreckage of the JAL plane, or the biggest recognizable 
pieces; you could just make out that distinctive humped shape of the 
747’s upper forward section, lying amid the blackened ruins of several 
small houses. 

There were no details on the attack, or how the angels had gotten past 
the escort. The Austrahans, from all Td heard, had a first-class air securi- 
ty force, with their own specially designed planes. Maybe the^d gotten 
careless; somebody said they’d had very few attacks in the last year. 

And then again maybe it was nobod/s fault; maybe the angels had just 
been imusually lucky. Or unusually smart. 

After an hour or so the smts ran out of new information and started re- 
peating themselves. When they showed that damn photo again I grabbed 
the remote and switched channels at random. 

A muscular man with his shirt off stared earnestly out at me and as- 
simed me that a revolutionary new exercise system would make me look 
just like him. I pimched more buttons and finally foimd a panel discus- 
sion in progress on one of the allegedly educational channels. A hverish- 
looking woman with a bad hairdo was sa 3 dng, “So the human race has fi- 
nally made contact with an alien species, and what do we do? Kill them, 
or try to. It’s so typical.” 

Beside her a willowy grey-haired man nodded slowly. “Yes. Typical, 
even predictable.” He fluttered an elegant long-fingered hand. “The com- 
pulsion to destroy whatever we don’t vmderstand.” 

The camera switched to a bespectacled man at a lectern. “And to those 
who would ask, ‘What about the attacks?* ” he asked. 

The woman shook her head impatiently. “ ‘Attacks7 I don’t think we 
know enough about their motives to use that sort of judgmental language. 
‘Contacts’ would be a better term. But,” she went on, “if the governments 
of the world would give up this insane campaign to kill them off, and put 
the same efibrt and resources into trying to communicate with them, per- 
haps we could find out where they come fi:nm and what they want — 

“What they want?” I said aloud, “You useless cow, don’t you watch the 
fucking news? Take a look at what they just did in Austraha, That’s what 
they want” 

I gulped the rest of the beer and crumpled the can in my hand and 
threw it at the screen. It fell short and hit the floor, just as the willowy 
man said, “And anyway, what about the attacks by the United States on 
other coimtries and their people?” 

I foimd the remote and hit the power button and watched the screen go 
black. Talking back to the people on TV now? Not a good sign. Definitely 


48 


William Sanders 


Asimov's 


need to get out more. Take up karaoke, maybe, or enroll in a square-dance 
class, or join a BDSM club. 

There was a taste in my mouth like old pennies. I got up and headed to- 
ward the kitchen again to get another beer, but then I changed my mind 
and went into the bedroom and got the bottle of Scotch hum the bedside 
table instead. Better go easy on the beer. When you spend half your wak- 
ing life in the cockpit of a Pitts you have to watch your calories. 

Next morning I assigned Lewis to my flight, switching Hardin to Alpha 
flight, which was short with Carmody away. Hardin wasn’t happy about it 
but I told him the arrangement was temporary. I had a fairly good idea 
what was going to happen when Carmody got back. 

For the rest of the week Lewis flew on my wing. There was no action, 
only routine patrols, but even that was enough to show that he hadn’t 
just been on a hot streak that first day. God, he could fly. Even without 
the aerobatics, even with the most ordhiary moves, you could see it: that 
intangible whatever-it-is that only a very few pilots have, that invests 
every movement of the aircraft with a special grace. 

“I swear,” Larabee said, “he looks good just sitting on the apron with the 
engine off. Can he shoot too?” 

“Going by his scores from training school,” I told her, “yes. Second in his 
class in marksmanship.” 

She’d brought up an important point. The one big shortcoming of the 
light gun is that you can only use it for a maximum of two seconds at a 
shot before it overheats; in fact there’s an automatic cutoff to keep excited 
pilots from burning out the taxpayers’ property. So you can’t just spray a 
general area; you’ve got to use it more like a rifle than a machine gun. 
Which is why angel kills are so uncommon, and why a sharpshooter like 
Carmody was a top ace while someone like Orozco, who could outfly him 
forty ways but couldn’t shoot worth a damn, never scored. 

“All that and a tight httle butt too,” Larabee said. “If he were a woman 
Fd marry him.” 

Carmody was back the following Monday. I spent most of the morning 
in the office with him, going over various adminstrative details. Finally 
he said, “So. This new man, Lewis. Any good?” 

I told him. He whistled. “Really? I was going to take him up for a little 
tryout, but I guess there’s no point. If he can stay with you, then he can 
sure as hell stay with me.” He snorted. “Hell, if he can stay with you, I 
probably can’t stay with him” 

That was a stunner; I almost felt like looking around for a ventrilo- 
quist. But then Carmody had been surprising me all morning. Fd been 
ready for him to be an even bigger pain in the ass than usual, but instead 
he seemed more hiiman, less full of hims elf Maybe getting what he was 
aft«r had mellowed him a bit. 

He leaned back in his chair and played a couple of arpeggios on the 
desk with his fingertips. “WeU,” he said, “I think we’d better put him in 
my flight, where I can keep an eye on him and teach him the ropes. I 
know you’ll be glad to get Hardin back.” 


Angel Kills 


49 


February 2005 

Stealing the hot new jock for his flight, just as Fd expected. That was 
more like the Carmody we all knew. It was a rehef, really. When the Car- 
modys of the world quit acting like assholes it makes me nervous; you 
have to have some constants in life, so you don’t lose your bearings. 

And so Lewis became Carmody’s wingman, and for the next few weeks 
they flew together, with Orozco and Robinson on their flank; and Lewis 
quit being the new guy and became just another name on the roster 
l»ard. Everybody settl^ down again into the old routine, one day pretty 
much like another, not much excitement except now and then when the 
wind got crazy. A Pitts isn’t an easy plane to land anyway — ^we used to 
say that there were two kinds of Pitts pilots, those who had groimdlooped 
and those who were about to — and in a gusting crosswind it can be al- 
most imbearably fascinating. You’d never have guessed it, though, watch- 
ing Lewis come in with the wind blasting across the runway, he made it 
look not just easy but inevitable. 

We did get one more angel attack, right after the first of the month, but 
it didn’t amount to much. They materialized out over the Mesa area, 
eight or so of them, converging on a little Fokker 70 regional flight com- 
ing in from Albuquerque. 

Delta flight weis flying escort. Tsosie got an angel almost immediately 
and the others scattered and then started to vanish. They hadn’t had a 
real shot at the Fokker anyway; the^d spawned too far astern of their 
target. The whole thing was over in hardly any time. 

“They weren’t very good,” Tsosie said at the debriefing. “They didn’t re- 
aUy seem to know what they were doing. The only smart thing they did 
was disappear when we came at them.” 

Carmody looked at me. “Hm. The last ones were like that too, weren’t 
they?” And then quickly, “Well, maybe not this bad.” After all, that had 
been the engagement that made him a big hero; mustn’t imply that it had 
been a turkey shoot. 

He laughed suddenly. “You suppose they’ve made Phoenix their train- 
ing grovmd? Where they send their new guys to get some experience? Boy, 
did they ever pick the wrong place.” 

A couple of weeks later the angels showed up again. 

Bravo flight caught the first contact. It was just before noon and we 
were escorting a Southwest 737 coming in from Tulsa. Off to the west Al- 
pha flight was flying cover for a Fedex cargo plane taking off from the 
south runway. That was a situation nobody liked, when there were two 
planes to cover at the same time, and the controllers tried to avoid it but 
now and then it happened. 

Phoenix is a little over eleven himdred feet above sea level, so by the 
time we picked up the 737 at five thousand he was already into his ap- 
proach, wheels and fiaps coming down as we fanned out behind him and 
a little above, Hardin and me to port and Sheridan and Foley to star- 
board. I glanced down to check airspeed — just imder 150 knots, he was 
coming in a little hot but they all do that now, trying to reduce the danger 
period — and that was when the angels hit us. 


50 


William Sanders 


Asimov's 


Hardin’s voice soxmded in the earphones: “Hueys, eleven o’clock low!” 
I’d already seen them, though, spawning just astern of the 737’s port 
wing, and Christ but there were more of them than Fd ever seen at one 
time, the air was full of white wings and not all of them going for the 737 
either, several were coming straight toward us. 

I pushed the Pitts’s nose down and thumbed the safety cover off the fir- 
mg button on top of the jo3retick and laid the gunsight’s center pip on an 
angel coming at me head-on. The light beam flashed red on the middle of 
its body and I flinched instinctively as I flew through the explosion, but 
as usual there was no tm-bulence or heat or debris, or any other sign that 
anything had ever been there. 

The flash had momentarily blinded me, though, and I leveled off to let 
my vision clear. I hit the com button to switch fi^uendes. “Alpha One,” I 
called. “Alpha One, major attack. Can you assist?” 

“AfBrmative,” Carmody came back immediately. “On oin* way, Bravo One.” 

By now I could see again. What I cotild see was almost enough to make 
me wish I couldn’t. The angels were swarming over the 737, torches al- 
ready glowing. Off to my right Sheridan was rolling frantically, trying to 
shake off an angel, whfle Foley himg on astern, his hght gun intermit- 
tently flashing as he tried to pick the angel off. 

I pulled the Pitts around and bore down on the 737, laying the sights 
on an angel doing something right above the main passenger cabin. I didn’t 
hit it but I must have come imcomfortably close; it gave a sudden jmnp 
and flew upward, away from the 737. 1 watched the green LED below the 
gimsight, waiting for it to tell me that the light gun was ready to use 
again, but then Hardin yefled, “Bravo One, check six!” 

I jerked around and looked back just in time to see a big white shape 
closing in fast from astern. I said, “Shit!” and flipped the Pitts onto its back 
and hauled back on the stick. At the bottom of ^e inverted loop I eased off 
on the stick and let the Pitts straighten out into a forty-five-degree zoom 
that I was pretty siu:« no angel could follow; they maneuvered like bats out 
of hell but they didn’t have much of a dimb. 

I looked badt but I didn’t see the angel, or Hardin either. What I did see 
was a long dark gash across the skin of ^e Pitts’s fuselage, just ahead of 
the vertical fin. My stomach did a slow roll; I hadn’t realized the bastard was 
that close. A wonder it hadn’t cut a control cable, but everything seemed to 
be working. But the evasive maneuver had taken me away from the main 
fi^t. I said into the mike, “Bravo two, you are released for independent ac- 
tion.” Right now protecting the 737 took priority over covering my butt. 

And it was in serious need of protection. Climbing back up to rejoin the 
action, I could see what was going on: the jetliner pilot had panicked and 
was trying to abort the landing and run out. Which wasn’t necessarily a 
bad move — ^he had more than enough power to outrun any angel ever 
seen — ^but he was trying to climb, too, instead of holding altitude till he 
got some speed up, and that was killing him. Or was going to kill him, 
^ong with a bunch of other people, if we didn’t do something fast, be- 
cause by now the angels were all over him. 

I saw Hardin come in over the 737’s port wing and a moment later 
there was a big yellow flash right over the wing root as an angel explod- 


Angel Kills 


51 


February 2005 

ed. Another Pitts was moving up finm astern — Sheridan or Foley, I coxildn’t 
tell which — and I was almost within range too, but we weren’t going to be 
enough. 

And then, by God, just like the good guys in an old movie, Carmod 3 r’s 
flight arrived. All of a sudden there were black-and-white shapes strew- 
ing in head-on over the 737 and light guns flashing and two angels blew 
almost simultaneously. 

The others rose up off the 737 like vultures flapping up from a carcass. 
Now was the time for them to do their vanishing act; but this bimch hadn’t 
read the script or they’d said the hell with it. They went for the fighters. 

I blew an angel off Robinson’s five o’clock and came aroimd to take a 
long shot at another one as it danced away from Orozco’s fire. While the 
light gun cooled and recharged I made a fake pass at a couple that were 
closing in on Hardin, breaking up their attack and letting him climb 
clear. By now there was a full-scale furball going on, biplanes and angels 
whirling this way and that, light guns and torches flashing. It must have 
been a stirring sight for anyone watching from the ground. Close up, it 
was merely terrifying. 

A white shape appeared in the mirror and I yanked the Pitts up in a 
tight Immelmann. As I rolled upright I heard Carmod 3 r’s voice in the 
headset: “Alpha Two, clear me.” 

I looked aroimd to see what was going on, but that angel was still after 
me and I had to do some tricky maneuvering to get rid of it. In the middle 
of a hard flick roll, though, I heard Carmody again, much louder and 
sharper: “Alpha Two, I say again, clear me!” 

The angel dropped away at last and I leveled out just as Carmody’s voice 
rose in a near-scream: “Alpha Two, for God’s sake get him off me!” 

Escaping the angel had left; me well above everybody else, and the view 
through the cockpit-floor vsdndows was too blimy to see an 3 d;hing. But I 
leaned far over to my left and stuck my head over the coaming and 
banked the Pitts a little to port and then I saw what was going on. 

A big angel, maybe the biggest Td ever seen, was right over Carmody’s 
tail and moving in. Carmody wasn’t taking any evasive action, and afl«r a 
moment I saw why: his rear control siufaces were in blackened tatters. It 
was surprising he could even fly straight. 

Lewis was sitting just astern, his nose not more than fifty feet behind 
Carmody’s tail. He didn’t seem to be doing anything else. 

I ciirsed and whipped the Pitts over and down, leveling off a hundred 
yards or so behind the two biplanes and cramming on full throttle to 
overtake them. I couldn’t see the angel; I could only see a little of Car- 
mody’s plane, because Lewis was in the way. 

“Alpha Two,” I cafied, “break left.” 

And, when he didn’t: “Lewis, get the fuck out of the way!” 

He didn’t move. I hadn’t really thought he would. 

I said some more bad words and pulled up, over Lewis’s plane, and 
rolled the Pitts onto her back. I caught a brief glimpse of Lewis sitting ab- 
solutely straight and stiU at the stick, his face hidden by his helmet’s vi- 
sor. I didn’t really look at him, though; I was locked in on what was hap- 
pening in front of him. 


52 


William Sanders 


Asimov's 


The angel was on top of Carmody’s plane now. Its wings hid the cockpit 
area. 

I pulled back on the stick, stiU flying inverted, to bring the gunsight to 
bear on the angel. It w£is an easy shot, even from that angle. I thumbed 
the trigger button, knowing it was too late. 

The angel flashed and vanished. I rolled up and swung out to port, 
looking down. I could see into Carmody’s cockpit now. Or what had been 
Carmod/s cockpit. What was left in it now couldn’t really be called Car- 
mody any more. 

The other angels were starting to wink out now. OflF in the middle dis- 
tance the 737 was climbing away, apparently undamaged. 

Carmody’s plane continued to fly straight and level for another minute 
or two. Then its starboard wingtips dropped and it fell away in a long spi- 
ral dive. I thought at first it was going to hit the university campus area 
but instead it smashed into the d^ bed of the Salt River. 

After a little while I shook myself like a wet dog and spoke into the 
mike again. ‘This is Bravo One,” I said. “All pilots return to base. 1 say 
again; everybody go home.” 

Lewis was already standing beside his plane, taking off his helmet, 
when I came up bel^d him . He must have heard my boots on the con- 
crete; he turned around to face me before I spoke. 

“S 3 rstem malfrmction, Lewis?” I asked. I didn’t raise my voice. “Trouble 
with the gun and the radio?” 

He swallowed hard; you could see his Adam’s apple bobbing. He opened 
his mouth but nothing came out. He swallowed again and then, in a kind 
of dry croak, he said, ^o, sir.” 

“Everything working properly?” 

He nodded. His face was the color of cigarette paper. 

“Thank you. That’s what I needed to know.” 

I paused a moment, fighting for control. “Lewis,” I said, still keeping my 
voice low, maybe not entirely steady. “Lewis, there’ll be a formal inquiry 
into what happened up there and why. So you don’t have to tell me any- 
thing. In fact fm officially advising you not to.” 

He didn’t respond. I said, “And brides, just between us and strictly off 
the record, I ali^dy know the story and 3 rou know I know it. “ 

I wouldn’t have thought he could go any paler, but he did. His lips 
worked sotmdlessly. “I,” he finally got out. “1.” 

I said very quietly, “Couldn’t do it, could you?” 

The tears stmted coming then, trickling down on either side of his nose. 
“An angel,” he said, nearly whispering. “An angel. I couldn’t, I, how, how 
can anybody — 

He ran diy again. I said, “I know, Lewis. Trust me, you’re not the first.” 

1 turned and walked away, leaving him standing fliere alone. Maybe I 
should have said something to try to make him feel better, but I didn’t re- 
ally give a damn. 

Off to the east you could just barely make out the smoke from Car- 
mody’s plane, already thinning and drifling away in the desert wind. O 


Angel Kilb 


53 


THE 

TWO OLD 
WOMEN 


Kage Baker 


Kage Baker's most recent Company novel. The Life of 
the Worid to Come, has just been released. Ms. Baker 
resides in Pismo Beach, California, with a domineer- 
ing parrot In her latest story, she examines the long 
reach of some very dominating women. 

TT he gulls rose from the evening water, glided out serene and pointed, 
each little pilot craning its neck to judge its way on sharp-curved wings. 
So high was the sea that the bright foam was driven on the wind, and 
cloudy air rolled in low above the little town. Backlit by the low sim, the 
long combers threw back manes of white salt mist, thundering up the 
sand. Boats rocked at anchor, battened down against autumn gales, and 
she could hear their blocks and tackle clinking even up where she sat. 
The old woman gazed down at the harbor. 

She wore black, being a widow, a little stumpy lady like a wooden post. 
When she had been a young wife, sitting in this same place, watching this 
same harbor, there had still been ships moored in the green water, and 
the horizon was edl masts and spars. Gradually the masts had given way 
to steam, or diesel. Now only the sailboats bore canvas. Bright smnmer 
days they s kimm ed out there beyond the island, or tacked to and fro in 
the harbor. Not tonight. 

Nobody ventured out tonight, except grandmothers in black. They went 
to St. Anthony’s for evening mass, praying for their dead on All Souls’ 
Night. 

The old woman, though, remained in her chair. She was not a grand- 
mother. 

She sat there still as the sim sank, as the pink twihght fell. When the 
change in the wind came she felt it first, because her house sat high on 
the last street. She turned, peering. It was a hot wind, coming over the 
fields, and it smelled of mown hay and creek water. It flowed over her. It 
rolled down on the harbor. The mist fled before it, retreated out to sea, 
and the sea grew glassy and calm. 


54 




Asimov's 


Her breath qmckened, though her expression of stolid patience did not 
change. She rose, creaking, and went slowly into her house. 

Inside her home was spartan and shahhy, but scrupulously clean. One 
bare table with two chairs; one rug with a half-century’s path worn across 
it, sun-faded. Only in one comer was there color, all aroimd the tall shelf 
where the candles burned in their mby glass cups before the image of the 
Blessed Mother. Here the old woman had set a vase of flowers, dark red ros- 
es finm the schoolgroimd fence, yellow chrysanthemums finm her garden. 

And here she had hung the pictures: the tinted photographs of a dis- 
tant wedding day, a smiling bride and groom, a formal portrait of a hand- 
some yoimg man in his best suit. 

She took off her shawl, tied on an apron. For the next four hours she 
worked very hard, poimding spices in a mortar, chopping greens, simmer- 
ing broth. She roasted a formidable loin of pork with garlic, baked linguica 
with peppers, and crumbled crisp bacon into the Caldo Verde, but she pre- 
pared nothing with seafood of any kind. And in no dish did she use salt. 

When things could be left; over low heat, she went into the front room 
and laid the cloth carefully, set out the candlesticks. One place set, one 
bottle of black-red wine from a cupboard, a single fine glass. Half an hour 
before midnight, she set out the tureen, the platters of meat, the pan of 
combread. She poured a single glass of wine. She lit the tapers. She took 
another candle, a blue one, and set it in the window, carefolly tying the 
curtains back. 

Then she took off her apron, drew her shawl around her shoulders, and 
walked down to the harhor. 

The wind had not changed. The air was clear, the darkness full of little 
flickering lights. It took her longer than it had used to, to get down to the 
mole, but she arrived before midnight. She waited, staring out into the 
night ocean. 

At midnight she saw the white sail gliding in, as she had known it 
would. The black water was smooth eis glass, the little fishing boat moved 
over it without a soimd. She could see it clearly now. The timbers were 
rotted and festooned with rank weed, the paint bubbled and chipped 
away, and all the ironwork risen like biscuit with rust. But the sail was 
white and whole, belled out with phantom wind, bright with phantom 
simhght. His face was bright, too, where he sat at the tiller. 

He was still yovmg. 

He brought his craft up to the mole easily, tossed a loop of seaweed 
aroimd a bollard and moored; stepped lightly out, with his duffel over his 
shoulder. He leaned down to kiss her. His hps moved as though he were 
speaking to her, gleeful and excited, but he wasn’t making a sound. 

He chattered away in perfect silence, all the way back through the 
town. He outpaced her easily, on his yoimg long legs, and more than once 
had to stop and wait for her at a turn in the street. He looked a little puz- 
zled at her slowness. 

But they got to the top of the hill at last. He boimded up the steps of 
their house, opened the door for her, slung down his duffel and stood rub- 
bing his hands together, eyeing the food greedily. As she closed the door, 
he was already pulling off his jacket and knitted cap. Where he dropped 


The Two Old Women 


55 


February 2005 

them they became a soaked mass of rotten wool, and the duffel was black 
and sodden too. 

He hitched his suspenders, sat down at the table, rolled up his long 
sleeves. Grinning, he helped himself to the food. Knife in one &t, fork in 
the other, he ate heartily, steadily, and set the fork down only to gulp the 
red wine. She sat across from him and watched. He smeared melting but- 
ter on the com bread. He savored the pork crackling. Once or twice he 
looked around on the table, himting for the salt; but as it wasn’t there, he 
shrugged and went on eating. 

When he had done, when the white candles had burned down a quarter 
of their length, he pushed his empty plate back and said something to 
her. He winked broadly. She rose and went into the bedroom, and he fol- 
lowed her. 

There her young heart went out of her body, and the old woman sat 
weeping in a chair watching the young woman undress, and slip into bed. 
He shucked off his boots, his clones — ^they fell to pieces on the floor, and 
water spread there in a dark stain on the rag rug. He climbed into bed 
with the phantom girl, and she lay in his arms. 

F£ir into the night, as the yovmg husband and wife slept, the old woman 
rose from her chair. She was moving more stiffly now, and her eyes were 
swollen from so much weeping, so she felt her way as though she were 
blind. She gathered up the ruined garments in her apron, carried them 
out to the garden, and laid them at the base of a tree. She collected the 
food from the table and carried it out there too. She got a shovel. Gasping, 
her old heart laboring, she dug a hole under the tree and buried the rags, 
the remains of the feast. 

Then she went back into the house. She took a box from a cupboard and 
carried it outside again. Walking the perimeter of the garden fence, she 
laid down a line of white powder, very carefully. When she had drawn an 
xmbroken circle aroimd her home, she went back indoors. The sky was 
just getting light in the east. 

She blew out the candles. The smoke rose, coiled. 

The other old woman, in her house down the hill, woke a little while 
later. She dressed herself and, kneeling at her comer shrine, said a 
rosary. Sometimes her gaze was on the Blessed Mother’s kind inscmtable 
face; sometimes on the firamed photograph of the old man, sitting in aff^r- 
dinner ease with a grandchild on either knee, and the ash falling frum his 
cigar caught by the camera in midair forever. 

But as she told her beads, the other old woman became aware of a 
sound. It could be heard above the diesel motors rumbling to life in the 
harbor, the raucous screaming of gulls following the trawlers out. After a 
moment she identified it as someone hammering, irregularly. 

It continued as she rose and went to the kitchen. It counterpointed the 
rocking of the wooden bowl as she kneaded dou^. It was still going, three 
taps and a pause, three taps and a pause, as she sliced potatoes and set 
them to fiy in bacon grease. 

At last she turned from the stove and went to the window above the 
sink. Parting the checked curtain, she squinted in the direction of the 


56 


Koge Baker 


Asimov's 


sunrise. There was her sister’s house, on its high ridge. She peered, 
rubbed her eyes, retrieved a pair of spectacles from her apron pocket and 
shpped them on. She saw a man on a ladder, putting new shingles on her 
sister’s roof. The sun, just now reaching him, Ht him up in gold. 

The other old woman nodded in approval, and went back to the stove. 

After a moment, though, she frowned. She looked out the window 
again, wiping her hands on her apron. At last she turned down the heat 
and left the kitchen, walking through the house. 

Marco’s bed was empty, neatly made, because he was away at boot 
camp. Danny was still asleep on his side of the room, snoring. The other 
old woman shook her head at the sport jacket lying where it had been 
thrown, the cigarette butts on the floor, the guitar. She picked up his dis- 
carded socks and went on. 

Margaret Mary was in her room, soimd asleep imder the sultry gaze of 
Elvis on her tacked-up posters, and the other old woman spared her no 
more than a glance in before moving on. She looked in on the twins by 
habit, and caught them awake and clandestinely eating Halloween candy. 
One basilisk stare was all it took and they scrambled back into bed, hud- 
dling there as she retrieved tiny imderwear and socks from their hamper. 

Celia woke when she opened the door, though John slept through it. 
The other old woman left without a word, and had the first laundry load 
going when Ceha shuffled into the kitchen in her bathrobe. 

The hammering was still going on. Tap tap tap, pause. 

“The wind’s changed. It’s coming from inshore, can you feel it? Going to 
be hot today,” said Ceha. 

“Mm,” said her mother. 

“Mama,” said Celia, clearing her throat, “You don’t have to fry up so 
much linguica in the morning. The kids want Com Pops.” 

“Danny likes it,” said her mother. “Did you teh Rosahe to get Jerry to 
fix Tia Adela’s roof?” 

“No, Mama.” Ceha yawned, and got a can of coffee down from the cup- 
board. “I told you, Danny’s going to do it. He promised me.” 

“Well, somebody’s up there now,” said her mother, parting the curtain 
once again. Ceha blinked, came and stared. 

“Who’s thatr 

“Not Danny,” said her mother. 

“Huh,” said Ceha, troubled. But she went to the breadbox, methodical- 
ly laid out sandwiches for the school lunches: Peanut butter for the twins, 
iWa salad for Margaret Mary. Three brown paper bags, three oranges, 
three dimes for milk . Rituals for the hving. 

READERS: If you are having problems finding Asimov’s Science Fiction at 
your favorite retailer, we want to help. First let the store manager know that 
you want the store to carry Asimov’s. Then send us a letter or postcard 
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6 Prowitt St., Nonwalk, CT 06855-1220. Thank you! 


The Two Old Women 


57 


February 2005 

Not another word was said on the subject of Tia Adela’s roof, as the 
household was fed, as the children were sent to school, as John went to 
work at the boatyard, as Danny was coaxed out of bed, bullied into eating 
linguica and onions despite his hangover and sent on his way to the new 
job at the fish market, as the clean wet clothes went out on the line to dry. 

But when the house was quiet and well-ordered again, the other old 
woman looked meaningfully at her daughter and pulled on her shawl. 
Celia followed her out the door, fanning herself with a piece of newspaper. 

“Mama, it’s hot,” she complained. “You don’t have to wear that thing.” 
But her mother ignored her, and they were silent the rest of the way up 
the hill to Tia Adela’s house. 

The hammering was still going on. They could see the edge of the lad- 
der poking up over the roofline, but they could not see the workman until 
they walked out to the edge of the street and turned. 

The other old woman said nothing, but she made the sign of the cross 
involuntarily. Celia shaded her eyes against the sun with her newspaper. 
“I’m sweating to death. Mama,” she muttered, studying the wor kman . 
Nobody she knew, though he was certainly good-looking: long lean back 
bronz^ by the sim, a mermaid tattooed on his right emu. His hair was a 
little long; his wool trousers were a little tight. 

“Hello?” she called. “Mister?” 

He did not reply. He did not even turn his head; just reached over and 
took the last tarpaper shingle fi*om its box, and tacked it in place. 

“Hey!” Celia call^, when he paused to wipe his forehead. He did not ap- 
pear to notice her. His lips were moving as though he were singing to him- 
self^ though he was not making a soimd. He dropped his h amm er, climbed 
briskly down the ladder and walked out of sight behind the house. 

“I wonder if he’s deaf?” said Celia. “TU bet that’s what it is. Mama. She’s 
hired one of those handicapped guys from St. Vincent de Paul’s, huh? 
Danny would have gotten around to it,” she added plaintively. “Gee, now I 
feel bad.” 

Her mother did not reply. 

“Mama, maybe we should knock on the door, see if Tia Adela’s okay,” 
said Celia. “Some of those guys are a little crazy, you know?” 

“No,” said her mother. “We’re going home.” 

She said it in such a way Celia knew there was no point arguing. They 
walked back down the hill. 

Once or twice, at night, the hot wind brought the lowing of cattle from 
the big ranch far up the canyon. By day, the twins and Margaret Mary 
sweated in their blue woolen school miiforms. Rosalie, miserable in the 
heat, fled her tiny apartment and walked up the street to sit on the porch 
swing with her mother. The radio blared fi'om the house behind them. 

“Did you throw up every damn morning like this?” she asked queru- 
lously, raising her voice to be heard over Perry Como. 

“Only with you and Marco,” Ceha rephed. “All I could eat for a month 
was green grapes and crackers. It’ll get better, sweetie.” 

“I sure hope so,” sighed Rosahe. “Were you bothered by smells, too? I 
opened a can of sardines, and I swear I nearly died.” 


58 


Kage Baker 


Asimov's 

“Good thing Jerry’s not in port right now, then,” joked her mother, but 
Rosalie did not smile. 

“I miss him already,” she said, staring out at the sea in resentment. “I 
had bad dreams last night. It’s too late in the year to go out so far, don’t 
you think?” 

“It’s still smnmer,” said Celia, waving at the electric fan. “S umm er in 
November, for God’s sake. And they have to make money while they can, 
you know.” 

“It’s not fair,” said Rosalie. Her mother looked at her sidelong. 

“You married him,” she said. “I told you, didn’t I? Marry a Souza, an 
Avila or a Machado, and half the year he’ll be out there on a trawler. And 
the other half of the year your house will stink like fish.” 

“Maybe he can get a job at the boatyard with Daddy,” said Rosalie. 
Celia made a noncommittal noise. Rosalie lifted her head to watch a leaf 
fioating down the wind. Her gaze fell on the house against the skyline. 

“Don’t tell me you got Danny to paint Tia Adela’s house!” she said. 

Celia looked unhappy. 

“No. She has some boy from St. Vincent de Paul’s up there, or maybe 
the Salvation Army.” 

“It’s looking really nice,” Rosalie observed, standing to see better. “See, 
all those hedges have been cut back. Somebody took down that big dead 
tree! Jerry was going to do that for her, when he got around to it,” she 
added, a little imcomfortably. 

Celia shrugged. Rosalie’s face brightened. 

“Gee, do you think she’s getting it fixed up to sell? Like, maybe she’s go- 
ing to move into a home? Maybe you could talk to her about giving it to 
Jerry and me instead. We really need the room.” 

“I don’t talk much to Tia Adela,” said CeHa. “Anyway, sweetie, it’s her 
house.” 

“But we’re young” Rosalie groaned. “What does she need with a whole 
house?” 

That night the wind changed again. 

The temperature dropped. A long swell rolled in from the sea, and by 
midnight the siuf was booming on the mole. Mist rolled in too, white im- 
der the stars. It brought the smell of salt, of seawrack and low tide. 

Tia Adela, dozing in her chair, started awake. The young man was sit- 
ting up in bed, staring at the window. Without even looking back at the 
girl, he slipped out of bed and drew on the clothes she had laid out for 
him, the wool and linen that was yellowed but none the worse for having 
spent a half-century packed in a trunk. He opened the window and drew 
in a deep breath of sea air. 

Turning, he walked out of the bedroom. Tia Adela followed him as far 
as the front door. He gave her an apologetic grin as he slipped out, ran 
lightly down the steps. A pink quarter-moon hung low in the west, send- 
ing a faint track across the water. He paced down the walk as far as her 
fi*ont gate. But, extending his hand to open it, he faltered; drew back. Two 
or three tries he made, and couldn’t seem to reach it. 

He looked down, at the trail of white stuff that crossed his path. He be- 


The Two Old Women 


59 


February 2005 

gan to walk along it, seeking a way through, and followed its imbroken 
line all aroimd the house, dodging through her garden, stiunbling around 
behind the woodshed and the blackberry hedge, before he arrived at the 
front walk again. 

He turned to look up, pleading silePtly with Tia Adela. She shook her 
head. Shoulders sagging, he came back<.up the walk and climbed the 
steps. He collapsed into a chair. She brought the wine and poured out a 
glass for him. He drank it down. It seemed to make him feel better. 

In the morning he went out and spaded up her vegetable garden, 
whistling to himself in silence. She watched him from the window. Now and 
again she raised her head to look at the sIqt, where far to the north a thin sil- 
ver wall of cloud was advancing. The sea was growing rough; it had turned 
a milky and ominous green, mottled here and there with purple weed. 

“The glass is falling,” stated the other old woman. Nobody paid any at- 
tention to her except Margaret Mary, who came to look at the barometer. 
Margaret Mary wore glasses, braces, had frizzy hair and freckles. She was 
the sort of girl who would be genuinely interested in barometer readings. 

“Somebody ought to go,” RosaHe was insisting. “She could be lying dead 
up there, for £ill anybody knows. Maybe she’s had a stroke or something, 
and the man is some hobo who’s just moved in. Maybe he’s stealing from her.” 

“I guess we ought to be sure she’s okay,” Celia said, glancing uneasily 
at her own mother. 

“Don’t you think somebody needs to check on her, Nana Amelia?” Ros- 
alie demanded. “And if she’s okay, well, that gives you an opportunity to 
talk about leaving the house to Jerry and me.” 

Nana Amelia gave her a dark look. “It’s not a lucky house,” she said. 

“Why don’t we all go?” suggested Celia. “That way, if he’s trouble, we 
can send Margaret Mary for the cops.” 

“Okay!” said Margaret Mary. 

Nana Amelia sighed, but she drew on her shawl. 

They set off up the street. The three women walked in close formation, 
arms crossed tightly under their breasts. Margaret Mary followed be- 
hind, hands thrust into the pockets of her school sweater, staring up at 
the clouds and therefore stumbling occasionally. 

“Those are cumulonimbuses,” she said. “And, uh, stratocumuluses. I 
think we’re going to get a heck of a storm.” 

Nana Amelia nodded grimly. 

They came to the front gate and looked up. The house was tidy, trim as 
a ship, with its new coat of paint. The doorknob and the brass lamp had 
been polished until they gleamed. The weeds had been cleared from ei- 
ther side of the walkway and the chrysanthemums staked up, watered, 
all swelling buds and yellow stars. 

The women stared. As they stood there, Tia Adela came arovmd the side 
of the house, carrying a basketful of apples. She halted when she saw 
them; but the young man who followed her did not seem to see. He simply 
stepped around her, and proceeded up the steps. He was carrying a dusty 
box full of mason jars and lids. He went into the house. 

“What do you want?” said Tia Adela. 


60 


Kage Baker 


Asimov's 

“We came up to see if you were all right,” said Celia reproachfully. “Tia 
Adela, who’s that boy?” 

Tia Adela looked at her sister. 

“You really shouldn’t have strangers up here, Tia Adela,” said Rosahe. 
“We were thinking, maybe you shouldn’t live all alone nowadays, you 
know what I mean?” 

“Yes,” said Tia Adela. “I thought so too.” 

“And I was looking in the phone book, and there’s this nice place called 
Wyndham Manor in San Luis, where they’d take — ” 

“You have offended God!” shouted Nana Amelia hoarsely. She was 
trembling. 

Celia and Rosalie turned to gape at her. 

“I don’t care,” said Tia Adela. “And He has said nothing. But she’s angry, 
oh, yes.” And she nodded out at the sea, wild and sullen under slaty cloud. 

“Mama, what’s going on?” said Ceha. 

Nana Ameha pointed up at the window. The young man w£is standing 
behind it, gazing out at the dark sea with an expression of heartbreaking 
longing. 

“That is her husband,” she said. 

There was a moment’s stimned silence, and then Ceha said, very gen- 
tly; “Mama, Tio Benedito has been dead since before I was bom. Remem- 
ber? I think we’d better go home now, okay?” 

Her mother gave her such a look of outrage that she drew back invol- 
untarily. 

“Don’t be stupid,” said Nana Ameha. She stormed forward and up the 
steps, and Ceha and Rosahe ran after her, protesting. Tia Adela shrugged 
and foUowed slowly. Margaret Meiry came with her. 

The yoimg man at the window didn’t seem to notice the women burst- 
ing into the room. Nana Ameha went straight to the wedding photograph 
on the waU, grabbed it down and thrust it in Ceha’s face. 

“There! Her Bento. See? Dead as a stone. He went out past Cortes 
Shoals after rockfish, too late in the year. A lot of fools went out. The 
Adelita, the Meiga, the Luisa ah went down in the gale, even the big Dun- 
bartonl So many dead washed up on the beach, they loaded them on a 
mule wagon. Bento, they didn’t find. The sea kept him. And she never for- 
gave God!” Nana Ameha tmned in wrath to her sister, who had come in 
now and set her basket of apples on the table. 

Ceha, who had taken up the photograph, looked from it to the young 
man by the window. Rosahe peered over her shoulder. 

“Mama, this is crazy,” said Ceha. “Things like this don’t happen.” 

“So . . . he’s a ghost?” said Margaret Mary, peering at Bento. “And he’s 
come back to her? Just like he was? Wow! Only . . .” She looked sadly at 
her great-aunt. “Only, you’re old, Tia Adela.” 

Tia Adela folded her arms defiantly. “I know,” she said. “But I have him 
back. She can cah him, she can beat herself white on the rocks, but she 
can’t climb up here. He and I wih stay safe in my house, let her gale blow 
hard as it wih.” 

“Who is this other lady she’s talking about?” Rosahe murmured to her 
mother. 


The Two Old Women 


61 


February 2005 

“Adela, don’t be stupid!” said Nana Amelia. “You know what will happen.” 

“This Wyndheun Manor you called, how much does it cost?” Ceha in- 
quired of her daughter sotto voce. 

“Look, whoever you are, you’d better go now,” Rosalie said, turning to 
Bento, “tk) you hear me? Go back to St. Vincent’s or wherever she hired 
you from.” 

He made no reply. She strode across the room to him. “Hey! Can you 
hear me?” 

She grabbed him by the arm and then she screamed, and staggered 
back. Celia was beside her at once, catching her before she fell. Bento had 
not moved, had not even tinned his head. 

“Honey, sweetie, what is it?” Celia cried. 

Rosalie was gulping for breath, her eyes wide with horror. She was 
holding her hand out stiffly. Her mother closed her own hand around it 
and recoiled; for Rosalie’s hand was as cold as though she’d been holding 
a block of ice, and as wet, and gritty with sand. 

“Should I go get Father Halloway?” asked Margaret Mary. 

“No,” said the women in unison. 

“I don’t see why you’re all so mad, anyhow,” said Margaret Mary. “I 
think it’s neat. If we can really bring the dead back, so we won’t be lone- 
ly — ^well — ^wouldn’t that be great? You could still have Grandpa to talk to, 
Nana! Haw’d you do it, Tia Adela?” 

Tia Adela said nothing, watching Bento. He was pacing back and forth 
before the window. 

“She made a Soul Feast,” said Nana Amelia. “Didn’t you, Adela?” 

“You mean she just cooked some food?” Margaret Mary cried. “Is that 
all it takes? Can anybody do that?” 

“Not everybody,” said Tia Adela, curling her lip. “And food is not enough. 
There must be love that is stronger than death.” 

“Oh,” said Margaret Mary. 

“It’s wrong, child,” said Nana Ameha. “The dead don’t belong to us! And 
they want their rest. Look at him, Adela, does he look happy? You have to 
let him go.” 

“How are you keeping him here?” asked Rosalie in a little voice, the 
first time she had spoken since she’d learned the truth. Ceha, sitting with 
her arm around her, shook her head. 

“Sweetie, don’t ask — 

“Borax,” said Tia Adela. 

“What?” 

“Borax,” Tia Adela repeated, with a certain satisfaction. “I poured a line 
of it all along the fence, and he can’t cross it.” 

“Jesus Christ, Tia Adela, you put down borax powder for ants, not 
ghosts!” yelled Ceha. 

“It’s a^ah, isn’t it?” said Tia Adela. “The opposite of salt. So it breaks 
the spell of the sea.” 

“Um . . . but alkah isn’t the opposite of salt, Tia Adela,” said Margaret 
Mary, wringing her hands. “It’s the opposite of acid. We learned that in 
chemistry class.” 


62 


Kage Baker 


Asimov's 


Tia Adela shrugged. “It still works, doesn’t it?” 

A gust of wind hit the windows, whirling brown leaves. A gull swept in 
close, hung for a moment motionless at eye level before gliding away 
downwind. Rosalie shivered. 

“No, Fm not letting him go,” Tia Adela went on, in a harder voice. “Fifty 
years Fve sat up here, and I got old, yes, and she’s stUl beautiful; is that fair?” 

“There wiU be a price to pay,” said Nana Amelia. 

Tia Adela did not reply. Bento sighed, making no sound, but far out and 
high up a gull mourned. 

“Go away now,” said Tia Adela. “Fve got his dinner to fix.” 

Rain advanced like a white curtain. The leaden sea turned silver before 
it vanished in the squall. One by one the trawlers came in, fleeing for 
their lives, ramming the pier in their haste to moor. The crews scrambled 
ashore dripping, dodging the waves that were breaking over the pier. A 
police cruiser pidled up to the mole with its red light flashing, and cops in 
black slickers set sawhorses across the walkway. 

Nobody was fool enough to go out there, though. The harbormaster 
sighed, looking at the moored sailboats; half of them would be on the 
beach, or matchwood, by morning. 

The cars were pulling up now to the foot of the pier, and women and old 
men were getting out, squinting into the flying rain, leaning over as they 
walked into the wind. Soaked before they reached the harbormaster’s of- 
fice, they came one after another and asked: Was there news of the Med- 
ford? Was there news of the Virginia Marie? 

They came away with faces like stone, and went back to their cars and 
sat, steaming up the windows, except for a couple of the old men, who 
splashed away through puddles to the Mahogany Bar and could be 
ghmpsed thereafter at the window, looking like fish in a lit aquarium, 
drinking steadily as they waited. 

Night closed down. One by one the headlights came on, pointed out to 
sea. When the waves began to break over the edge of the parking lot, the 
cops came and made the cars move back; but they did not leave, and they 
did not turn out the headlights. 

Then there was a confusion of shouting, of horns and red fights, and 


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The Two Old Women 


63 




February 2005 

Margaret Maiy started awake as the car doors were flung open. She had 
to wipe her steamed glasses clear before she could see her mother and fa- 
ther hurrying through the rain, splashing through the long beams of 
light, calling alter Rosalie who was sprinting ahead as fast as she had 
ever gone in her life. 

And beyond her — Margaret Mary took her glasses off, wiped them 
again and stared openmouthed. Impossibly huge, bizarrely out of context 
with her prow almost on the asphalt, the S^rginia Marie lay beached and 
rolling. Men clung to her, shouting, staring at the sohd world of automo- 
biles and houses and warmth, just within reach and terrible yards away, 
as the black water, the white water kept breaking over them, and the rain 
glittered and ran. 

Sirens howled; a big ambulance pulled up, and another pohce car. Peo- 
ple were crowding too close for Margaret Mary to see much, until the 
ropes were rigged and the rescued began to arrive on shore, huddled at 
once in blankets. 

The crowd parted. Mary Margaret saw a blanketed man with his wet 
hair plastered down, and he was talking earnestly to Rosalie. Rosalie put 
her hands to her face and screamed. She just kept screaming, imtil at last 
John lifl»d her in his arms and dragged her back to the car, with Celia 
nmning after weeping. Margaret Mary wept too, withdrawing into her 
seat. Through her tears she mmnbled the Oiir Father; though a cold adult 
voice in her head told her it was a httle late for that. 

“Daddy, what happened?” she begged, as he thrust Rosalie into the 
back seat beside her and slammed the door. For all anybody noticed her 
or answered, she might have been a ghost. Celia reached into the back 
and gripped Rosalie’s hands, and held on to them all the way up the hill 
to the house. 

It was an hour later before she heard the story from her father, as he 
sat in the kitchen in his bathrobe, over strong coffee with whiskey in it: 
how the Virginia Marie's radio mast had gone by the board, how she had 
been making her way back, how they had come upon the Medford taking 
on water and listing, how they had managed to take her crew off; and how 
Jerry had just gotten the last man aboard and was pulling in the lifeline 
when he had fallen, and dropped between the two hulls like a stone. 

There had been no sign of him, in the rain and the night, and he might 
have answered their calls — one crewman swore he had heard him an- 
swer, and had thrown out a life preserver in that direction — ^but the wind 
was so loud they couldn’t be certain. Then suddenly the Virginia Marie 
had her own problems, and no man aboard had thought to come home 
again. Yet — 

“Only Jerry lost,” said her father, and had a gulp of his coffee. “Can you 
beat that?” 

“But he might have made it,” Margaret Mary protested. “Maybe he 
caught the life preserver. Maybe theyTl find him tomorrow when it’s light!” 

“Yeah,” said John wearily. “Sure, honey.” 

Margaret Mary looked out between the curtains, up through the night 

at the warm fight glowing in Tia Adela’s window. 

* ♦ ♦ 


64 


Kage Baker 


Asimov's 


She slept on the couch in her clothes, because they had put Rosalie to 
sleep in her bed. Just after seven she rose, put on her glasses and stood 
at the front window, blinking out at the day. The rain had stopped, the 
wind dropped, though it was still gusting cold fitfully. The 'Virginia Marie 
was working apart fast, and there was a big crack in the parking lot 
where her prow had acted like a wedge on the asphalt. More yellow 
sawhorses blocked it off. Sailboats were lying all along the tideline, and 
one actually had come to rest on the boardwalk. 

Turning, slipping off her glasses to rub her gritty eyes, she heard sud- 
den footsteps from the hall. 

Rosalie was up and dressed, pulling on one of her father’s coats. Nana 
Amelia was right behind her, looking unstoppable. After them Celia 
came, hopping as she tried to put on her shoes while following. 

“Sweetie, you need to stay here and rest — ” she entreated, but Rosalie 
ignored her mother. 

“Where are you going?” asked Margaret Msuy. 

“Where do you think?” seud Rosalie, in a furious voice, flinging open the 
door and marching out, as Nana Amelia pulled on her shawl. 

Margaret Mary stuck her feet in her saddle oxfords and clumped hur- 
riedly along after them, running to catch up. 

The rain had packed down the line of borax before Tia Adela’s gate, but 
had not washed it away. Tia Adela and her husband were out in the gar- 
den. She had filled another basket Avith windfall apples, and he was saw- 
ing loose a bough that had been broken by the storm. He did not look up 
as Rosalie threw the gate wide and shrieked, 

“Let him go!” 

Tia Adela lifted her head, gazed at them. She looked down at the har- 
bor, where the Virginia Marie wallowed broken in the surf. 

“TTiis has come of your wickedness, you see?” Nana Amelia told her 
sternly. “And her child needs a father, Adela.” 

“Please, Tia Adela! For the baby’s sake!” Celia implored. 

Tia Adela looked hard at Rosahe, who was scufGng through the line of 
borax with all her might. She grimaced, looking for a long moment as 
thou^ she’d tasted poison. 

“That won’t do it,” she sighed. She went to the shed and got a broom. 
Casting a long regretful look over her shoulder at Bento, she walked to 
the fi*ont gate. 

“Stand back,” she said. They shufQed out of her way and she swept the 
borax aside, in a white fan like a bird’s wing. 

The sim broke through, a long beam brilliant and white, whiter still for 
the seabirds that rose in a circling cloud through it, crying and calling. 

“Look at the rainbow!” cried Margaret Mary, and they all looked up at 
the great arch that spanned the harbor, in colors so intense they nearly 
hurt the e3re. 

When they looked down again, they saw the car pulling up. 

It was black, and long, and so, so expensive. The dashboaift was inlaid 
with patterns in mother-of-pearl, all shells and mermaids and scalloped 
waves; the upholstery was sea-green brocade. The chrome gleamed as 
thou^ it were wet. 


The Two Old Women 


65 


February 2005 

And she who sat at the wheel was exquisitely dressed, tapping with her 
ivory fingers on the wheel, just a little impatient. Though her face was 
that of a skull, her very bones were so beautiful, so elegant, as to inspire 
self-loathing in any woman with a face of flesh (too fat!). 

She hit the horn. It sounded like a foghorn. 

The mortal women heard the quick footsteps behind them, felt the ice- 
cold touch as Bento shoved through them in his haste to go. He was smil- 
ing wide as he got into the car, didn’t so much as look back once. He closed 
the door. The car glided away down the hill without making a sound. The 
women stood there, looking afl«r it. 

“Bitch,” they said in rmison, and with feeling. 

But before noon the Coast Guard had picked up Jerry finm the swamped 
and drifting derehct Medford, that he had been able to scramble aboard 
somehow, and they brought him home to Rosalie’s waiting arms. 

Seven years later, though, in another November, his luck ran out. The 
Star of Lisbon was lost with all hands. The Old Woman of the Sea is a 
poor loser, but she is a worse winner. 

Rosalie wore black, and once or twice a week climbed the long street to 
Tia Adela’s house, carrying Maria and tugging little Jerry by the hand. 
Jerry sat in the middle of ^e faded rug with his toy tractors and trucks, 
r unnin g them to and 6*0 while Maria napped, and Rosalie learned how to 
make the old dishes: Caldo Verde with bacon, linguica with sweet pep- 
pers, garlic pork roast. 

And she waited for the wind to change. O 



U/hy did theij dam the riper of time some my upstream? 
How did theij dam time itself? Maybe they fouybt — w;ill fi^ht — 
a probability war, striping to block some streams of possibility 
and reirtforce others. A myriad dams miyht be made. Sabotaye 
may ensue, and nVal dams, to divert events a <^iffereMt way. 


The result is that time {iooded backward caXastro^\\\cal\\^, 
causing such eddaes and w\\\r\^oo\s and deeps and shallows. 

A billion people lioetl their ivhole lioes in mere seconds 
and eKpired In ignorance. Others were flotsam on the flooti, 
seeing cities and ciuilizations rise and fall around them. 

Caught up in an eddy, a mother-to-be found herself 
kneeliny at the yraoe of her yreat-yranddauyhter. Stretched 
by the current, a soldier shot dead in a two-mnute war 
suckled for centuries at his mother's tit By the time he hit 
the yround a ylacier u^as enyulfiny the battlefield. 

And me? And me? She yreu; instantly old 
In my shrinkiny arms as I became a child ayain, 
held tiyht by a blind crone. I lead her alony 
by her u;rinkled hand, my yrandmother so it seems, 
u;ho still u^hispers endearments toothlessly 

As we make our way thouyh the ruins of millennia, 
u;recked rude huts, tumbled temples of marble, 
fallen castles, tu;isted yirders of skyscrapers, 
and so much mud ivhere at least food yrows, 
in search of an Eden from tohere time may haoe spruny, 

A fountain of youth to restore to her some 
of my univanted juvenility. But this Earth 
of multiple eras is vast survivors are feu; 
and mostly insane, and yesterday for the first time 
I sau;, to my horror, the corpse of a dinosaur. 


— Mike Allen and Ian Watson 


PARACHUTE 

KID 


Edd Vick 


Edd Vick's previous appearance in Asimov's was 
"First Principles" in September of 2003. He continues 
to work for the adoption agency through which he 
and his wife, SF author Amy Thomson, adopted. In his 
latest tale, he takes a look at what it means to be a 
person who just drops in. 


I p^ged the big black woman as trouble immediately. She had that oh-so- 
concemed look people only get when they're about to screw you over. She 
came into our trig class wil^ Principal Peters and walked directly to Mr. 
Brown’s desk. They went into a huddle just as Lee snapped the paper foot- 
ball Fd folded past my ear, and held out two thmnbs-up. I wasn’t watching 
because I wanted to keep one eye on that huddle and the other on my path 
to the window. I figured it was the second fastest way out of the room, in 
case it was me they were afier. The fastest Fd reserve for a real emergency. 

“He scores!” Lee followed with that soimd that’s like a faraway crowd 
cheering. 

“Lee Tsien Chen,” said Brown, pointing our way. “Second row.” 

Lee froze. The woman lumber^ over and he used both hands to pull 
himself out of his desk and to his feet, looking down. If there’s one hard 
and fast rule about dealing with adults, that’s it. Never look them in the 
eye. It makes you harder to call on, it pisses them ofi^ and you don’t have 
to look at their wrinkled skin. Three for the price of one. 

“Hello, Lee,” she said. “My name is Margaret Carter. Fm with the — ” 
She saw me watching, and lowered her voice. I stiD caught it. “U.S. Citi- 
zenship and Immigration Services. Come with me, please.” 

Lee shot me a look. 

The USCIS. I knew she was trouble. 

Lee didn’t show up the rest of the day. I hustled to my bike and rode to 
his apartment, part of a large complex that was aU empty fields not long 
ago. He and his “aunt” live clear on the other side of C^ta Mesa, not far 
firom John Wa3me International. Fd like to have a car to drive to high 
school, but there’s too much paperwork involved; too many wa3rs I could 
screw it up. On a bike, Fm ju^ another kid. 


68 




Asimov's 


His paper auntie opened the door and said something in Chinese. I took 
it for an invitation and entered. As usual, it took my eyes a minute to ad- 
just. The bright sun outside would have a hard time competing with the 
dazzle of red and gold inside Lee’s home. They’re lucky colors, and his 
parents were more than wealthy enough to buy him the best of every- 
thing, so long as it was in shades of gold and scarlet. 

I walked to his room. The apartment always smells wonderful, p£u*t 
open-air spice market, part fishing boat. I often eat there. 

Lee was in his room, asleep on top of the Lakers bedspread. Weird 
thing: he’d shaved his head. I saw clumps of hair all around the bed as I 
was waking him. 

“Sam! Aw, Jesus.” There were tear tracks down his face, and he coughed 
a couple of times. “She’s going to send me back.” 

“Back” would be bad. China was as familiar to him as Mars was. He’d 
been in Southern California for ten years. 

“We’ll get you hidden away,” I said. “Stay with me tonight.” 

He didn’t argue, he never does. He just threw a few things into his 
backpack and grabbed his keys. On the way out the door, he said some- 
thing short to his aimtie. She shrugged. 

We threw his pack and my bike into his gold BMW and peeled out. 

“What’s with the hair?” I asked, shoving the cap forward on his head to 
rub at his bare scalp. He swerved back and forth, trying to swat at my 
hand. 

“We do that to get ready for tests,” he said. “SATs are next month.” 

“We?” 

“My people.” 

“Oh, suddenly you’re all Asian.” 

“Fuck you.” 

I guessed what he’d been thinking. If he was going to be sent back to 
China as an “rmaccompanied minor,” at least he could look like he’d been 
studying. Like he hadn’t been staying out all night with me at the twenty- 
four-hour noodle shops in Chinatown. “Tell me about that Immigration 
woman.” 

“She’s a bitch, wants to send me back, end of story.” If the steering 
wheel hadn’t been made of metal, it would’ve snapped in his hands. Then, 
softer, he said, “Something tipped them off. They fbimd out both my par- 
ents are in China, and that the woman Fm with isn’t a relation.” 

“Shit.” I looked out the window as he tinned onto my street. 

“Another couple of months and I would’ve graduated.” 

That’s when I saw the guy. 

“Lee! Don’t stop in fiunt. Drive around the comer.” 

He was startled, but used to doing what I said. We parked in the alley 
behind my place. Once in the house, I ran upstairs and into the fi'ont bed- 
room. Getting down on all fours, I crawled to the window and raised my 
head imtil I could just see over the sill. 

In our neighborhood, we keep to ourselves, nodding at each other while 
mowing our tiny lawns or taking out the trash, but not speaking. We aU 
know each other, though, and I didn’t recognize the guy sitting at the bus 
stop across the street. He obviously didn't know that buses had stopped 


Parachute Kid 


69 


February 2005 

coming through here years ago. The graffiti would’ve tipped him off, if it 
hadn’t been everywhere else too. 

He was watching my house. I figured he was another USCIS agent. 

Lee crawled up next to me and looked out. “Why’s he got a raincoat? Is 
it dripping?” 

A wet raincoat? Now, in Orange County? It hadn’t rained in weeks. 
“Shit!” I jumped to my feet and started waving my hands, but just then 
an SUV drove by, and when it was past, he was gone. 

“Where’d he go?” asked Lee. There was no place the guy could have run 
to fast enough for us to miss him . 

He’d twisted, but I wasn’t going to tell Lee that. I hadn’t told him who I 
really was in the four years since we’d met. Now was no time to start. 

The next morning, I was up before Lee and scratching together a break- 
fast when somebody knock^ at the fi*ont door, then rang the bell. I ig- 
nored it. Fd decided to pretend nobody was home while Lee was here. I 
grabbed plates and silverware, setting two places. 

I was finishing up a h^llf-hour later when the knock came again, then 
the doorbell. Same pattern, so 1 figured it was the same person. I ignored 
it, and carried my dishes to the counter a few min utes later. 

There, looking in the window over the sink, was USCIS Agent Carter. I 
dropped my glass. She smiled and gestured for me to open the kitchen door. 

I figured I could always twist if she was here to take me into custody. 
Well, try to, anyway. So I opened the door. 

“Hello. You’re Samuel Nelson?” 

“Yes,” I said. “I saw you yesterday.” 

“My name is Margaret Carter — ” 

“Tell me something I don’t know.” 

“They told me at your high school that you’re Lee Tsien Chen’s friend.” 
She w£^ed past me into the kitchen. She looked at the extra place Fd set 
at the table. At the eggs and the pancakes waiting there. “He’s in the 
United States without supervision, in violation of his student visa. It hap- 
pens a lot in Southern California; we call children like him Tarachute 
Kids.’ Where is he, Samuel?” 

“Beats me,” I said. “My pop just finis hed eating.” I indicated the dishes 
in the sink. ‘Tie works nights, so he has to get his sleep.” I hoped I wasn’t 
going to have to prove a point by eating Lee’s food, on top of my own 
breakfast. 

Her sharp gaze darted around the room and she poked her head into 
the den. I was sure there wasn’t anything downstairs to rouse suspicion; 
Fd alwa 3 rs kept it clean and innocuous. Gramps had taught me that, just 
as he’d been taught in his own youth. 

There was a cough fi"om upstairs. The watchful look left her eyes, and I 
silently thanked Lee for his quick thinking. He’d hardly make noise if he 
were hiding. 

“Well,” she said. “If you see Lee, tell him his mother needs him in Chi- 
na. He should be there for his father’s funeral.” 

Fimeral. So that was what had tipped the USCIS off Damn, no wonder 
he’d been crying. 


70 


Edd Vick 


Asimov's 


Lee coughed twice more as she was leaving. By the hunt door this time. 

I took the stairs two at a time. Rovmding the comer to the back bed- 
room, I started talking before I got there. “Damn, Lee! Good idea, but 
don’t overdo it, huh?” TTien I got to the door and stopped. 

Lee was on the floor next to the bed. At first, I wasn’t sure if he was 
breathing, then saw him take a shallow breath and break into racking 
coughs. When they subsided, he stayed on the floor. 

I got him to the bathroom, where he retched weakly into the toilet. 

He slumped down against the wall. 

I poured him some water and squatted down across from him. “You 
need to go to the doctor.” 

He shook his head, probably afraid talking would start his cough again. 

“If I call nine-one-one from here, that USCIS agent might find out you 
were here and deport you. If I drop you off at Hoag Hospital anonymous- 
ly, you’ll be okay.” 

He shook his head again, then coughed. Coughed. Hugging both arms 
around his chest, he knocked his head back against the wall several 
times, muttering “damn” between the last few coughs. 

Finally, he stopped coughing and hung his head between his knees. 
Spreading from the bridge of his nose outward a faint red Rorschach 
grew, like a light simbum. It had the shape of a butterfly. 

I got up. It was time to call for an ambulance. 

Just then, there was a poimding on the door. Not the front door. The 
bathroom door, right next to me. 

I couldn’t help it, I was so startled. I twisted. 

I wouldn’t be surprised to come out of a twist one of these days with my 
head on backward. 

This time, it wasn’t so bad. I took a quick assessment of myself. There 
was a pain in my left side, like I’d stretched too far the other way, and my 
back hurt over my right shoulder blade. I pulled at my shirt and foimd a 
large hole with rough edges. There wasn’t much blood. Like I said, not so 
bad. 

I was on the groimd in a small stand of trees, mostly mesquite, walnut, 
and loblolly pine, so I pegged it for the Southwest. The grass was well- 
tended. It looked like a park, so I hadn’t gone too far back. The sun was 
low; it was early morning or late evening. I knew there was a fire nearby, 
or soon would be. There always is, after a blind twist. 

Fd barely made my way through the trees, to find a sidewalk bordering 
a street, when there was a tremendous explosion from beyond the low 
buildings across the way. Two of the buildings were simply thrown away 
in the shockwave like matchstick houses. I saw a plume of thick black 
smoke shoot skyward. Luckily, I was protected by a sturdier structure, a 
bank. In glancing back down, I read the bank’s name, and knew with a 
chill where I was. When naturally followed. 

Texas City, Texas. April 16, 1947. 

I had to see the heart of the conflagration. I closed my eyes, took a half- 
breath, and let the fire puD at me. I twisted. 


Parachute Kid 


71 


February 2005 

I landed on my feet right up against the railing that ran along the edge 
of the wharves. Nobody paid attention to me — all eyes were on the ship. 
In the harbor, the Grand Camp had been binning for more than an hour, 
sending up flames that captivated everyone. They were the most intense 
orange anyone had ever seen, the orange of ammonium nitrate boimd for 
wartom Europe. 

The crowd of men and women — and many children — around me was 
still alive. They wouldn’t be much longer. They were watching the fire- 
fighters arcing their paltry columns of water at the blaze. I peered 
around, looking through the crowd, watching for — 

There! A flicker in the air, and I was seeing a shape come into being and 
drop to the dock. A five-year-old boy with blood starting to well to the sm*- 
face on his upper arm. He was naJced and grinning. People aroimd him 
backed away. 

I had less than twenty seconds. That first blast, the one I had seen fi*om 
the other side of the bank, w£is coming. I had twisted back in time almost 
a minute. I ran, pushing people aside, and grabbed the boy, and he was 
squirming against me, trying to turn his head to look out to sea at what 
we both knew was coming, what we could both feel building, what drew 
us to itself, and I screamed as the explosion blossomed, and hugged him 
to me, and 

twisted 

— London. Horses squealing, their carriages and the houses aU around 
blazing. Twist. 

— ^A forest. They all look alike to me when they’re on fire. Twist. 

— ^New York. An early September morning. One tower was aflame and 
we could both hear the other jet. Twist. 

— ^Texas City again. The day after my first twist, just after midnig ht, 
and the Grand Camp’s sister ship The High Flyer was about to explode, 
taking with her the Wilson B. Keene and the Monsanto plant. Twist. 

— ^Another forest, this one not yet ablaze. I could feel it coming, though. 
It was in the air, so charged that I felt all my hair lifting away from my 
skin. The boy squirmed in my grasp, not trying to twist away but looking 
all aroimd him for the spark, the fire, the explosion. 

The trees were all around us. No clearings, nowhere to get away fi-om 
the inferno I knew was coming except to twist. But I was so tired, so 
scraped up fixim traveling through time. 

And then it came, lightning stabbing the towering tree behind me, and 
so close that I could feel the energy blasting through its root system and 
into the soles of my shoes, throwing me up and away into another tree. 
Dazed, I lay there for a long moment under the spruce, hearing nothing 
except the roaring in my head. 

I sat up, rubbing my forehead and looking at the fire as it crackled 
through the fir’s branches to neighboring trees. That’s when I caught the 
familiar shimmer in the air as another Sam Nelson dropped into existence. 
He looked about fifty, much older than the Sam that Lee and I had seen 
outside my house. I^essed in a supple Nomex approach suit, boots, and 
hardhat, he trained the video camera he carried on the trunk of the burn- 
ing tree, tracking up, across, and down to spot me in his viewfinder. He 


72 


Edd Vick 


Asimov's 


peered around the side of the camera, as if imsure if I was really there. 
Lowering it, he walked to where I stood and led me farther from ^e fire. 

“Sam? What’s going on?” he asked. “Aren’t you a bit young to be fighting 
fires?” 

I was glad my ears had cleared enough to hear him. “Wild twist. It was 
an accident.” 

“Aren’t they all?” He hooked a thumb over his shoulder at the fire. 

“Where am I? And when?” 

“You can’t tell? Come on, what kind of trees do you see?” 

“Fir.” I nodded toward the brnning tree. “Spruce.” 

“Grand fir,” he corrected. “Sitka spruce. And over there is a yellow 
cedar. And there’s a black hawthorn behind you. It’s August 10, 1034.” 

“British Columbia, then,” I said, looking down toward my tennis shoes. 
When the hell had I gotten so superior and condescending? “When are 
the rest of the Sams coming?” 

“Coming?” 

“To fight the fire.” I imagined them, Sams of all ages arriving with axes 
and heavy-duty extinguishers. I was smprised they weren’t here already; 
we tried to catch fires as early as possible. 

“We’re not fighting this one. It’s necessary for the environment. Cleans 
out the understory.” He turned back to the spreading fire. “Fm just study- 
ing it.” He started to raise the camera again, then paused. “Is that yours?” 

“What?” And then I saw the small nude figure staring raptly up at the 
fiery rain of needles and cones all aroimd. I ran to the kid and pulled him 
away. Older Sam was ignoring both of us, so I closed my eyes, concentrat- 
ing on a certain place and time, and 

twisted 

— ^Newport Beach. A two-bedroom house. Mine, but unfurnished and 
new, suffused with the smell of fresh paint. I could feel the boy trjdng to 
direct the twist, to send us once more into flame. I grabbed a doorframe 
and yelled “Stop!” Something worked; maybe he was just too tired. We 
were both covered in abrasions, and I felt fresh blood on my cheek. I’d 
been wrenched in every direction. So had he. The boy held up his right 
hand and screamed; the index finger was gone, down to the second 
knuckle. 

“I’ll take care of that,” said a voice, and the old man stepped through 
from the kitchen. 

“Gramps.” 

His face and neck were covered in masses of scar tissue, his left sleeve 
was pinned up, he walked with a cane. He limped over to the boy. “Sam. 
Hello there.” 

I’d heard that voice, sa3ring that name to me, so many times. Tears 
pricked at my eyes. Gramps had taught me English, had shown me how 
to read — ^hell, he’d named me. First the fires, then the old man. My earli- 
est memories. 

I had to get away for a minute. I walked upstairs to the fi:nnt bedroom 
and grabb^ the firat shirt I saw. Most of them were still in plastic. When 
I got back to the kitchen with it, Gramps had the kid seated at the table 
and was clumsily bandaging him. I draped the shirt around the kid’s 


Parachute Kid 


73 


February 2005 

shoulders while staring at his damaged hand. Then I looked at my own — 
complete — hand. 

Gramps — the oldest Sam — ^had a different pair of fingers missing on 
his remaining hand. Time is just the most amazing thing. 

He finished with the kid and pulled down a loaf of bread. Sam tore into 
it like he hadn’t eaten in dajrs. I took a slice, too. 

Gramps picked up the ointment again and looked at me. “Yom* cheek is 
bleeding.” 

I put a finger to my cheek, looked at it. “Not much,” I said, holding up 
my hand to ward him off He started for me anyway, and I backed up a 
couple of steps. That stopped him. 

“I’m dead, aren’t I?” he said. 

“Yeah. Three years ago, my time.” 

He looked me up and down. “Looks like Fve got about a decade, then.” 

“If— ” I said. 

“Yes, I wish it were that easy. No, strike that, I don’t.” 

Neither did I. Then what we did, all we Sams, would be useless. 

Gramps smiled. “At least you’re not staring at my feet anymore. Nice to 
see your face.” 

I looked at him and he at me, and the kid chewed and looked at both of 
us. I broke the staring contest first. “Well, gotta go.” 

“I’ve got him,” said Gramps, laying his hand on the kid’s — on Sam’s — 
shoulder. 

“Goodbye, Sam,” I said to both of them. I twisted on out of there. 

I turned on the television and got the date and time from the cable direc- 
tory channel. It was early afternoon, two days after Fd left Lee upstairs. 

I checked, just to make sime. He wasn’t up there. 

I pulled off my bloody, tom, and abraded clothes and threw them away. 
Then I took a shower and treated the worst scrapes. I looked — and felt- 
like Fd been dragged behind a car. Getting dressed again, I noticed Lee’s 
keys on the dresser. 

The drive to the hospital was a memorable one, considering that 
Gramps had only given me a couple of lessons before he’d died. 

Lee was out of intensive care, the nurse at the desk told me. She was 
polite, but adamant that the details of his illness not be discussed with 
anybody but family. But yes, I could see him. 

He was sitting up in the darkened room, alone with the beep of the 
heart monitor. “Hey, Sam.” His expression was blank, like he wanted to 
see which way Fd jump before committing himself 

“Hi, Lee. Fm sorry to hear about your dad.” 

“Yeah, well. It’s not like he was ever aroimd.” He was fooling with the 
cord that ran fi'om his finger to the monitor. 

“So bow’d you get to the hospital?” 

“That guy, the one who was locking on the door? He was the same one 
we saw earlier. His raincoat was still dripping. Water and blood both. 
Weird.” The monitor started beeping a little faster. “He looked just like 
you, only older.” 

“He was me.” 


74 


Edd Vick 


Asimov's 


I told him. About me and being found by me when I was five. Or appar- 
ently five — older mes have been looking in the past, especially around 
fires, but haven’t found a me younger than the Sam Fd rescued. I told him 
about being raised by Gramps. And then I told him about my mission in 
life, and he broke up. 

“Oh, that is excellent,” he said. “You, a fireman! All by yourself r 

“Yeah,” I sedd. “Except when I put a fire out, it stays out. You heard 
about the Kyoto Inferno? Five years ago?” 

He shook his head. 

“The Los Angeles firebomber? In 1980? Apollo 11?” 

He was still shaking his head. “Didn’t that one go to the moon?” 

“iVbu; it did. I have as much choice about what I do in the past as you do 
about what you’re going to do tomorrow.” 

“Color me freaked,” he said, but the heart monitor had slowed back 
down. He looked toward the door, and I turned my head to see that there 
were shadows on its pebbled glass. The handle turned, and a nurse 
walked in, followed by a Chinese woman. 

said Lee. He and the woman, his mother, talked together in 

Chinese. 

The nurse turned to me. “Excuse me, dear. I think you’d better go.” 

Lee held up his hand. “Could he stay? Please?” 

“Well — ” said the nurse, but Lee and his mother had already gone back 
to their conversation. Tears were streaming down both their faces. 

The nurse dithered, then left, and, afl^er a while, Lee introduced his 
mother to me. We held an awkward conversation, translated through Lee, 
which broke off when a woman doctor came through the door, accompa- 
nied by a yoimg Chinese man. 

“Fm Doctor Meade,” she said. “And this is Lawrence Fong, a graduate 
student fi*om the University of California. He’ll be translating for me.” 

“I can do that,” said Lee. 

“Some of the medical terms are pretty complicated. I want to make sure 
your mother imderstands your condition completely.” 

Lee had something called S 3 rstemic Lupus Erythematosus. “Or SLE,” 
said the doctor. “It’s more common in women than in men, but it’s also 
more prevalent in people from China. There are eleven warning signs, 
and Lee has four of them, including fatigue, the facial rash, and loss of 
hair. That’s more than enough to make a fair diagnosis.” She talked about 
an immun osuppressive regimen, and said the chances of his surviving 
were very good. “Eighty percent of people with lupus live past ten more 
years,” she said, like that was a good thing. 

Lee’s mother shook her head. “He must come back with me for treat- 
ment in China,” Fong translated. “She doesn’t trust western medicine.” 

“He would be better off here,” said the doctor. “He’s likely to die of an in- 
terciurent infection.” 

Lee’s mother was adamant. Finally, in obvious fimstration, the doctor 
agreed to sign Lee out. They all left;. 

“If the doctor were a man,” said Lee, “he might have talked her into it.” 

I didn’t know how much time I had. “The doctor said that if you go back 
to China, you’ll die.” 


Parachute Kid 


75 


February 2005 

Without a pause, he said, “Then Fm not going ” 

“Shell make you.” 

“Not if Fm not here.” He pulled the sheet away and yanked the lead oflF 
his finger. Immediately, an alarm went off on the monitoring unit. “Crap,” 
he said, trying to get to his feet. He coughed. Coughed again. 

Allegheny General Hospital in Pittsburgh specializes in lupus. I fig- 
ured, as long as I was twisting, that we might as well do a little research 
and get him into the best institution. So first we went to the library, a few 
years up the line, to see who’d had recent breakthroughs in the disorder, 
and then I took him to Pennsylvania. 

I got him there a couple of months before we left the hospital in Cali- 
fornia. You wouldn’t even know about the bar fire there unless you were 
local, but it helped puU us to the area. I made sure to get him a male doc- 
tor. Then I jumped to six months later and met his mother again for her 
first time. 

When he was well, he asked me to take him back to before his father’s 
accident. He thinks he can stop it, 

I said Fd consider it. Maybe FU take him. If it works. I’ll get introduced 
to his mom for the first time again — as well as his dad. 

Twisting back home, I went through the ritual of imdressing, shower- 
ing, bandaging, and dressing. I was on my way to check the date and time 
when there was a knock at the door. I ignored it, finding out I had arrived 
a week after Lee had gone into the local hospital. 

The doorbell rang. 

Tired and sore and twisted all to hell, I couldn’t think of any reason not 
to answer the door. Twisting away fi*om the USCIS and the end of high 
school would be a pleasure. 

“Hello, Samuel,” she said. 

“Agent Carter,” I said. 

“This is Maralee Consualves of Child Protective Services. I called her 
as a concerned citizen. May we come in?” 

How far could I string them along? “I don’t know,” I said. “My father is 
asleep upstairs. Please come back later.” I bet myself that Carter had very 
sensible black piunps, and that the hightops Consualves wore were a riot 
of color. But I didn’t look. Fd stopped looking down, 

“I fear we really must have this conversation now,” Consualves said. 
“We have been tr^g to contact you for several days.” 

So I let them in. They preceded me into the den, looking arovmd at the 
photos of various Sams at various ages on the mantel, then at the inex- 
pensive furniture, the television, and, through the door, into the kitchen. I 
saw Carter point out the stairs to the other woman. 

They sat on the couch. I took Gramps’s rechner. 

“Now, Samuel,” said Carter. “Yoiir school has had no contact with your 
parents or a guardian in several years. Your grades have been good, so 
they haven’t felt any need to caU someone in. But now, you’ve been skip- 
ping school for a week.” She grinned, obviously convinced she’d caught 
me, another parachute kid, just like Lee. 


76 


Edd Vick 


Asimov's 


Consualves took over. “You seem quite mature. But it is my job to en- 
sure that no minor is in danger or without the help he or she nei^. I wrill 
ask you right out: do you have someone to watch over you?” 

I opened my mouth. 

“Of course he does.” 

I turned to the stairs, as surprised as the two women. An older me 
stood on the bottom step, removing his wet raincoat. He dropped it, and 
advanced on Carter and Consualves. “I am his father: Samuel Nelson, Se- 
nior. His mother is sadly gone. Has Sam done something to precipitate 
this meeting?” 

“I fear he has been missing school lately,” said Consualves. “It worries 
us when there is no reason given.” 

He shot me a reproving glance, so I tried to look contrite. “We will dis- 
cuss it, he and I. But — ^isn’t that something for me to take up with the 
school? Not you?” 

“Actually — ^it is.” Consualves got to her feet, followed several seconds 
later by Carter. “There has been no official complaint. We won’t keep you 
any longer. Come along, Margaret.” The tone of that last line said plain as 
day that Carter had run out of favors at Child Protective Services. 

Margaret went along. She paused next to me, looked in suspicious baf- 
flement at the wet raincoat on the floor, and went on to the door. Once 
there, she turned. “One last thing, Samuel. Have you seen Lee Tsien 
Chen?” 

“Not recently, no.” 

“The police are looking for him,” she said. “And so is the USCIS, for de- 
portation. You seem to have been the last person to see him. Fll make 
siu:« they’ve got your address.” She left. 

I was right about their shoes. 

Dinner was quiet, just the five of us. All Sams, of course; even Gramps 
and the kid — ^ma3rbe three years older, maybe four — twisted here. 'They 
want me to go back to school. “Back” as in back a week, to make up the 
lost time. After graduation, they’d like me to apply to the Massachusetts 
Firefighting Academy. I said that my application had to be in nine 
months ago for consideration. 

We all laughed. That was the easy part. O 


SOMEWHERE IN THE MOEBIUS’ HOUSE 

Somewhere in the Moebius’ house, 
a most theoretical louse 
bit a linear cat, 
while a dog-very flat- 
chased a monodimensional mouse! 

-W. Gregory Stewart 


Parachute Kid 


77 



POLYHEDRONS 


Robert A. Metzger 


Robert Metzger's hard-SF novel Picoverse was a 2003 
Nebula finalist and Ace has just released his latest 
novel, CUSP. Mr. Metzger's short fiction has appeared 
in Science Fiction Age, F&SF, Amazing, IVeiiid Taies, 
and Aboriginai SF, and his non-fiction science pieces 
in Anaiog, Wired, and in his long running science 
column in the Science Fiction and Fantasy Wk'iters of 
America Buiietin. When not writing. Dr. Metzger dusts 
off his Ph.D. in Electrical Engineering and attempts to 
beat obnoxious atoms into submission while growing 
semiconductor thin films by a process called Molec- 
ular Beam Epitaxy. You can learn more about his var- 
ious activities at www.rametzger.com. The following 
taie is his first story for Asimoi^s. 

TTuming my back to the Edge and squatting down, I placed a fingertip 
to the hot asphalt; a slightly sticky sheen of liquid tar glistened, its sour 
scent blossoming around me. Three forms of input — ^touch, sight, and 
smell. The asphalt made no soimd, and while I could bend down and take 
a lick, there was not much point. Fd already identified the substance, and 
a few more feeble forms of detection would not allow me to alter that real- 
ity. The asphalt was beyond my abihty to control. The place of infinite pos- 
sibilities lay on the other side of the Edge; now forever beyond my reach. 
Fd been exiled, purged, drained of almost aU abihties and memories. 
Knocking aside a few rocks and pebbles, I picked up a wa3nvard polyhe- 
dron. Black and twenty-two-sided, it was blissfully unaware of having 
tunneled through the Edge; its nearly infinite numl^r of quantum states 
collapsed, this snip of geometry was now only defined by a four-dimen- 
sional location vector, facet dimensions, and a few color and texture des- 
ignators. Closing my hand, I felt the polyhedron’s hard edges bite into my 
skin, but still, I could not bend it to my will. 

Useless. 

Opening my fist, I tossed the polyhedron over my shoulder and in the 
direction of the Edge, just as a distant and desiccated memory resiufaced. 
Mills Avenue should be cutting north-south, instead of the mist of poly- 
hedrons spilling into the sky. I took a few steps, my right ankle momen- 


78 




Asimov's 


tarily throbbing; a phantom twinge that vanished the instant I consid- 
ered it. At that moment, I knew there was nothing wrong with my ankle, 
despite the fading memory of its being carbonized by a high voltage arc. 

liien the memory vanished, swallowing its own t^l. 

I looked down. 

A few other polyhedrons had tumbled in from the Edge of the world, 
much smaller than the one I had tossed. These resembled small grains of 
black sugar and sparkling chips of obsidian. Not worth considering. I shift- 
ed my attention to the cufis of my jeans, my gray knit socks, and a pair of 
sweat-streaked sneakers. Not PF Flyers, the shoes that would have allowed 
me to run faster, jump higher, and sculpt the froth of space-time, but just 
an old pair of Keds with frayed laces. Also not worth considering. ^ I start- 
ed to walk. I knew my destination — the pinkish stucco, three-bedroom, two- 
bath ranch, with the shake roof in need of repair, and the sheared sprinkler 
head by the curb that spewed like a little hquid volcano. Not far away in 
the overall scheme of things, probably no more than a dozen houses down 
the street, but still halfway to the far Edge of this world. 

Fd walked down this street before. 

Many times. 

I shook my head, sensing a few snips of entangled thoughts tunneling 
through the Edge, quantmn fields sampling the reality beyond. And, for 
just a moment, I remembered. This street was not the world, but an an- 
nex between worlds. Then the thought was gone, just another quantmn 
phantom extinguished in the harsh fight of examination. 

I focused on the street — on Am*ora Drive, looking down the stretch of 
asphalt that should have ended at a barbed wire fence intended to keep 
kids out of the expanse of brown weeds and prickly pear cactus beyond it. 
But, like Mills Avenue, a polyhedron mist defined the not-so-distant 
bovmdary. 

I lowered my head, letting the summer sim beat at my neck, watched 
my Keds kick^g at pebbles, and walked past the doorless and window- 
less houses, moving toward the cloud-white 1960 Dodge Dart sitting in 
the driveway of the pink stucco, three-bedroom, two-bathroom, ranch 
style house — ^the only ceir anywhere on Aurora Drive. The Dart’s chrome 
sparkled in the summer srm, its rear fins an impressive bit of geometry 
adorned with red and white bubbles of plastic, perfect in form, if not quite 
in function. Only the swatch of electrical tape running across the top of 
the right fin, holding a band of chrome against the red tailfight, marred 
the original design. A retaining screw was missing. 

I stopped and touched the Dart, running a finger along the rear fin, 
dragging it across the white enamel, and then onto the gooey strand of 
sun-faded gray electrical tape. Why hadn’t the owners fixed it, I wondered 
once again? 

It was not so much a question of how to keep a tailfight in place. 

It was a question of returning the Dart to a state of pristine perfection. 

Static perfection, a time invariant example of what should be. When 
faced with infinite possibilities, quantum states beyond the ability to 
count, static perfection was the only possible alternative, the only way to 
maintain sanity. 


Polyhedrons 


79 


February 2005 

Shaking my head, unable to imderstand how something so obviously in 
need of h^ng had not been fixed, I walked onto the expanse of pea gravel 
that ran along the side of the house, and then through an open gate lead- 
ing into the backyard. 

Soothing order. 

Defined by a redwood stained fence, the backyard consisted of a one- 
fifth acre geometrical quilt with patches of brown grass, more pea gravel, 
a slab of concrete beneath a gray-stained almninum sheet patio, and the 
dominating rock garden — a mound of stones, worn and rounded, better 
than waist high. Everything in its place and a place for everything — sta- 
tic perfection. 

I fimwned. 

There was one exception. 

I walked to the far comer of the yard, a microscopic wilderness created 
by several pine trees nearly thirty or forty feet high, the canopy reaching 
into the spider web of phone and power lines criss crossing over the yard. 
Oleander bushes, sprouting flame-red buds, clustered in chaotic clumps 
fi:t)m the base of the pines, defined the boundary of a small clearing. 

Chaotic. 

But at least shaded. 

And in the shade, beneath the canopy of pines, Bobby stood in the hole. 
Knee-deep, with trowel in hand, a rusted me^ thing with a paint-splattered 
wooden handle, he bent down, poking at someth^g I could not see, and 
flicked out a bit of dark dirt, a brown arc flying above his head, little of it 
actually falling outside of the hole. 

There looked to be little progress from yesterday, perhaps none at all. 

The groimd here was incredibly hard and rocky, and the little trowel he 
used was totally inadequate for the task he’d set for himself I walked into 
the shade of the trees and took my seat in the rickety wooden chair wait- 
ing there, its slats once stained red like the smrounding fence, but now 
faded dirt-brown by years of summer sun, its wooden surface splintered 
and dimpled with rusted nail heads. I picked up the bottle of Orange 
Crush that alwa3rs waited for me, popped the cap using the old pliers rest- 
ing on the arm of the chair, and let tiie cap fly. 

1 drank, long and deep. 

Cold. It was always cold — a bit of certainty in a constantly shifting re- 
ality. But my mind seemed to begrudge me that comforting snip of im- 
mutabilily, and I found myself wondering if the Orange Crush should be 
something more than just cold, sensing something missing, something 
forgotten — a mental itch that couldn’t be scratched. As I considered that, 
I watched a thick clot of gnats swarm above Bobb/s head, suspecting 
they pestered him in a similar, not quite conscious manner, his fi:^ hand 
occasionally swatting at them, the clot momentarily scattering, but then 
reforming the instant his hand passed throu^ them. They were attract- 
ed to the Butch- Wax that kept his bangs standing at attention, the pink 
paste glistening in his short brown hair. 

I rested the pop bottle on the arm of my chair, placing it with care next 
to the pliers. “Find an3dhing?” 

Bobby straightened up, tinning, running the back of his hand across 

80 Robert A. Metzger 


Asimov's 


his sweaty face, leaving behind a dirt streak from right cheek to fore- 
head. Dropping his trowel and reaching over to an adjacent pde of dirt 
and rocks, he fished out a shard of granite, dark, but flecked white. “A 
fossil,” he said as he held the rock out in my direction. “Probably from a 
T-Rex.” 

I shook my head. “A piece of granite.” 

Bobby frowned, his round face puckering, his eyes half-closing, the 
fi*eckles across the bridge of his nose and cheeks momentarily sizzling in 
pattern, flashing crystalline lattices, folded proteins, Feynman diagrams, 
even tachyon decay tracks, the patterns generated by a nearly infinite 
number of pulsing gold line segments, the ends of each anchored by a 
freckle — ^the images too fluid. “Still might be a fossil,” he said, his filicides 
again only freckles. 

I shook my head once more. “A piece of granite.” 

He squint^ at me, and then tossed the rock back into the pile. “Doesn’t 
matter,” he said, and, squatting down, poked at the bottom of his hole 
with the trowel. “Could be anything down here. Might even be another 
world beyond the bottom of that hole.” 

It was now my turn to squint, and for my face to pucker. Anything was 
synonymous with an intrinsic lack of control. “Just dirt and rocks,” I said. 
Then I thought for a moment, searching far, attempting to reach out for 
the boy and his strange way of t hinking , to meet him at a point some- 
where along the distant line separating us. “Perhaps a cat might have 
used your hole for a fitter box. That would offer up something other than 
dirt and rocks.” 

Bobby straightened up, and pointed the trowel’s rusted tip at me. “Very 
good,” he said. “Never thought about cat poop. Might even be ancient cat 
poop, possibly even fossilized cat poop, left here by a cat that had the poop 
scared right out of it as it was chased by a T-Rex.” 

This time I didn’t even bother to shake my head. “Of course, cats and T-Rex 
did not exist at the same geological moment.” 

‘^Geological moment f he said, imitating me in a flat, emotionless voice. 
“You can’t know for certain. The cat might have been caught in the nega- 
tive energy density that formed between two counter-rotating micro- 
black holes just moments before they leaked away the last of their mass 
in a Hawking burst. You’d get quite the temporal compression dining a 
bvu^t like that, easily capable of hurling a cat millions of years into the 
past.” He stared at me, while reaching down and pulling his belt up over 
his very ample waist. “Could have happened.” 

“Such a phenomenon could only take place in the vacumn of space, in 
an environment hardly conducive to the well-being of a cat. And, of 
com^e, if you consider the local gravitational shear in the vicinity of the 
holes, not to mention the hard gamma backflow erupting from the too- 
near event horizons, a cat simply couldn’t survive in order to take advan- 
tage of the temporal burst.” 

Bobby smiled. “Rad-hardened, graviometric-compensated, cat space- 
suit,” he said, and then bent back down and began poking at rocks. “The 
cat poop was good, real out-of-the-box t hinkin g for someone who has lived 
an eternity in a box.” 


Polyhedrons 


81 


February 2005 

I said nothing, realizing that this was a pointless discussion; that when 
it came to what was possible and what was impossible, Bobby was inca- 
pable of seeing the difference, undoubtedly an artifact of being trapped in 
a world he could not control. 

“But I don’t really care about fossilized, time-traveling cat poop,” said 
Bobby, tossing aside his trowel, and then bending down into the hole and 
grunting, sweat pooling in the creases dimpling along the back of his 
neck. “Umph,” he said, lurching forward, almost falling on his face, but 
catching himself at the last moment, then reaching down to his feet again 
and hoisting up a dirt-encrusted rock shaped like a too-large sweet pota- 
to. He tossed it into the pile. “I’m just digging a hole.” 

“Why?” I asked, knowing I had asked coxmtless times before, but not 
quite able to remember the answer. 

Bobby sat down on the lip of the hole, his feet just brushing the bottom. 
I looked down into the hole for a moment, not at the dirt and rocks, but at 
his shoes, an old pair of Keds, and then at his gray socks and at the cuffs 
of his jeans. “I’m going to dig right down to the bottom of the world, 
through the bottom of the world, and get off of Aurora Drive,” he said. 

I smiled as I remembered. 

Always the same answer. 

Aurora Drive was his world. There was nothing beyond it for him, past 
the infinite walls of polyhedrons, and certainly nothing below it. I picked 
up my Orange Crush and finished it off When I lowered the bottle, Bobby 
was gone — ^the hole empty, nothing but rocks and dirt and the footprints 
left from a pair of Keds. Leaking into the hole, I wondered just what Bob- 
by believed lay on the other side. I stood and left, knowing that I’d see 
him tomorrow. 

I always saw him tomorrow. 

Even hotter than yesterday. I stood before the Dart. 

The car listed to the left, its rear end lowered. I squinted, seeing what 
had happened, but not wanting to believe it. Instead, I tried to focus my 
attention on the strip of electrical tape, on that famihar, and so easily cor- 
rectible defect. 

But I couldn’t. 

The car sat at an impossible angle, its tailpipe pinched between the 
rear bumper and driveway, actually cracked, permanently damaged. I 
slowly walked around the back of the car, bending down, running my 
hands across its trunk. 

The left rear wheel was gone, not just the tire, but the entire wheel, 
nothing there but a ragged stub of the axle, leaking dark fluid and dig- 
ging into the asphalt driveway. If Bobb/s parents could not replace the 
screw on a tailhght, I knew they could never make this repair. 

Beyond repair. 

I walked past the car, moving fast, my Keds kicking at the pea gravel. 
“Bobby!” I shouted. As I cleared the gate, I saw him standing nearly waist 
deep in his hole, the pile of rocks and dirt beyond the hole’s rim, alm ost 
as high as his head. “Did you see what happened to the Dart? It’s beyond 
repeiir!” 


82 


Robert A. Metzger 


Asimov's 


Bobby straightened up, and leaning forward, rested against the lip of 
the hole. “So?” 

“It’s broken, damaged, obviously in need of major repair. It is not opera- 
tional.” 

Bobby motioned with his trowel, pointing at me and then at the chair. 
“Have a seat, relax, and carefully consider just what it is that really 
needs to be repaired.” 

I took a deep breath, and, bending down, grabbed onto the arms of the 
chair, steadying m 3 rselfi slowly sitting, and willing m 3 ^ 1 f to focus, to pri- 
oritize, and to question my assumptions and objectives. “The car is bro- 
ken. Items that are broken need to be repaired. Therefore, the car needs 
to be repaired. It needs to be returned to a state that is invariant with re- 
spect to the local temporal flow. Pristine and static.” 

“You need a Crush,” said Bobby, pointing at the bottle next to the chair. 

He folded his pudgy, dirt-caked arms across his chest, obviously wait- 
ing, so patient. There was no way around it. I reached down, grabbed the 
bottle, popping the cap with the pliers, and took a fast drink, the spot be- 
tween my eyes suddenly poimding. I lowered the bottle into my lap. It 
was at that moment that I understand why Orange Crush was c^ed Or- 
ange Crush. 

Something remembered? 

“If the car were repaired, what would you do with it?” he asked. 

I had difficulty focusing on his question, still overloaded by the taste of 
orange in my mouth. 

“There is nowhere it can take you, no way that the car can be used to 
escape Aurora Drive. The car serves no purpose here. It is a distraction, 
masquerading as a problem. When you have only a finite amount of time, 
you must focus on the real problems, learn to prioritize.” He pointed his 
trowel toward the west, through a small break in the trees, where the 
polyhedron mist was visible. “We don’t have the resources on this side of 
the Edge to create the static perfection that you crave.” 

I blinked, and then took another sip, this time slow and easy, savoring 
the orangeness. “But the Dart is damaged.” 

“Certainly is,” said Bobby, “and I suspect that tomorrow, it will be even 
more so.” 

I grimaced. 

"^e real problem, what you will help me with, has nothing to do with 
that old Dart, but it is in getting to the bottom of this hole, since that is 
the only way we can get off of Aurora Drive.” 

I looked past him, and into the hole. Still nothing but dirt and rocks. 
“It’s just a hole.” 

He shook his head. “It is the solution to your problem.” 

The only problem I had was the 1960 Dodge Dart, and its missing 
wheel and right rear taillight retaining screw. But I found I couldn’t quite 
tell him that. “I don’t have a trowel,” I said, instead making an excuse, 
looking past him and into the hole. 

Bobby smiled. “You have something better than a trowel.” 

I couldn’t imagine what that might be. 

“In your left pants pocket,” he said, pointing the trowel at my pants. 


Polyhedrons 


83 


February 2005 

That made absolutely no sense. My jeans had no pockets, since there 
was nothing I had that required a pocket. I looked down. My jeans now 
had pockets. Reaching in, I felt something hard and cold, fiigid, my fin- 
gertips tingling and at the same time burning. I slowly pulled the object 
out of my pocket, tendrils of vapor first snaking out, followed by what ap- 
peared to be sputtering and hissing blobs of hquefied air, quickly boiling 
away to nothing. With a final tug, the object was out of my pocket, stuck 
to my fingertips, a small sphere of crackling something, so cold that the 
air around it liquefied, dribbling down, splashing to the groimd where it 
crackled and danced. The orb was beyond fiigid, the joints in my fingers 
stiffening, and the skin on my fingertips cracking. 

“A 256-qubit Bose-Einstein quantum computer, self-contained in a sol- 
id hydrogen shell, containing a laser-suspended lithium ion condensate 
matrix chilled to 3 degrees microkelvin,” said Bobby, pointing at the 
sphere. “The ultimate quantum computer, with enough aggregate degrees 
of freedom to describe every possible initial condition of the problem at 
hand, and then process that information simulteneously through its en- 
tangled states beyond the Edge, and back to the primary processor where 
you’ve stored your soul.” 

I nodded, and released the frozen sphere, the tips of my fingers crack- 
ing of^ falling into Bobby’s hole. There was no pain, my hand fiiuzen solid 
up to the wrist. The sphere hung in fi*ont of me, spitting liquefied air and 
chilling my nose. 

“Just imagine if you had one of those locked in the old noggin!” said Bob- 
by, as he tapped the side of his head with his trowel, and then climbed up 
the side of the hole, kicking back in a fair amoimt of dirt and rocks in the 
process. “There are an i nfini te number of paths to get finm here to there,” 
he said, pointing at hims elf, and then at the bottom of the hole. “But only 
one path will show just which rock to remove first, what trowel full of dirt 
to remove next, and then which rock should go after that in order to get 
through the bottom. If you don’t do it in just the right order, the hole will 
always fafi in on itself, the rocks tumbling back, the dirt filling in.” 

“Not easy,” I said. 

Bobby nodded. “It would take you more than forever tiying it this way 
or that, slogging along for eternity in an old digital bit-by-bit fashion. But 
you don’t have an infinite amoimt of time.” Reaching up, he wiped beads 
of sweat fi*om his forehead. “Gets hotter every day, not many more days 
left before the entangled states lose coherence and you dribble away.” He 
pointed his trowel in the direction of the polyhedron mist, just visible 
through the break in the trees. “What you need to do is implement all the 
solutions simultaneously, and then pick out the one that actually works. A 
perfect job for your quantum computer, where those old yes and no digital 
bits are replaced by quantum bite of infinite possibilities. One run of the 
problem, and all the solutions pop out simultaneously. That would get us 
down to the bottom of the hole in a hmry.” 

I nodded my head and looked into the hole. So many rocks, and so much 
dirt, nothing clear, nothing definite, each step a probability, a possibility, 
the uncertainty amplified with each movement taken. But the frozen 
sphere could cut through all the uncertainty. 


84 


Robert A. Metzger 


Asimov's 


Static perfection. 

“The solution becomes obvious, and you’ve arrived at that static state 
you are so comfortable with,” said Bobby as he pointed at the frozen 
sphere. “It can solve any problem, but not all problems — there’s not 
enough time. The trick is not in the solving, but in the asking — which 
problem should be solved?” 

I squinted, not imderstanding. 

He stepped over to me, staring straight into my eyes. He weis exactly 
my height. It was only at that moment that I realized I was a child, as tall 
as Bobby, and probably just as old. We wore the same Keds, the same gray 
socks, and the same cuffed jeans. 

“The real problem is in choosing the right problem,” said Bobby, and, 
reaching out, grabbed me by my broken, frozen hand, pulled me forward, 
and then pushed me toward the hole. I fell, a wall of dirt and rock streak- 
ing past me for a time that seemed impossibly long, either the hole or my 
perception of it distorting. “It’s why Fm here,” he said. “To teach you how 
to identify that problem.” 

I hit hard, flat on my back, rocks cracking ribs, shattering my spine, 
caving in the back of my skull. Bobby was far above me, barely visible, 
peering in finm the edge of a small circle of light — ^the top of the hole. 

“Choose the right problem!” 

He threw down something so small that I couldn’t quite see it, some- 
thing that trailed long wispy tendrils — ^the frozen sphere. 

“No!” 

“Start digging!” he shouted. 

I tried to move, but my body was broken, my bones shattered. The 
sphere came for me, straight at my head, aimed right between my eyes. It 
hit, bhstering skin, vaporizing bone, burrowing deeply into my brain. 

The day ended. 

Bones no longer broken, missing fingers replaced — trivial concerns in 
comparison to what lay nestled in my head. The air burned my throat, 
searing my eyes. Each time I blinked, I could hear the inside of my lids 
scraping against dried corneas. My right ankle throbbed, the narrow 
wedge of sl^ visible between fallen-down sock and pant leg, all pink and 
puffy, bhstered in spots, even flecked here and there with what I assumed 
to be charred skin. 

Simply too hot. 

The only cool spot was deep within my head, several centimeters be- 
hind my eyes, where the frozen shard was lodged, the 256-qubit quantum 
processor — a nasty thing, distracting, so intent on solving problems — any 
problems. 

Only a portion of the 1960 Dodge Dart sat in the driveway, the rest 
strewn across the lawn, the oil filter crushed beneath the engine block, 
valve lifters neatly stacked, a shallow pool of transmission fluid seeping 
into the brown grass. The carburetor here, the radiator missing its hoses 
over there, a pile of glistening shards that must have been the pulverized 
back window sitting by the leaking sprinkler head. 

Thousands of parts strewn about. 


Polyhedrons 


85 


February 2005 

I smiled, because I could see them all, pattern and order where none 
should exist. I could sense the intent, the way to put it all back together, 
and the most efficient method to reassemble the rear window one small 
shard of glass at a time. 

Each step so clear . . . 

I almost started, at that moment feeling so good, so confident, the ob- 
jective so clear, my abilities more than adequate for the task at hand. And 
then I fix)wned. The right rear wheel was still missing. I looked across the 
lawn, desperately checking. The screw needed to hold the chrome band- 
ing around the right rear taillight was also still missing. 

Despite my abilities, what the entangled qubits in my head allowed me 
to see, it was still not enough. The Dart could not be returned to a state of 
static perfection, regardless of what I could do, what I could see. 

No point in starting such a task. 

So I walked up the driveway, past the gravel, and through the back 
gate. Bobby stood chest-deep in his hole. Next to him was the chair, and 
on the arm of the chair an imopened bottle of Orange Crush. Beyond the 
chair was a second hole, again with Bobby standing chest-deep in it, and 
next to it another chair and an unopened bottle of Orange Crush. And be- 
yond that chair still another hole. 

And another. 

And another. 

The backyEud had taken on a decidedly non-Euclidian geometry. An in- 
finite line of holes, Bobbys, chairs, and bottles of Orange Crush ran to the 
horizon, one that didn’t have the decency to fade into the haze. It simply 
went on forever. And I could see all of it. 

“A large number of holes,” said the first Bobby in the first hole. 

I nodded. 

“Yet one is significantly different from all the rest,” he said. 

I walked over to the second hole, looking into it and at the Bobby stand- 
ing there. It took only a moment for me to study the second hole, the 256- 
qubit quantum processor embedded in my head was quite efficient. I 
quickly compared the position and shape of each rock, each pebble, and 
each speck of dirt in the two holes, also taking into accovmt the exact po- 
sition and dimensions of the two Bobbys. There was no difference. They 
were identical. 

I was about to walk to the third hole, but realized that since the back- 
yard was no longer in the realm of Euclidian Geometry, there was no rea- 
son that I should limit myself to operating in a world of Euclidian Geom- 
etry. The quantiun computer in my head allowed me to examine all the 
holes. 

Simultaneously. 

I took one step forward. 

My periphery vision slightly blurred, my right foot not quite finding 
the groimd, as I took a shghtly longer step than anticipated, and sudden- 
ly foimd m)rself standing next to all the holes, looking down and examin- 
ing each and every Bobby. 

I stepped back, reintegrating. 

“Identical,” I said as I walked back to the first hole and sat in the chair. 

86 Robert A. Metzger 


Asimov's 

“There is no hole better than the others, no hole that will lead you out of 
Aurora Drive,” 

“Not so,” said the first Bobby. 

“There is absolutely no difference between any of these holes, and ab- 
solutely no difference between each and every one of you,” I said. 

“So, you include me as part of the hole,” he said, smiling. “The hole is 
more than just an opening in the ground, but also includes me — a rather 
bold assertion and some first class thinking outside the hole.” Still smil- 
ing, he looked to his left, in the direction of the infinite line of holes and 
Bobbys. “And, using that logic, one might assume that each hole includes 
a chair, a bottle of Orange Crush, and a pliers.” 

I looked down the infinite line. 

“A hole is clearly a hole,” I said. “And you being inside the hole become 
an obvious intrinsic aspect of the hole.” I paused at that point. 

“Confusion is a good thing,” said Bobby, looking up at me. “You’re not 
quite sure about the chair and the Orange Crush. Might they actually be 
a part of the hole? Is there more to a hole than an opening in the ground 
and a boy standing in it?” 

I blinked once, then again. “Whether the chair and Orange Crush are 
included makes no real difference — neither change the nature of the 
hole.” 

“Really?” asked Bobby. 

I nodded and looked down the infinite line. 

“Have a seat and take a drink,” said Bobby. 

I sat, picked up the Orange Crush and the pliers, popped the cap and 
took a sip. 

“Still see no difference?” he asked. 

I looked again, just to humor him. There were an infinite number of 
holes, an infinite number of chairs, an infinite number of bottles of Or- 
ange Crush, and an infinite number of Bobbys looking up questioningly 
at me. 

“All the same,” I said. 

Then Bobby suddenly moved, not all of them in perfect synch, but only 
the one nearest me. He jumped out of the hole far faster than any diub- 
by little boy should be able to, and, reaching out, grabbed onto my hand. 
“What about you!” He pulled me up out of the chair and toward the 
hole. 

I dropped my Orange Crush, the bottle shattering on a rock. 

“Ihu are only at the first hole,” he said. “Only you sat in the first chair.” 
He pointed down at the broken bottle and the little pool of orange soda 
aroimd it. “And only you drank that Orange Crush and broke that bottle.” 
He pulled me close. 

“The first hole is different because you are a part of it!” 

I shook my head, and tried to pull away, but Bobby had a tight hold on 
my wrist, a hold so tight that his plmnp little fingers seemed to be melt- 
ing right into my skin, his fingers flowing into me. 

“You’re a part of this,” he said. “An integral, critical component.” 

Again, I shook my head. Bobby still had a hold on me, but his hand was 
now missing. We were welded together at the right wrist, sharing a single 


Polyhedrons 


87 


February 2005 

hand. He pulled me forward jumping down into the hole, dragging me in 
with him. 

“We need to dig,” he said. 

I didn’t want to dig. I knew there was no point to it — ^like the Dart that 
couldn’t be returned to a state of static perfection. You could not dig yoim 
way out of Aurora Drive. 

“Which rock first, which one is the key?” he asked. 

I don’t tell him, since I wanted no part of this hole-digging business. 

But I knew the answer, could see it so clearly. There were only a finite 
number of rocks along the sides and bottom of the hole, only so many 
ways to remove them, so many possibilities — certainly a large number, 
but a finite nmnber. ITie quantum processor in my head showed me the 
possibilities, and showed me which rock should be removed first. 

I had no intention of touching that rock. 

But my hand moved toward it, the hand that I shared with Bobby. 
'"This is the problem to be solved,” he said. “It is not about rebuilding a car 
that can never be rebuilt. Choosing the correct problem is the key.” 

I touched the rock. 

Then I screamed and pulled back, the hand tearing away from my 
wrist, a chtmk of white bone and red meat dangling fi*om the tom nub. I 
screamed again, and then fainted. 

The sky above seemed to be nothing except a searing ball of heat, no 
clouds, no expanse of blue, nothing but an all-pervasive canopy of blind- 
ing hght. I reached up to wipe the sweat from my face, but Bobby had 
now taken both hands. With the stiunp of my wrist, I pushed some of the 
sweat out of my eyes. 

The Dart had further disintegrated, not a single discrete item recog- 
nizable as a car part, each individual part having been broken down into 
the most fimdamental constituents, a rusting pile of steel shavings by the 
fire hydrant, a moxmd of minced plastic next to it, and a sohd sphere of 
glass about the size of my head, formed from what had been all the 
shards fi:nm the Dart’s shattered windows, just a few feet in finnt of me. 
And it went on fi*om there to ever smaller pOes, cobalt and titanium fi'om 
the paint, minced shards of asbestos from the brake pads, neatly rolled 
fibers fi’om the cloth seat covers, and even a thimble full of cigar ashes 
finm the ashtray. 

But the right rear wheel, along the right rear chrome retaining screw, 
were still missing. I sighed, reahzing that I no longer cared. Even if the 
missing wheel and retaining screw were to magically appear, if I could 
puU them fi*om some higher dimensional entangled vortex, I was not sure 
that I would have even bothered to rebuild the car. Because Fd come to 
realize that Bobby was right. There was no need for a car on Aurora Dri- 
ve, not when this single street was the entire world — a smoldering, melt- 
ing world that would soon be engulfed in flame, a dying place that did not 
need a perfect 1960 Dodge Dart. 

I walked through the back gate, trudging along. I could see the hole, 
only one today, the non-Euchdian space having collapsed, and next to the 
hole was the chair and the bottle of Orange Crush. I could not see Bobby, 


88 


Robert A. Metzger 


Asimov's 


but a few pebbles flew out of the hole, landing atop the colossal mound of 
dirt next to it. 

I limped forward. 

My right ankle was swollen and dripping a cloudy liquid. In one spot, a 
nub of bone poked through a ruptured blister. I did my best to ignore the 
pain, and focused on the hole. Bobby was down there, his butch-waxed 
hair shimmering nearly three feet beneath the lip of the hole. He’d been 
working hard, with my hands attached to his wrists, grabbing at this rock 
and that, the hands seeming to almost know what to do, which rock 
should go next. My hands were pretty savvy in the ways of hole-digging, 
still tied into that 256-qubit processor in my head, despite the fact that 
my hands were attached to Bobby — ^this thanks to some quantum voodoo 
by way of entangled states between my missing hands and me. 

I could actually feel the rocks, almost cool, the dirt coating them damp, 
the texture gritty. I sat back in the chair, thanldul to be taking the weight 
off of my rotting ankle, and, sliding back, looked over at the bottle of Or- 
ange Crush. Reaching for the bottle, I almost knocked it over with the 
nub of my left wrist. Tm thirsty!” I called out to Bobby. 

“Care to make a trade?” he asked. 

Suspicious, I was afraid to answer, but so thirsty. “What have you got in 
mind?” 

“Fll give you a right hand for a right eyeball. You’ll be able to get that 
bottle of Orange Crush open, and I’ll have a direct optical input to your 
quantum processor. That should really speed up the Egging. Yoxu’ hands 
have been most helpful, but they can’t quite see what they’re doing.” 

I thought about it for a moment, and then shrugged, realizing that it 
actually soimded like a reasonable trade. With one hand I could open the 
bottle of Orange Crush, and Fd still have one eye left — ^more than enough 
to see the things that I needed to see. “Deal,” I said. 

The world shifted, duplexing, twin perspectives and dual objectives fill- 
ing my head. 

I sat back. Orange Crush wedged between legs, pliers popping the cap. 

Hands grabbed at rocks, prying at them, pulling them out, throwing 
them over a shoulder, the pattern unfolding, the optimum sequence of 
rocks, the perfect approach. 

Sweet and cold. 

Deeper and darker. 

Hard glass against teeth. ^ 

Moist dirt between fingertips. 

“What is that?” I asked, not quite certain who was asking, who was see- 
ing, which perspective I was processing. The rock looked little different 
than the others, worn and dirt-encrusted, speckled granite with bands of 
gypsum. I realn^ that it was not the rock that was special, but the band 
of li^t surrounding it, the light leaking through it. 

“Move it.” 

I pried at the rock with the trowel, working it out, a cascade of si>arkling- 
bla(^ polyhedrons flying up, mixed with an eruption of light, nearly blind- 
ing at first, but my si^t quickly adjusting, focusing on the light and swirl 
of polyhedrons, everything else fading: the Orange Crush, melting as- 


Polyhedrons 


89 


February 2005 

phalt, the 1960 Dodge Dart, all of it randomizing, drifting, thermal fluc- 
tuations sweeping the images away, until nothing remained, all gone, Au- 
rora Drive not even a memory. I bent down, pressing my face to the bot- 
tom of the hole, my eye peering into the light. 

“What is it? 

I shook my head — ^wrong question. 

“Where is it?” 

A room lay beneath me, shadow-filled, fiill of dark shapes with hard an- 
gles, the perspective wrong, distorted, what should have been vertical 
transpose to the horizontal. Then movement, a shift of shadow, gray tex- 
tures transformed into a hand, reaching toward me, through the light 
and past the swirl of polyhedrons, cold fingers wrapping around my 
throat. 

Pulling me in. 

I screamed — ^the pitch perfect. The fingers aroimd my throat shattered, 
resonance fi*acturing them into polyhedron debris. But the screaming did 
not stop, and grew in intensity. Vision blurred, teeth cracked, vision fi"ac- 
tiu^d, reality pixelating, my head rupturing in a billowing cloud of poly- 
hedrons. 

“The bottom of the hole was not past the Edge,” I said, turning my 
head, looking over at Bobby, at a face that I now knew was mine. I now 
understood that we shared more than eyes and hands — ^we shared iden- 
tities, like two facets of a crystal, mirrored images. My right arm hung 
over his shoulder, his left arm over my shoulder — ^the only way we could 
stand, both of us missing a foot, my right and his left, nothing left but 
charcoaled ankle stumps. 

“Not past the Edge,” said Bobby. “That’s where the infinite possibilities 
he, the boundless potential, and complete and total control.” 

I nodded, no actual memories of having been beyond the Edge flitting 
up from the depths, the reahty beyond the polyhedrons not compatible 
with the structure of my mind. But there was some distant echo, a mental 
aftertaste of the place, a tangle of complexity. That was where most of me 
resided, my mind and soul, while what had leaked through to Aiunra Dri- 
ve was just the faintest of entangled echoes — a faded memory from our 
distant past, from a childhood in another realm. Pulling on his shoulder, 
and hopping on my left foot, I turned us aroimd. “And beyond the hole we 
dug?” 

“Objects, inertia, firactured symmetries, a place where one exists alone, 
separate, commimication beyond yourself made impossible by the physical 
constraints of the all-pervasive, totally unconscious texture of the place.” 

I did not understand. 

But I could feel it — ^remember having felt it. “How many times have I 
been through the hole?” I asked, knowing at that moment that this had 
not been my first incarnation on Aiunra Drive. 

Bobby grimaced. “Eight times in the recent past,” he said, and then 
jumped forward, a splash of liquid asphalt splattering the top of his Keds 
as he leapt fi*om the street and onto the curb, my foot then jumping. “And 
once long ago, at the start, before the polyhedrons even existed.” 


90 


Robert A. Metzger 


Asimov's 


I nodded, not really certain why I did. 

“We tried one time to make the transition directly from beyond the 
Edge to the other side of the hole in a single step. But it was too abrupt, 
the reality beyond the hole simply too alien to allow you to use the almost 
nonexistent physical and ment^ resources at your disposal to identify 
the problem and make repairs.” 

“This heat,” I said, standing before our house. 

Bobby nodded. “A S3nnptom of the problem, a manifestation that can be 
transmitted through the entanglement between what’s in your head and 
the reahty beyond the Edge — almost everything else lost in the transla- 
tion.” 

Before us, the Dart swirled in a maelstrom of individual atoms, in some 
places even further reduced to vibrating strings of force and twisted 
space — beyond the abihty of eyeballs and synapses to register, but still 
something that I could sense, my feeble link beyond the Edge and the 
processor in my head allowing me to see the alm ost invisible shadows of 
what was possible. I barely noticed it as we hopped through the gate and 
into the backyard — the problem of the Dart not worth our attention. 

The world suddenly blazed in an all-pervasive white hght, blinding; we 
were unable to see our feet, our outstretched hands, everything con- 
siuned. The only structure remaining were the shadows that poured from 
the hole, flowing and bubbling over its rock-strewn rim. We stmnbled for- 
ward. Body numb, vision fading, soimd damped to a dull buzz, then to 
nothing. I slipped into the shadow-filled hole, falling quickly into a flat 
cold geometry. 

“Work the problem,” whispered a voice. 

Stink of ozone and burning insulation. 

Eyes opened, photons sucked down, but there was no meaning associ- 
ated with them, no discernible pattern, just a flat matte of contrasting an- 
gles, what appeared to be a three-dimensional rendering of the greater 
world — so much content lost in the collapse of higher dimensions, not 
enough information remained to create a cohesive meaning. 

“Overload right ankle servo.” 

My neck pivoted, gears grinding, the matte of shadowed angles shift- 
ing, color filling my left side field of vision with a body-like shape. 

“First lock the ankle, then power down all feeds below the right ceJf. It’s 
one of the drone’s critical fatigue points. If you don’t shut down that por- 
tion of its power grid the entire drone will overload, flat-lining, and you 
will need to start all over again.” 

Pause. 

Colors integrated — a ragged three-dimensional outline of what a per- 
son might be if nearly all the informational and relational aspects were 
purged. A ghost of Bobby — of myself “Shut it down now. That is a fimc- 
tion you can control — ^first step in solving the problem.” 

Again my neck rotated, gears grinding, my limited vision focusing on a 
foot-like object, struts and cabling, layers of plastic, bands of metal, coa- 
lescing out of shadowed angles, ragg^ tendrils of smoke rising fi:x>m the 
intersection of foot and leg. 


PolyhedroRS 


91 


February 2005 

“Shut it down now!” 

A blue arc sizzled, curling up a calf of plastic and metal. 

I blinked, somewhere inside my head, and my right leg died, input and 
output severed below the knee. I shifted, feeling the floor, fingers moving 
against a cold and ungiving surface. Then I felt myself slipping, not ph 3 rs- 
icaUy moving, but mental focus tugged in the dire^on of the interface be- 
tween hands and the cold surface, investigating, trying to manipulate, 
seeking signal, input, searching for aspects of reality to manipulate and 
control, to alter and flien take ^at interface of floor and fingers into my- 
self to reach beyond it and incorporate the hard surface into my ment^ 
landscape, engiflfing it. 

“Limited fuel cell lifetime.” 

I blinked, and again a Bobby-like object of firactured surfaces coalesced. 

“Not the 1960 Dodge Dart,” he said. “Your resources are finite, your 
time limited, the mental capacity available to you barely enough to solve 
the critical problem.” 

Head turned again. 

A body lay to the left, a thing of metal and plastic, a hulk with a burnt 
right ai^e, and eyes open and unresponsive, looking up at me — ^a dead 
drone. 

“The third attempt,” said Bobby. “We got you in the drone, but the elec- 
trical discharge in the right ankle flatUned the system before you could 
even move.” 

I focused, raising hands, pulling them into my field of view. Digits, plas- 
tic and met^, tendons visible, gears spinning behind a sheen of polymer. 
A drone. Me. 

“The containment vessel is dangerously close to losing critical field 
strength,” said Bobby. My head moved, my eyes rastering right-left-ri^t, 
focusing attention on a sphere partially embedded in a far wall. One of 
many spheres. More patterns coalesced fix)m angled shadows. I was in a 
large room, facing a wall with hundreds of spheres, each about the size of 
a dosed fist, a few glowing in shades of amber, a faint flicker visible in the 
deep infi*ared, but most d^k and cold, indistinguishable fix)m the ambient. 

“Nearly two thousand containment vessels — qubit-dense entangled 
states, each housing a soul,” said Bobby. “Only fourteen remain online.” 

I nodded, vision jerking each time a gear deep in my neck caught on a 
chipped tooth. On the vessel directly in fi*ont of me, nearly invisible in the 
deep red shadows, hung a small object on a gold chain — not much bigger 
than the tip of a finger. Vision focus^, magnifying, lenses deep within my 
skull shifting, the object dangling fi:t>m l£e end of the chain growing in 
size, the white object taking form, shape conveying meaning, the glint of 
glass, smooth white surface, chrome here and there. 

A car. 

A model of a 1960 Dodge Dart. 

“Your father’s first car, one of 3 rour earliest memories.” 

Again I nodded, and looked past the little car and at the red-tinted sur- 
face of the cont ainm ent vessel I was inside there, immersed in a qubit- 
dense cloud of lithium ions, in a world of my own creation, lord and mas- 
ter of virtual worlds of infinite expanse — my tomb. 


92 


Robert A. Metzger 


Asimov's 


And now a part of me had come back to the world, housed in a service 
drone. I angled my head to the right, studying the expanse of wall be- 
tween containment vessels, dimpled by human-shaped indentations — 
several of them. 

Again shifting perspective. Strewn across the floor, between the con- 
tainment vessel and me, lay drones — eight in total. All dead, staring at 
me with lifeless eyes. 

“Limited fuel cell lifetime once they departed from the wall niche,” said 
Bobby. “The/ve been recharged so many times that their palladium and 
platinum hydrogen absorbers have been corroded to dust, the cells only 
able to generate a few minutes of power without hydrogen refueling.” 

I nodded. It was only then that I realized that the flickering shadow in 
the upper right-hand comer of my field of vision contained information, 
munbers counting down: fuel cell hfetime. 

Less than thirty seconds. 

The drone had been active for less than two minutes, most of its feeble 
fuel cell lifetime used to activate its systems, and for my consciousness to 
integrate with it, to accept the limited bandwidth of this reality. 

Pushing myself up, I stood, almost fell, balance compromised by my 
dead right leg. I took a step forward, toward the pile of fuel cell-drained 
drones lying before the wall and an open panel beneath the containment 
vessel from which hung the little 1960 Dart. Within the open panel, wires 
had been pulled, several severed, a few wrapped together. 

I stepp^ forward. 

“Confinement fields have collapsed in most of the vessels, and entan- 
glement has been lost,” said Bobby. “Nuclear, photovoltaic, and wind-en- 
ergy sources have long ago failed. All that remains is the thermoelectric 
transducers interfaced to a deep subsiuface magma dome — ^but the pow- 
er output continues to drop.” 

Quiet, I thought. 

Bobby vanished. That much control, I did have. 

Power schematics flitted through my head. The other drones had been 
attempting to rewire a main power distribution portal, ganging the pow- 
er fee^ from the containment vessels that had already collapsed into the 
one where I existed. 

Existed. 

A trivial calculation, the wires to be pulled and spliced already visible, 
a job that could be easily completed, and sufficient power would be 
rerouted to keep the containment vessel properly chilled, stabilizing the 
entanglement of the quantum processors within my tomb and maintain- 
ing that consciousness. 

I stepped over the nearest drone. 

There was not enough fuel ceU-time in this drone to complete the task. 
I could strip a few more wires, make a few attachments, and then the 
drone would collapse, this facet of my consciousness randomize, and then 
another facet would be pulled from beyond the Edge, from within the con- 
tainment vessel, and then shunted into the annex of Am*ora Drive; the 
transition portal designed to ready another aspect of my consciousness 
for this place, for insertion into another drone. 


Polyhedrons 


93 


February 2005 

But this body, my body, would soon be added to that pile. 

I blinked, the irises in my eyes stepping down. 

I stopped walking. 

“Focus on the problem!” shouted Bobby, materializing in front of me. 
“The power distribution panel.” 

The problem — survival, the steps needed to continue an existence. 
Eight flatlined drones sprawled before me — at least ten, possibly eleven, 
would be strewn across the floor before the power panel could be recon- 
figured. 

“Hurry!” 

I star^ at the drones. Had each paused just as I was at this moment, 
running the calculation, faced with the inevitable reality that they could 
not complete the job, giving up their feeble and insignificant conscious- 
ness for the greater good of the intellect that resided in the containment 
vessel? Were each the same, trained by a childhood apparition, pushed 
and prodded, readied to arrive in this world of wires and dead drones? 

Each the same? 

Irises stepped further down. 

No. 

I shufQed to the left, away finm the bodies, away from the power panel. 
Bobby winked in firont of me, opened his mouth to scream something, but 
I gave the mental command and he shattered, fragmenting into a mist of 
quickly expanding polyhedrons. Stepping away, toward a wall where a 
drone htmg, still embedded in its mounting harness, I flipped open its 
chest cavity, reached in, and implugged its fuel cell. 

Peripheral vision fluttered. 

My left leg locked as power servos went off-line. 

The fuel cell clock faded away. 

I opened my chest panel with my free hand, unpopped the fuel cell re- 
straints, and tugged out the dead cell as I slamm^ the other toward my 
chest, relying on momentum to finish the job. 

Vision off 

Dull buzz giving way to silence. 

Falling. 

Bhnk, integration of shadow into shape. I dropped the drained fuel cell 
from my hand, and then closed my chest enclosure. The clock in my right 
hand field of vision indicated more than two minutes of fuel cell life. 

“More than enough time to complete the rewiring,” said Bobby. “Cre- 
ative, awfully risky. Simulations indicated that overall success would 
have been much more likely with the activation of three more drones, 
rather than with the replacement of a fuel cell — ^the transfer process with 
less than a 10 percent chance of success.” 

Bobby neared me, his face solidifying. “You were the only one to offer up 
the suggestion of cat poop in the bottom of the hole, an idea that 1 thought 
at the time to be little more than a quantum fluctuation, a random en- 
tanglement. But perhaps it was more. Perhaps you were more.” 

Again, I reach^ out and silenced him. 

Turning, I shufQed away, at first toward the sprawl of downed drones 
and the open power panel, but then away from the containment vessel 


94 


Robert A. Metzger 


Asimov's 

wall, and toward the far wall of lockers. A long list of inventories flicked 
through my head. 

Working the problem, I thought. 

Not the 1960 Dodge Dart. 

And not a decaying containment vessel, and the thing behind an ex- 
panse of polyhedrons. I stood before the wall of lockers, ^e one I needed 
several rows to the right, hinges squealing as I pried it open, the large 
spools of graphite conductors barely visible in the shadows. Grabbing the 
nearest spool, I lumbered back toward the containment wall and the pow- 
er panel, new schematics flicking through my head, surprised at how ht- 
tle power I required as compared to the containment vessel. 

The sunlight cast soft shadows. 

I slowly sat, checking the connections of the graphite fiber filament to 
the power feeds in my chest. It had taken nearly two kilometers of wire 
before Fd managed to climb out of the warren in the mountain, out to this 
high desert, beneath a yellow sim that cast soft shadow. 

Fd hooked myself voXjo the main power bus. 

And then Fd completed the rewiring of the containment vessel. How 
long the repairs would last, a few years, or a few millennia, I could not be 
sure. Most of the other vessels had been long dead, some by defect, but 
most simply turned off— /rom within, the infinite possibilities of imag- 
ined worlds, of an existence without boimdaries, apparently not enough. 

Now I was working my problem. 

I had the transport loaded with half a dozen drones fi:nm which I could 
scavenge parts, with dozens of pristine fuel cells that I had located in 
storage, and with more than enough solar panels to power the hydrogen 
crackers that in turn would feed the transport and me. I gave my chest a 
reassming pat, pulled the power leads, and snapped my chest plate shut, 
now running on straight fhel cells, no longer attached to the power grid 
below, severed forever fi’om what lay in the containment vessel. 

Any direction was as good as another — ^no order here. 

There were no signals, no satellites, and no distant lights in this world. 

More than twelve thousand years had passed since that distant aspect 
of myself had been downloaded into the containment vessel, a mind and 
soul rendered in an entangled cloud of fiigid ions. Had the entire world 
gone down that path? I didn’t know. 

But I would find out. 

I held out my right hand — steel and plastic, gears grinding, servos 
twitching this way and that. A small chain wrapped aroimd my index fin- 
ger, the Httle model of the 1960 Dodge Dart dangling beneath it, gently 
spinning. I waited a moment. The car slowly spxm to a halt, the setting 
sim reflecting in its plastic fi-ont windshield, showing me the way. 

“Then West it will be,” I said, my foot pushing against the transport’s 
accelerator, the vehicle lurching forward, kicking up a cloud of thick dust. 
I did not look back. 

“Good-bye, Bobby,” I whispered. O 


Polyhedrons 


95 


DEAD IVIEN 

□N 

VACATION 


Leslie What 


Leslie What is the Nebula Award-winning author of 
the comic novel Olympic Carnes. She's been a radio 
commentator, charge nurse, low-income lunch-program 
manager, professional tap dancer, and maskmaker. 
Her mother is a Holocaust survivor who was interned 
at the Riga Ghetto, Libau, and Kiel work camps. 


1 . 


wo German guards wearing black boots and heavy wool coats, each 
with a machine gun and a growling dog, kicked open the doors of the un- 
heated factory and shouted, “Jews! Quiet!” We lowered our heads, but 
continued cleaning and mending the uniforms of the dead German sol- 
diers who had served at the front. As our Commandant strode to the cen- 
ter of the room, each man stood at his table quietly, hoping to avoid being 
singled out for pimishment. 

The colonel said, “Everyone out!” We were trained to cease all actions 
upon command, and we id so unmediately, dropping whatever we were 
doing, which in my case was a bloodied shirt from which I was about to 
scrub the last bits of flesh that had been part of the soldier who had previ- 
ously worn it. I held a severed finger, having already emptied the pockets. 

The finger smelled no different than the hving man working beside me. 
The chill air froze the scent of death just as it froze the scent of life, leav- 
ing only the stench of wet wool and bad breath in the workshop. My own 
fingers were so numb that it took several seconds for my muscles to relax 
enough to let go of the finger and move away from the table. 

“This is it,” I told my friend Heinrich. 

Heinrich nodded. He reached forward and clasped my shoulder. “Good- 
bye, then, Wilhelm,” he said. The soimd of his persistent cough was muf- 
fled inside the thimdering of the floorboards as the first of the prisoners 
ran outside and into the cobblestone streets. 


96 



Asimov's 


We pushed into the line and ran alongside the others, passing the brick 
buildings and boarded storefronts of the Riga Ghetto. Oin* clothes were 
threadbare and we had no coats. 

“We’ll meet for pickled herring on the other side,” I called. My wife and 
son were there already, waiting for me. The last eight months without 
them had been interminable. 

“Yes,” Heinrich said. “The other side. Thank you.” Like me, he had little 
reason to keep living. His wife and little daughter were taken by the gas 
vans early on. Yet Heinrich wasn’t one to give up easily. He was infected 
with typhus and should already have been dead. A stubborn man, he kept 
himself going, refusing to die inside the ghetto. < 

We were herded into ankle-deep snow. Ash from the incinerators rained 
down, darkening the sky. The local police took over, jabbing us with their 
bayonets because it saved them the trouble of ordering us to step up to 
the vans. On the other side of the barbed wire fence that separated the 
ghetto from the village, Latvian peasants watched with mild interest. An 
old woman gave a friendly wave with one wrinkled hand; she smiled a 
toothless grin. 

“Goodbye. May our deaths be easy,” Heinrich said before he disap- 
peared inside a tangle of arms and legs. 

A guard kicked me in the back, and I fell atop another man and recov- 
ered quickly to crawl to one side of the van. The metal floor was cold as 
the winter ground. I thought about the severed finger and wished I’d had 
time to try and bury it. No matter; my spoon would unlikely have been 
strong enough to pierce the frozen earth. 

The windows were painted black, but I didn’t know whether that was 
to keep prisoners from seeing out or to keep free men from seeing in. I 
suspected the former, as free men had alwa}^ had clear sight of what was 
happening to us. With so many of us pack^ tight, the cargo space grew 
warm and for the first time in weeks, the tingling in my toes lessened. 

It was odd, how numbed I felt from cold and lack of will. I hardly cared 
what happened to me anymore; none of it mattered. The engines rumbled 
and the van jumped as the driver shifted into gear. My mind began to 
drift while I wait^ for death to take me. 

We drove fast over bmnpy roads; amazingly, because we had not eaten 
in a day, a few of the men managed to find something left to vomit. The 
darkness and the foul smells left me imagining I was trapped inside of the 
bowels of a very large beast with a very slow digestion. We rode, blind and 
increasingly afraid of what would happen, for what seemed like hours. 

Heinrich managed to squeeze through the bodies imtil he crouched be- 
side me. His cough sounded mechanical, moist, like rusty geeu^. “It was 
like this for them,” he said, and I knew he was referring to his family, and 
to mine. 

“No,” I said. “For them it was quick. They didn’t have time to be fearfiil.” 

He looked as if he believed my reassurances; I was a good liar and took 
pride in softening his guilt. We kept each other living with our fidendship 

“If only ...” he began, but I waved my hand and bade him to stop. He 
wanted to talk about his daughter Rina, how he could have sent her away 
before the war. 


Dead Men on Vacation 


97 


February 2005 

“You didn’t know,” I said. “Nobody did.” 

“I should have known,” he said. “I should have sent her away.” 

He blamed himself for Rina’s death. I tried my best to disagree with 
him. “At least place the blame on the Germans,” I said. “They’ve won an- 
other victory if they’ve made you beheve it’s your fault.” 

Our van stopped suddenly, though the engine sputtered on. I heard 
growling dogs and the crunch of snow beneath the heavy boots of the 
guards. 

Heinrich prayed softly, then began to weep with dry tears; I felt nothing. 
He had been a pious man but I, having never experienced the comfort of 
faith, had no reason for the crush of disillusionment. 

The van doors opened and admitted such a bright light that I could 
barely open my eyes. The guards shouted for us to climb out; they beat the 
men who were unfortimate enough to be camped beside the door. Prison- 
ers spilled onto the snow like broken twigs as men in the back of the van, 
their claustrophobia overcoming their sense, pushed their way out. I 
smelled the glorious scent of pine and though it hurt my nose to take a 
breath, I gasped to take in the crisp chill air. We were lined up in two 
columns on the side of the road and told to close our eyes and wait for fur- 
ther instructions. I made up a prayer and braced for the inevitable crackle 
of gimfire. 

In the ghetto, we had thought of ourselves as dead men on vacation. It 
felt past time to leave the world of the half-living and join the world of the 
fully dead. The knowledge that, perhaps, I would be reunited with my 
wife in the afterlife had kept me ^ve imtil now, but I was ready to die. 

I heard soldiers beu-k in German, Latvian, and Russian, and the clank 
of metal and the shatter of glass. The vans squealed away, trailing foul 
smoke in the dust. I did not open my eyes because I had not yet been com- 
manded to do so. 

Someone poked me in the ribs, not with a gun, but with an elbow. “Open 
your eyes,” he said, and I did. 

We were surrounded by Russian troops. Only two of the soldiers had 
their guns trained on our heads, which seemed quite odd. Most paid us no 
attention. 

A soldier screamed in imperfect German, “You are free to go,” and I held 
my breath in expectation of the bullet. 

“I said. You’re free.’ What’s your name?” said my savior, a boy who could 
not have been older than seventeen. His German was surprisingly good. I 
noticed his uniform was dirty and a few sizes too large; no one cared 
about clean miiforms as did the Germans. 

“Wilhelm,” I answered. 

“Wilhelm,” he said. “You are German?” He shouldered his rifle as if he 
didn’t plan to use it. His pistol dangled from his belt. 

“Yes,” I said. 

He smiled, pleased by the familiarity of recognition. “I went to school in 
Cologne. Before the war.” 

I shrugged, wishing he would get it over with. I was ready to die; I just 
hoped it would be fast. 

“You are free to go, Wilhelm. A trade has been arranged,” he said. “With 


98 


Leslie What 


Asimov's 


yoiir colonel, who bought his life with yours. The war is almost over, Jew. 
Suddenly, you have value to the Germans.” 

I look^ aroimd and saw Heinrich take a swig from a bottle filled with 
clear hquor. I wondered how long he would be able to keep it down. A sol- 
dier clapped him on the back and took back the bottle. Heinrich coughed 
up blood and fell to his knees. His eyes looked dull, dry, and it looked as if 
he had survived this long only to succumb to typhus. 

My savior pointed toward a smoking fire pit. “Potato soup,” he said. “Go 
eat.” 

I felt no hunger. It was too late for my body to take nourishment. Even 
Heinrich could not sustain hope much longer. “I want to die,” I said, but 
either the boy did not hear me, or he did not understand. And so I had no 
choice but to use the last bit of my will and briefly struggle to take away 
his pistol. Before his surprise could register, I cocked the trigger and shot 
myself in the mouth, signaling an end to my three-year-long vacation. 


2 . 


I was not a religious man, so could not recall the theology that gave name 
to the place where I now found myself. Heinrich would have known, not 
only the name, but also two hoiu^ of dull Talmudic stories that described 
this place and gave it both a historical and religious context. I knew that it 
was neither Heaven nor Hell, and sure enough, the atmosphere was of nei- 
ther redemption nor punishment. It was a place of being, a place of the pre- 
sent. I felt neither cold nor hot, neither the rush of air nor the comfort of 
breath against my bps. My body was a gelatin outline with no substance. 

I had always expected God to be as organized as the Germans, but the 
place beyond proved to be past regiment, record, or reason. Somehow, I 
had thought I would see my wife and son in the moments after death. Yet 
I saw only translucent strangers, thousands upon thousands of white-lit 
specters floating cloud-like past me in a bright and crowded sky. The ap- 
paritions passed, imaware of one another. I recognized no familiar faces 
fium the ghetto. 

My body responded clumsily to all attempts at navigation as I tried to 
find an angel or someone nominally in charge. I had no voice, but even if 
I’d spoken, I doubted any of these souls were capable of response. We 
were in a place beyond words, a place beyond vmderstanding. I tumbled, 
blind and dizzy, until I gave up fighting for control and allowed myself to 
float through the slough of souls. I adjusted to my new weightlessness 
and willed m5^1f to float up above the others to have a look aroimd. 

I had been a bureaucrat in life and a laborer as a dead man on vaca- 
tion. I knew how to sort through information and to rearrange unrelated 
facts to tell stories that made sense. Yet there were no records, no ledgers, 
no fists of seized property or persons in the land of the dead, and my mind 
grew clouded by the realization that I might never be able to find the wife 
I had lost back in the land of the living. I floated, despair pushing me on- 
ward into the stream of souls. 


Dead Men on Vacation 


99 


February 2005 

I had not wanted to live another day without my wife, yet here I was, 
alone, dead, with all of eternity facing me. Rage more powerful than hght- 
ning stuped through me and propelled me onward, away from that place. 
Like a dark and sudden rain, something in me burst, and 1 plimged to- 
ward earth. 


3. 


I soon learned that linear dim ensions of tim e were a construct only for 
the living when I surfaced in a tim e that had already happened. I knew 
that I had landed in the past because I foimd myself in the back seat of a 
motor car, with Heinrich at the steering wheel, the pink of prosperous 
health tinting his cheeks and lips. Beside him sat his wife, Leah, whose 
face was turned toward him. She looked quite handsome, and I did not at 
first recognize her without the ghastly pallor and schmattes she wore in 
the ghetto. She was dressed in a tailored black wool suit and stylish 
feathered hat. Beside me, playing with an elegantly dressed porcelain 
doll, sat a chubby little girl with bright green eyes and dark curls — ^their 
daughter, Rina. I had never seen the child, but I recognized the doll, 
which was beautiful. The colonel had ordered me to clean and repair it be- 
fore he sent it to Germany for his daughter. 

The child seemed unaware of me. As did her parents. 

“My cousin says the transport is safe,” Heinrich said above the sputter- 
ing engine. 

“Safe?” Leah said. “How can anything be safe? I won’t let her go.” She cast 
an anxious glance toward the back seat but Rina paid her no attention. 

Heinrich shrugged. “We have two da3rs to decide,” he said. “My uncle in 
America will take good care of her untfi we can go get her.” 

“Fve never met your uncle,” said Leah. “Neither has she.” 

“It’s not safe for her to stay,” said Heinrich. 

“You can’t promise me it’s any safer if she leaves.” 

“I know that,” he said. He gripped the steering wheel as if struggling to 
hold his course. 

“We’ll talk of it no more,” said Leah, turning to watch the road. Clay 
dust clouded the windows; the green of the landscape disappeared and 
the world looked like a sepia photograph out of focus. 

The two of them sat looking forward onto a road that would soon end. 

Rina lifted her doll and said, “Do you think Fm as pretty as LuciUe?” 

She was speaking to me. 

I did not yet know if I had a voice. I looked at her clear complexion, 
vastly different fi*om the ghastly pallor of either porcelain or prisoners or 
specters. “Yes,” I said. “Lucille must be envious of yoiu* beauty.” 

Rina smiled. 

Heinrich stopped the car and opened the doors to let out Leah and 
Rina. As the ladies ran gleefully toward the finnt steps of their house, he 
reached into the back seat to retrieve a small suitcase. 

“HeUo, Heinrich,” I said. 


100 


Leslie What 


Asimov's 


He looked at me, straight throu^ me, and it was just like in the ghetto, 
when nobody saw us, where you could scream all you wanted but each 
voice disappeared into the sea of cries washing through ovu* lives. 

My wife and I could not have saved om* son — ^we had no money or op- 
portunity to pay for passage to leave Germany before the war. I said to 
Heinrich that which I had never dared say to him in life. “Don’t listen to 
your wife. She’s wrong. Send yoixr daughter away,” I said, and when he 
did not hear me, I felt the lightning rage fill me and spill over into a great 
gust of wind that rattled the windows. 

“You’ll regret it always if she stays! Send her away or she will die,” I said. 
I remembered somethuig bibhcal to appeal to that part of him that wasn’t 
rational. “He who saves one life, it is as if he has saved an entire world.” 

Heinrich stared in my direction and this time, I was certain that he 
saw me. 

“Send her away,” I said, amazed by the commanding boom of my voice. 
“Swear to it.” 

He nodded. “I will,” he said, the color of his cheeks fading to the shade 
of yellowed porcelain. 


4 . 


I floated toward an unknown destination. I had, I hoped, prevented 
Rina’s death, and perhaps kept Heinrich finm blaming himself for having 
caused it. I had saved one life and, in doing so, eased the biu^en of one 
man. If I were a worthy fellow, this one act might have been enough to 
earn me rest. 

But I was not a worthy man and I stopped thinking about the girl I had 
rescued, and instead thought about the colonel, who would not have 
Rina’s beautifiil doll with which to impress his daughter. 

My victorious gloating was short-lived as I remembered all the trea- 
sures he had looted. And he was but one soldier made rich by the war. In 
the ghetto, as a dead man on vacation, any rage I might have felt had 
been replaced by numbness. But death had been cathartic; rage nour- 
ished me, strengthened me, propelled me forward to another place. 

I foimd myself in a room that stank of urine and dying flowers. Un- 
bearably bright fight streamed through the window, and a nm^ in a very 
short skirt came to lower the Venetian blinds. She was dark-skinned, like 
a Hindu. I had never seen a Hindu nurse. I had only seen women in so- 
short skirts at the cabarets. I felt ashamed for her. 

A bald and stoop-backed man snored in his wheeled chair. He wore a 
wrinkled plaid shirt and filthy trousers and his face looked vaguely fa- 
miliar. It wasn’t until the nurse said in English, “Okay, Colonel, time for 
dinner,” that I recognized my former commandant. 

The colonel grunted. His face was blotchy and he needed to be shaved. 
One side of his mouth drooped and a yellow crust fined his eyes like in- 
fected tears. 

The dark-skinned nurse unlocked his wheels and p\ished him from the 


Dead Men on Vacation 


101 


February 2005 

room and down a green hall and into a large space filled with people, all 
old, many in wheeled chairs. Most of them spoke Enghsh, but a few spoke 
to the dark-skinned nurse in a tongue I did not recognize. A red and 
white striped flag stood in the comer. At first I thought I was in England 
imtil I spotted the field of stars and recaUed the look of the American flag. 

The nurse left the colonel sitting beside others in a s imil ar predicament 
at a long table. I noticed now that my co mm andant was tied to the chair 
to keep him fi’om falling out. 

“Colonel,” I called. He fidgeted and tried to locate the sound. 

I floated close to him, wishing I could spit upon his face. 

Another nurse, this one an older woman wearing a white shirt and 
pants — an odd look on a woman — ^passed out tra3rs of food. 

The colonel grimaced and pushed away his tray. 

“Now, now,” said the nurse. She filled a large spoon with the pureed 
gray meat from a bowl and brought the spoon to his mouth. “Eat,” she 
said, teasing his lips with the edge of the spoon, “or I’ll take it away.” 

He turned his head. “It’s cold,” he said. 

The nurse said, “Fine. Next time. Til tell the chef to boil your dinner,” 
and left the spoon standing in the bowl as she went to help the others. 

His untouched meal could have fed me in the ghetto for a week. The 
lightning rage stmck. “How nice that you can turn away food because it’s 
cold,” I said. 

He saw me, I was sure of it, though clearly he did not know who I was. 
His expression took on a look of worry, which filled me with joy. I fully 
understood why a ghost would choose to haunt a hvunan being. I could 
not spit upon him, but I could torment him by other methods. I willed 
that the dish should levitate up fi*om the tray and brought it to his face 
so that I could mb his nose in the cold meat. 

The old nurse screamed at him from across the room. “Stop that. 
Colonel! Stop m akin g a mess or you’re going back to your room.” 

I knocked over a carton of milk and managed to spill some over his 
wrinkled pants. 

“That’s it,” said the old nurse. She stomped over and pulled his chair finm 
the table. “If you can’t behave, you’re going back,” she said, directing anoth- 
er dark-skinned nurse, who was, I thought, Afiican, to take him away. 

My commandant muttered an insult in German. 

“You think I don’t rmderstand you?” said the Afiican nurse. “I imder- 
stand you plenty. So you’d better be quiet.” 

I followed them back to his room and waited for her to leave. 

“So,” I said. “You end up like the rest of us, decrepit and despised.” 

“Go away,” he said. “Haunt someone else.” 

“I want more time to adequately haunt you,” I said. I foimd the nerve to 
sit in his lap and let him imagine my fetid breath upon his face. I wanted 
to hit him, to pmiish him, but I was a bureaucrat, not a man of action. I 
had never fought with a man and didn’t know how to proceed. My anger 
seethed and I reached forward, and in that moment found that I could 
thrust my hands inside him and twist his organs rmtil he moaned in pain. 

“Too bad you don’t remember me,” I said, squeezing his heart im^ his 
breath caught in his throat. 


102 


Leslie What 


Asimov's 


“Who are you?” he whispered. 

“Fm the Jew that they called Wilhelm,” I said. “Perhaps you remember 
me from the Ghetto.” I stuck my fingers behind his eyes and only grew 
angrier as he squirmed in pain. 

“Mercy,” he said. “Fm an old man. Have mercy.” 

“Say that you remember me!” I said. Clear liquid tinged with blood 
oozed from one of his ears. 

“I don’t remember you,” he said. “We were soldiers. It was a different 
time.” 

I thought up the perfect lie with which to torment him. “Heaven is 
filled up with Jews,” I said. “And in Hell, the Germans serve good beer in 
fine silver goblets to the Latvians and Poles.” 

He whimpered. “Look at me! Fve suffered enough.” 

I laughed at his misery, then thought about the time the colonel had 
shown his men how to save their bullets when he crushed an infant’s 
skull with his heavy boot. “You cannot suffer enough for what you’ve 
done,” I said. 

“Dear God, please forgive me!” he said. 

I eased my touch. “Aha! but you are not talking to God,” I said. “You’re 
pleading with me. But all right,” I said. “Fll forgive you for what you did to 
me. There is one problem, though,” I said. “I can’t grant you forgiveness 
for any of the others. It’s theirs to grant; you must ask it of your other vic- 
tims.” I squeezed his bowels and watched him double over in pain. “There 
is no mercy on this earth,” I said. “What I can grant you instead,” I said, 
grateful that I could hurt him beyond his endurance, “is justice.” 


5 . 


I left him weeping. Vengeance did not offer the reward I had expected; I 
felt no sense of pleasure, or even relief. Vengeance provided little more 
than a flicker of regret that there was so little one could do to change the 
past. I floated without care to my next destination, but after time, my ap- 
athy diminished and was replac^ by despair as I was struck by the fiiU 
measure of my impotence. 

I had watched my city emptied of its Jewish citizens. I knew of other 
ghettos, and of death camps. There were coimtless colonels, all of whom 
no doubt beheved that growing old as free men was pimishment enough 
for their crimes. 

My rage had accomplished nothing; I remained a dead man on vaca- 
tion. I was filled with the righteous anger of one who has been robbed, 
one whose burglar was known but never brought to trial. I wanted the 
satisfaction of a finished task. The lightning flash of anger returned to 
bum holes through my despair. I moved with a sense of direction. 

I expected to surface in a place where I could cause damage, where I 
could avenge our martyrs and in doing so find peace. Instead, I arrived at 
a place filled with imbearable sadness. 

The room was small with white plaster walls and a roughly hewn wood 


Dead Men on Vacation 


103 


February 2005 

floor. A fragrant spice permeated the air. Heavy black cloth drapes were 
tied open with ropes, but the room was very dark, and faced out into a 
narrow street with the facades of several other buildings within view. 

A dark-haired young woman sat at a desk, writing on a typewriter. I 
floated close to read her message, which said in English, “I cannot forget 
what has happened.” She struggled over her next words. She was very 
pretty, and I admired her in the same way a man might admire his own 
daughter. At the same time I felt a burning in my gut — ^the ache of a man 
who worries that the child he loves is doomed and he cannot save her. 

A telephone rang. The young woman startled, and as she rose, her hand 
knocked something on her desk and it clattered to the floor. 

I glimpsed the long silver fang of a knife. 

“Hello,” she said into the phone. She chewed on her lip and stared at 
the sharpened blade. Her eyes were green. “No,” she said. “I’m sorry, 
Daniel, but I don’t want to see you now. You can’t help me; it’s something 
I have to take care of myself. Fm sorry. Goodbye.” 

She replaced the receiver, then retrieved her knife and set it beside the 
typewriter. She sat up straight, wiped her face, and slowly typed. “Why do 
some live while more worthy people die? How could my life be worth 
more than my mother’s?” 

I recognized the expression in her eyes, a mix of despair without the 
temperance of hope. I had seen that same expression in my wife’s eyes. 

I knew this girl — ^Rina — ^Heinrich’s child. 

She picked up the knife and gripped it with both fists. 

“No!” I cried. “You can’t do this.” The rashness of my decision to take my 
own life hit me like a furnace blast, as I reahzed the enormity of the sin I 
had committed. In my selfishness, I had abandoned the only child I could 
have saved. 

I had failed to protect her, as I had failed everyone I loved. With only 
my despair to anchor me, I began to float away. 

“Wait!” she called, pulling me back. “Ghost! Come back! I know you.” 

“You can’t know me,” I told her. 

She shook her head. “But I do,” she said. “I remember you fimm some- 
where.” 

“I knew your parents,” I told her. 

She gasped. 

“Are you the one who rescued me?” she asked. 

I pointed to the knif e. “It doesn’t look that way,” I said. 

She blanched. “It’s not your fault. You don’t understand,” she said and 
looked out the window, and I wondered if she thought that by staring into 
populated buildings, she could avoid seeing inside herself. 

I willed myself to come toward her. “I do understand,” I said. “Better 
than most.” I understood everything about despair and the pain of going 
on when you had lost everything. Until that moment, I had never tried to 
understand about hope. 

Her lips quivered. ^ don’t remember them,” she said. “They gave their 
lives for me, and I can’t remember the sound of their voices. They died for 
me, but I can’t even remember their faces.” 

“You had nothing to do with their deaths,” I said. “Knowing you would 


104 


Leslie What 


Asimo/s 


survive gave them strength and courage to live as long as they did.” It 
was I who had given up. “Your parents wanted you to live, no matter 
what,” I said. I told her about Heinrich, how he had toasted his freedom 
after our drive into the woods. I told her of his struggle against typhus. 
“Thinking of you kept him alive,” I said. “He sent me here to teU you that 
you were his reason to go on, to continue struggling as long as he was 
able.” The last was a small lie, yet I sensed it was more true than any- 
thing I had ever said. 

She fell against me, and though I was as insubstantial as dust, I 
wrapped my arms around her to hold her and let her sob into my shoul- 
der. “I know about despair,” I said. “You must remember that the sadness, 
the overwhelming feeling of emptiness — ^these things can pass.” 

She heaved her chest, a full sigh like a child worn out by crying before 
falling asleep. She stood up straight and collected herself. “It’s gone,” she 
said. “At least, for now.” 

“Despair is with us alwa)^, lurking in shadow,” I said. “But we must be 
stronger than our sadness, or darkness will eclipse the world.” 

She nodded. 

The telephone rang. 

“Answer it,” I said. “It’s Daniel. TeD him to come over. Now. You should 
not be alone.” 

She did as she was told. “Hello,” she said. “All right. Fll see you soon.” 

“Perhaps,” I said. I blew her a kiss and floated from her. A sense of com- 
fort sm^ed as my consciousness faded and my voice grew faint, like clos- 
ing words that trailed off after a lengthy telephone caU. “Goodbye,” I said 
as I was pulled away from the world and into the great peace of the be- 
yond. I knew my wife and child awaited me there. 

Rina looked up and said, “Thank you. Uncle.” 

“Remember the dead,” I whispered. “Forgive who you can of the living.” O 

— For my aunt Marga, my uncle Manfred, my grandfather Karl, 
my grandmother Irma, my great aunts, and so many others I never knew. 


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Dead Men on Vacation 


105 



OXYGEN 

RISING 


R. Garcia y Robertson 


White Rose, the third book in R. Garcia y Robertson's 
"War of the Roses" series, was published by Tor last 
fall. Mr. Garcia recently sold Tor a new novel. Firebird, 
as well as the untitled fourth volume in the "Roses" 
series. While those books are both fantasies, his latest 
story for us is a fast-moving science fiction adventure 
tale about a negotiator willing to take the ultimate 
risk to save the lives of strangers. 


■ ley, human, time to earn your pay!” Curled in a feline crouch, a sil- 
ver comhnk chpped to his furry ear, ^e SuperCat flashed Derek a toothy 
grin. Tawny fiir showed through gaps in the bioconstruct’s body armor, 
and his oxygen bottle had a special nosepiece to accommodate the sabre- 
tooth upper canines, huge ciuved fangs whose roots ran back to the eye 
sockets. This deep in the highlands of Harmonia, even Homo smilodon 
needed bottled air. Cradhng a recoilless assault cannon, the SuperCat 
had small use for ceremony, letting everyone call him Leo. 

Derek grunted, getting paid being the least of his worries. Lying prone, 
sucking oxygen, he fixed his gaze on his bug’s viewfinder. He had close- 
cropped hair, a somewhat fit body, and a fashionably biosculpted face — ^if 
you liked yoiu* hiunans pretty much xmaltered — just a styhsh nose-job, 
xl-ten thousand night vision zoom lenses, and straight white teeth. His 
bug sat perched on a heap of shattered glass a dozen meters ahead, tight- 
casting to the viewfinders whip antenna, letting Derek see in all direc- 
tions without getting out of his hole — alwa5rs an advantage. 

Rain fell in a weepy drizzle, turning everything gray, the groimd, the 
clouds, and the smviving tall glass towers. Through the viewfinder, Derek 
saw a fairy city gone to seed, with great glass towers lying smashed on 
the wet greensward, broken into glistening shards by the cometary im- 
pacts. Others stood snapped in half, their shining interiors exposed to the 
downpour and turning green with algae. Water had been rare when the 
city was built, but now it was everywhere, soaking shaky foundations, 
making the dead city imsafe even when folks were not shooting at you. 
Whoever named the planet Harmonia had a horrible sense of humor. 


106 




Asimov's 


“Make sure no one shoots me in the back,” Derek suggested, and the 
SuperCat just grinned, his clawed finger resting lightly on the cannon’s 
firing stud — ^if Leo blew you apart, it would not be by accident. Rising 
slowly, Derek stood up, alone and virtually imarmed — ^nothing deadly 
anyway, just a pair of hypo-rings, and a sleep grenade tucked behind his 
waistband. Printed across the finnt and back of his body armor in bold 
white letters were the words DO NOT SHOOT THIS MAN! 

- Twenty or so meters in fi*ont of him lay a smoldering Bug-mobile, a big 
one, with its gutted turret askew and the port legs missing. Forty meters 
beyond the squashed Bug, a bmiker was dug into the base of a fallen tow- 
er, concealed by rubble and fast growing green tendrils — even Derek’s 
special zoom lenses could not make it out. Only deadly accurate fire had 
revealed its position. He took a big jolt of oxygen, gave a jaunty wave, and 
set out toward the bunker, his tiny bug scurrying through the low foliage 
behind him. Passing the smashed Bug-mobile, Derek did a swift medi- 
check, deciding that the two Greenies in the bumt-out turret were be- 
yond help. 

(“Stop,” commanded a gruff voice on his corn-link.) 

He stopped, sucking oxygen, four paces beyond the smashed Bug, star- 
ing at the Gekko ghost town. “Anything you say.” 

(“Are you human?” asked the voice from the bunker.) 

“Hope so.” Some folks set a high bar for humanity. “Want to see my 
chromosomes?” 

(“Are you Peace Corps?” asked the voice.) 

“That would be nice, wouldn’t it?” Derek wished he was, since then he 
would be peace-bonded, sacrosanct, and wired for lie-detection. “Sorry, 
just another civilian.” 

(“Then what are you doing here?”) 

(jrood question. What was he doing in a nameless ruined city, on a char- 
nel-house planet with imbreathable air, where angry folks aimed heavy 
weapons at him? Feeling like a deranged tourist, he told the voice, “Talk- 
ing to you.” 

(“Why?” the voice soimded more surprised than suspicious.) 

No mystery there. “They figured you would shoot a Greenie.” 

(That got a good laugh fi'om the bvmker. “No shit.”) 

“Rank favoritism,” Derek admitted, taking another whiff of oxygen. “I 
got the job just for being human, in clear violation of the Charter of Uni- 
versal Rights.” 

(That drew another chuckle. “Come on in then. Can’t shoot you just for 
being hvunan.”) 

Not yet anyway. As Derek walked toward the concealed bmiker, his bug 
ran up the back of his boot and tucked itself into the boot top. Augmented 
vision picked out the recessed pressure-sealed gun ports, cleverly con- 
cealed and shielded — ^but he did not see the camouflaged bunker door un- 
til it opened before him, revealing a gas-tight airlock. Stepping gingerly 
through the recessed door, he waited while the lock cycled, then entered 
the damp, dark bunker, which had several inches of water on the floor. 
Blast shields flanked the door, and gunners lay prone in niches on either 
side of him, peering into their gun sights. Air inside the bunker was 


Oxygen Rising 


107 


February 2005 

Earth-normal, and Derek took deep grateful breaths. Not all of the plan- 
et was as bad as the highlands outside — ^but danm near. (“Stay by the 
door,” warned the voice.) 

Derek stayed, aiming not to antagonize. New to diplomacy, Derek still 
guessed that the voice would take time to materialize — not to seem 
overeager. Even trapped in a tiny bunker on a hostile planet, any sensible 
negotiator pretended to have something to do. Taking his own advice, 
Derek turned to the nearest gunner, a young athletic, brown-haired 
woman in a Settler militia imiform, staring into the sights of an assaiilt- 
cannon, and asked her in his friendhest diplomatic voice, “Where are you 
from?” 

“Right here,” she replied, without taking her head out of the sights. 

“I mean before. Off-planet,” Derek nodded toward the heavens, hidden 
by layers of steel and concrete. 

Withdrawing her head from the hooded sight, the woman stared suspi- 
ciously at him. She had a frank, natural face, with no trace of biosculpt, 
just wide intelligent green eyes and brown freckles sprinkled across her 
nose. “Portland, Oregon,” she rephed evenly. “But I was bom in Eugene.” 

“Really?” Derek was impressed. “That’s on Earth?” 

“Yes,” she stared at him like he was crazy. “Pacific coast of North Amer- 
ica, in what used to be the United States.” 

“Amazing.” He shook his head at the incredible distance she had come — 
some two hundred light years — just to end up next to him. “What is it 
like? In Oregon?” 

“Nice, real nice,” she looked past him at the wet blank wall of the 
bunker, as if remembering something far away. Her Universal had a 
charming other-worldly quality, so quaint and old-fashioned that you 
could tell with your eyes closed that she wasn’t a Greenie. “Tall trees, lots 
of people, sweet breathable air — a lot nicer than here. Have you ever been 
to Earth?” 

Derek shook his head. “I don’t even know anyone who has been to 
Earth. You are my first.” Stmck by the immense ^stance between them, 
though only centimeters apart, all he could think to say was, “You’ve come 
a long way, good luck.” 

“You too.” She stuck her head back in the sighting hood, leaving him 
looking at the back of her brown uniform, which had a dark sweat-stain 
along the spine, but was tailored to curve neatly over her rear. It felt 
strange to stand next to a young woman — a heavily armed one at that — 
who you had absolutely nothing in common with, except that she was hu- 
man. Had she killed those two Greenies in the squashed Bug? Possibly, 
but there was no pohte way to ask. He noted that the niche next to hers 
was vacant, blown to smithereens by a direct hit on the gun port. Gree- 
nies got lucky with that one. So did she. 

Another pressure door dilated, and a big balding middle-aged man 
stepped out, with small alert eyes on either side of a long sharp nose. He 
wore the same brown militia imiform as the girl gunner fi*om Eugene, only 
his had general’s stars on the shoulders — ^totally unneeded, since the fel- 
low exuded authority. His voice was the one that had come over the corn- 
link. “(jreneral William D. Pender, but you can call me Bill, everyone does.” 


108 


R. Garcia y Robertson 


Asimov's 


Everyone insystem knew Big Bill Pender — the Greenies had already 
condemned him in absentia, and he headed Leo’s humans-to-shoot-on- 
sight hst. Taking the offered hand, he admitted, “Derek’s all the name I 
got.” 

“It will do.” General Pender eyed him carefully, asking, “Where are you 
from, Derek?” 

“Just about anywhere,” Derek shrugged. “I was born in transit, 
Archemar to Alpha Crucis, on the survey ship Ihn Batuta. And I guess 
I’ve been outbound ever since — ^you’re only the second person I have ever 
met from Earth.” 

“Proud to represent the planet,” Pender beamed. “So what do you have 
to say?” 

Derek took a deep breath. “I wish I were Peace Corps, but Fm not. Fm 
just here to save lives, human lives, as many as I can. You have given the 
Greenies a good thumping, and they no longer think they can take this 
place by direct assault.” 

Pender chuckled, leaning back against a blast shield. “Happy to hear 
that.” 

“Bod news is that the Greenies plan to just blast you to atoms. There is 
an Osiris missile in orbit with an anti-matter warhead, aimed right where 
we are standing. Fm your last chance to get anyone out of here alive.” 

Pender took the news evenly, well aware that the Greenies were losing 
patience. “So what’s is the de^ if we leave?” 

“No deal, Fm afraid.” Derek didn’t try to con Pender; whatever happened 
next, he was talking to a dead man. “You give up your guns and come out. 
Greenies already have a blanket amnesty for women and kids — most 
women, anyway.” He did not want to get the gunner from Portland’s hopes 
up, since the women and kids amnesty did not apply to her. “But the best 
I can promise you and your troops is civilized treatment and a fair trial.” 

Big Bill shook his bald head. ‘Tou’re not offering much.” 

“7 am not offering anything, just passing on the Greenies’ terms.” Derek 
knew how bad that soimded, like being a messenger boy for Photo sapi- 
ens. “Look, they could have sent a holo. Or just a warhead. I volvmteered 
for this, and Fm here in the flesh to show I understand the seriousness of 
what Fm saying. Innocent human lives are at stake — including mine. 
That is who I speak for.” 

Pender grinned. “You volimteered?” 

“Sounds stupid, doesn’t it.” Derek grinned back. “I won’t He, Fm getting 
triple hazard pay just for being here — ^but no amount of pay would drag 
me to ground zero if I didn’t think it was right. Send out the kids, at 
least.” 

General Pender smiled pleasantly at him, like a veteran poker player 
who’d bet his limit on a busted flush, but was too much of a pro to show it. 
“Stay here, you deserve an answer.” 

Derek watched Big Bill Pender disappear through the inner lock, then 
he tiuued to the gunner in her niche. “So, what did you do m Portland?” 

“Nothing,” the woman did not take her head out of the sighting hood. 
“That’s why I came here — ^two years out of grad school, and way overqual- 
ified for any job I could hope to get. There are dance clubs in Portland 


Oxygen Rising 


109 


February 2005 

where the hostesses all have advanced degrees. Colonizing the stars 
sounded romantic, a chance to do something with my life, like in ZPG 
commercials.” 

Everyone makes mistakes. “Try not to judge the cosmos by Ares sys- 
tem,” Eterek suggested, “some parts are amazingly lovely.” 

Pulling her head out of the hood, the woman brushed brown hair out of 
green eyes and asked, “Is it part of your job to be nice to me? 

“Fm a negotiator,” Derek declared blandly, hiding behind business. “It’s 
my job to be nice to everyone.” 

But the Portland woman was not buying. “Doesn’t your training . . .” 

“Who said I was trained?” Derek hated to start off relationships on a 
lie. 

That got a grin, a major accomplishment given the circumstances. 
“There must be something in the negotiator’s code of ethics against flirt- 
mg. 

“Heavens, I hope not!” Derek returned her grin. “They couldn’t pay me 
enough. What’s yo\ir favorite place on Earth?” 

“That’s easy, the Olympic Peninsula, it’s grand and homey at the same 
time; we used to camp there when I was a kid. Or maybe Paradise Island, 
a holo-playland off Hawaii. I went there with my boyttend for high school 
graduation. . . .” She stopped and stared hard at him, asking, “It doesn’t 
bother you to get personal with someone you’re negotiating over?” 

“Not if she’s human.” And here was the real thing, straight from Earth, 
fresh and impretentious, not at all cowed by her current disastrous posi- 
tion. He could easily see how hvunans had gotten so far. 

“So, what do you think?” the Earthwoman switched subjects. “Are we 
getting out of this ahve?” 

“Hope so.” He meant it. Derek figured that Pender would let non-com- 
batants go — ^but that would not do the gunner from Portland much good. 
Right now she had an assault-cannon and layers of steel and concrete be- 
tween her and the Greenies. He was asking her to smrender her weapon, 
and turn herself over to folks who were driving humans off Harmonia — 
except for those they executed. At best, she faced a fair trial, though she 
wouldn’t see any Homo sapiens on her jmy. 

General Pender returned with the women and kids, including his wife, 
Charlotte, a white-haired woman in a militia colonel’s uniform — she too 
was condemned in absentia. Pender spoke for the group. “We took a 
vote — ^first time I ever resorted to polling the staff, but we had to be sure. 
Charlotte and I are staying, but you can take the kids, and anyone else 
who wants to go.” 

“Thanks.” Derek meant to get going before anyone changed their 
minds. “Come on, kids, who wants to meet a real live SuperCat?” No one 
leaped at the chance, but with the help of some scared mothers, he herd- 
ed the children to the door, picking up the smallest orphan boy to hvury 
things along. As the pressure lock cycled, he called to Leo, “Hey, we are 
coming out with mothers, kids, and non-combatants. Don’t shoot.” 

(“Well done, human,” Leo soimded pleasantly svuprised.) 

He looked over at the Portland woman, lying in her niche, asking her, 
“Are you coming out?” 


no 


R. Garcia y Robertson 


Asimov's 


“Maybe.” Her head was back in the sighting hood, covering the exit of 
the kids. Hoping this was not the last he saw of her, Derek entered the 
lock. 

When the outer door dilated, Derek sent his bug scurrying ahead of 
them, and gave the boy in his arms a squirt of oxygen, 8isking, “What’s 
your name?” 

“Brad,” replied the boy, staring wide-eyed at the bumt-out Bug-mobile 
and the two dead Greenies. According to Pender, Brad’s parents had been 
killed by Greenie orbital bombs. Greenies preferred fighting from five 
hvmdred klicks up. 

“My name’s Derek, and we get to go first.” He tried to make stepping 
into the line of fire sound like an honor. 

Brad asked suspiciously, “What’s a SuperCat?” 

“You’ll see. His name’s Leo and he’s really neat, but don’t put yoiu* hand 
in his mouth.” Derek stepped back into the rain, wading out into low wet 
vegetation, he and Brad both trying not to show their fear. No one shot at 
them. 

“What’s that?” Brad pointed at the smashed Bug-mobile. 

“Sculptorian Symbiots,” Derek took a drag on his oxygen, “the most ad- 
vanced xenos known to man — we call them Bugs, using them for any- 
thing dull or dangerous.” Calling out an all-clear, he led the gaggle of 
moms and children out of the lock and away from the shattered glass 
tower, over to where the mechanized battalion was dug in at the city’s 
perimeter. 

(“Greenies have brought up pressurized Bug-mobiles for them,” Leo 
told him. “This all there is?”) 

“Hope not.” Now came the hard part. Everything so far had been scaiy, 
but up-beat, Derek risking his life doing good — and getting paid on top of 
it. Now bad things would happen that he could not stop. “Hear that. 
Brad?” He gave the boy some oxygen, then took a snort hiniself “We get to 
ride on a Bug.” 

Big double-ended sixteen-legged Bug-mobiles were blinkered huUdown 
at the edge of town. Sculptorian Symbiots came in aU shapes and sizes, 
from slim four-armed centauriods used for semi-intelligent tasks like 
cleaning toxic spills, to these big double-bodied, sixteen-limbed types not 
much brighter than a smart-car. Bugs were true xenos, hive creatures, 
working for food and water, and the chance to propagate themselves on 
new planets — ^the highest known form of non-human life in this part of 
the galaxy. But Bugs might think that humans were the dumb ones. Sur- 
vey ships in the Far Beyond had discovered whole Bug planets, whose 
original inhabitants had also foimd the Bugs to be obedient tools — ^but 
now existed only as DNA samples. 

Greenie males wearing loincloths and battle armor casually emerged 
from the Bug-mobiles to collect the prisoners. Women shrank back and 
kids started to whimper. Brad fought back tears. Not that Greenies were 
particularly frightening — ^not compared to monstrosities like Bugs and 
SuperCats. Photo sapiens were pretty much human, but with photosyn- 
thetic algae in their skin and somatic cells, giving them a bright green 
color that glistened in the rain. Otherwise they were small, graceful and 

1 1 1 


Oxygen Rising 


February 2005 

lightly built, with handsome faces half-hidden by rebreathers — ^which 
showed that they needed as much air as hiunans. But Derek was handing 
these women and kids over to enemies who were driving them finm Har- 
monia. Greenies had killed their fathers, husbands, and brothers, and, in 
some cases, their sisters and mothers as well, making specious any lec- 
tiires about how we were all the same under the skin. Which Derek knew 
was not even true. 

Brad refused to be handed over, clinging to Derek imtil Leo came up. 
Clapping Derek on the back, Leo gave Brad a close-up look at sabre-tooth 
canines, saying, “Good job! It would have cost me to bring them out the 
hard way. Want steady work?” 

Quieting at once. Brad sucked oxygen. Somehow the sight of this tawny 
monster with a toothy smile calmed him, dispelling any fear of mere 
Greenies. Derek shook his head. “No thanks, the job I got is bad enough.” 

“Too bad.” Leo shook his head, taking a big snort of oxygen. “I like to get 
my hands on humans. Greenies are just not the same. They are smart 
enough, and follow orders happily, they just don’t have that, well, you 
know . . .” 

“Killer instinct?” Derek’s gaze stayed fixed on the brniker door, while 
Brad stared wide-eyed at Leo. Men in brown militia imiforms emerged 
from the bimker to be disarmed by Leo’s troopers, who turned them over 
to the Greenies. 

“Exactly,” Leo declared, pleased to have hit on just the right term. “Why 
is that?” 

Derek continued to study the door, sucking o:^gen as the last seconds 
of truce ticked away, willing her to come out. “Greenies are too cviltimed,” 
he told the SuperCat. “We hmnans are the wild stock.” 

“Is that so?” Leo did not sound convinced. “Fm pretty cultured myself.” 

Derek laughed diyly, stiU staring at the door, seeing three men in flight 
suits appear, an older guy and two teenagers. Still no gunner fi*om Port- 
land. “You were crossed with wild carnivores; they got the genes for Gree- 
nies out of a cantaloupe.” 

Leo soimded shock^. “Really, a cantaloupe?” 

“Just a figure of speech,” Derek assured him, praying for the door to di- 
late again. 

“Still, it explains a lot,” Leo decided. Derek’s heart leaped as he saw the 
Portland woman emerge from the concealed lock carrying an oxygen bot- 
tle, trudging toward the big Bug-mobiles. He waited to see which Bug-mo- 
bile she chose, and saw that her came straight to theirs. Good sign. 

Taking a big swig of oxygen and hoisting Brad onto his shoulder, he 
stepped into her path, saying, “Hi, Portland. Glad you came out.” 

Stranded in Ares S3rstem, facing internment and a war-crimes trial, the 
failed settler shrugged. “I hardly had a choice.” 

“None of us did,” he admitted. “My name’s Derek.” 

“I know.” She nodded, not offering hers. 

“What’s yours?” He could get it from the Greenies, but he wanted to 
hear her say it. 

“TEunmy,” Brad annotmced loudly. “That is Tammy.” 

Tammy smiled, but did not spesdc. Looking up, Derek thanked the boy 


112 


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on his shoulder, then handed him to Tammy. “Keep him away from the 
Greenies if you can.” 

Tammy took the boy, and climbed onto the covered carrier atop the 
Bug-mobile, with Brad looking up at her, saying, “I saw a SuperCat!” Ris- 
ing up on their sixteen legs, the Bugs swiftly bore the prisoners away to- 
ward the landing held. Derek had to stay. 

The truce had expired. Satisfied that no one else was coming out, Leo 
signaled to the heavy weapons, and an armor-piercing missile slammed 
into the bunker door, blowing the outer lock to pieces and blocking the en- 
trance with rubble. If Tammy had been at her gun port, she would have 
been dead, and Derek would have killed her, since negotiations had re- 
vealed the concealed entrance. With Pender and his people sealed in, Leo 
pulled his troops back before the Osiris missile arrived. Taking shelter in 
the armored Bug-mobiles, they waited — ^but nothing happened. Leo 
glanced at Derek, asking, “What’s taking the Greenies?” 

Derek nodded toward the landing field, “They are waiting for lift-off.” 

“Lift-ofi^” Leo arched an eyebrow. “Whatever for?” 

“Women and children aboard that transport know the people in Pen- 
der’s bunker,” Derek explained. “Greenies will not blast it until the trans- 
port lifts and the people aboard can’t hear the bang or see the flash.” 

Sure enough, the transport lifted fi'om the field behind them, and while 
it was stiU a silver spark overhead, climbing for altitude, an Osiris mis- 
sile falling fi'om orbit obliterated the bunker with a boom so big Derek 
felt it through his boots, seeing the last of the glass towers shatter into di- 
amond dust, while a mushroom cloud rose up into the rain, 

“How like the Greenies!” Leo took a long disgusted snort of oxygen. 
“They don’t mind blasting Pender to pieces, just not in front of the fe- 
males.” SuperCat females were the traditional hunters, the ones who 
taught the cubs to kiU, and were more likely to use fang and claw than 
the males, who favored automatic weapons. Leo dropped Derek off at the 
shuttle bay, thanking him again, and pulling a bracelet fi'om his wrist, 
sa3dng, “T^ is for your trouble, and the trouble you saved me.” 

Derek turned it over in his hands, recognizing Home Systems work, a 
thin gold and jade communicator-cum-companion, voice activated, with a 
giga-bit memory, and enough microprogramming to play music, translate 
Bug signals, and teach 3rou Classic French cooking, all at the same time. 
Mercs like Leo kept their personal savings as flashy but useful items that 
could be sold or bartered ff need be. Derek tried to turn it down, pointing 
out, “Tm obscenely well paid.” 

“But not by me,” the SuperCat replied, leaping back aboard the ar- 
mored Bug, and waving good-bye. Leo apologized as he sealed the Bug’s 
turret, “Have to go kill more humans!” 

Derek disembarked on the Harmonia the huge colony ship used by the 
Greenies to settle Ares S3rstem. Harmonia had once b^n a hmnan ship, 
the colony-class Trinidad, used to settle the near Eridani — ^but colony 
ships almost never returned to the Home Systems, and were either can- 
nibalized at their destination, or kept heading outward under new own- 
ers. This one not only changed owners but peoples, serving as a habitat in 


Oxygen Rising 


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February 2005 

the Delta Eridani, then being bought by Greenies to colonize Ares system, 
renamed Harmonia to match the planet. At the docking port where hu- 
mans had once assembled to set foot on new worlds, Derek saw naked 
Greenie kids gathered at huge view panels to watch the ships coming up 
from the smface. You could see it on 3V, but kids liked to be there, seeing 
the passengers get off. Especially Greenie kids. Greenies wanted to do 
everything first-hand, liking game-playing, group participation, dancing 
to live music, and making love. To Greenies, 3V entertainment was an 
oxymoron, dull as counting seams on the bulkhead. 

Harmonia, esi-Trinadad, was back to being a habitat, temporary hous- 
ing for thousands of Greenie colonists, waiting for room on the slowly ex- 
panding surface settlements. Oxygen levels were rising rapidly as super- 
plants spread over the surface, but Greenies were not Gekkos, bred for 
Mar«-like conditions — Greenies needed air as much as humans, otherwise 
they would not have come to Harmonia. Right now a lot of them didn’t have 
much to do, which made Greenies restless. Kids were not the only ones 
who came to see the shuttle unload. Dressed in skimpy swaths of fabric 
and ready smiles, a pair of young Greenie women were eyeing the incom- 
ing passengers, lool^g for excitement. Seeing Der^k, the taller of them 
stood up on jade bejeweled toes and called out, “Hey, human, ever had a 
Gr^nie?” 

“Or two?” suggested her curvy girlfiiend. 

“Sorry,” Der^k apologized, never liking to offend fiiendly young females. 
“Tve got a Greenie girlfiiend.” 

Striking a pose, the tall one put a hand on her hip and tilted her head. 
“So you know what you are missing.” 

Her girlfiiend added, “If she doesn’t tr^at you right, let us know.” 

Sex was about the biggest thrill Gr^nies could imagine, and they liked 
doing it with ordinary humans. Which some folks found sinister, since 
any children produced wer« Greenies — one mor« part of the great Gree- 
nie plot to take over the galaxy. A lot of humans hated Greenies, wanting 
them all dead — ^but not Dei*ek. He got on amazingly well with Gr^nies. 
How could he not? Greenies were polite, easy going, and compactly built, 
making most of them smaller than him; while their women were forward 
and attractive. Besides the algae in their skin, they had altered hormone 
levels with predispositions toward heliotropism and nudity, plus numer- 
ous other “improvements.” Hard working and cooperative, Greenies had 
no interest in religion, pohtics, nor spectator amusements, and they nev- 
er got cancer or 3V addiction, nor felt any guilt over sex. In short, there 
were just enough differences to make normal humans wonder if they 
were dealing with people, or a biology project gone amok. Or our evolu- 
tionary replacements. 

His quarters were on J-deck, which was done up like a Japanese gar- 
den, a deep misty canyon with elegant dwarf pines growing under a blue 
hologram sky. Each leaf and rock was set just so, and raked paths con- 
nect^ apartments with balconied entrances, set like Shinto temples in 
the canyon wall. He awoke each morning to bird calls and the splash of 
water on stone. 

Mia greeted him at the door, rising on her toes to kiss him hello. Her 

114 R. Garcia y Robertson 


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skimpy costume showed large sweeps of smooth green skin, and her tiny 
jade tongue slid easily between his lips, feeling small and tingly in his 
mouth. Her compact body pressed against him in all the right places. 
Guys joked that if you closed your eyes, Greenie girls felt totally hiunan, 
especially on the inside — ^but Derek liked to know who he was kissing. He 
enjoyed seeing Mia’s gold hair lying on her hght green neck and cheek. 
But most of all, he enjoyed Mia’s enthusiasm for him, and the way her 
deft fingers immediately started searching through his clothes for skin. 
Had he called ahead she would have met him at the shuttle port, and 
kissed him there — showing the girls at the dockside just how it was done. 

Mia had little to do right now, except to enjoy him. She was a mam- 
malian ecologist, waiting for the biosphere below to expand before going 
to work dirtside. Up here, they could only monitor oxygen levels and 
make ecosystem projections; pretty dry stuff, but luckily for Mia, they 
were her life’s passion. He handed her the bracelet, saying, “Here, knock 
yourself out.” 

Delighted, Mia put it on her wrist, admiring the way the gold and jade 
shone against her skin. Greenies were not all the same shade, and Mia 
had light grass-green skin. Though Greenies were almost hairless be- 
tween the tops of their heads and their pubes, Mia had tiny gold flecks of 
body hair, which Derek found quite fetching against her light emerald 
skin. You had to be really close to see them — ^but that was part of the fun. 
He told her, “It is fi:nm the Home S5rstems, maybe even Earth.” 

Her amber eyes went wide. Bred for deep space colonization, few Gree- 
nies ever saw tlie Home Systems. Earth was the closest thing they had to 
heaven, the far-off home world of their revered and feared creators, full of 
strange sights and god-like wonders. “Where did you ever find it?” 

“Got it off a SuperCat.” As soon as he’d seen it, Derek had thought of 
Mia, since it matched her skin, and because pricey talking jewelry was 
the sort of toy Greenies would enjoy, but not think to make themselves. 

“Sotmds dangerous.” Mia took him back into her arms, forgetting the 
expensive microelectronics on her wrist, happy just to have him safe. Be- 
ing a mammalogist, she knew all about SupeiUats, another flashy toy 
Greenies would never have made themselves. 

“And then some.” Derek felt a touch of panic at the thought of how he 
had faced suicidal gunners, walking straight toward that grim bunker. 
Mia relaxed into him, feeling solid and fi*agile at the same time, soothing 
his fears, reminding Derek that he had survived. He told her, “I talked to 
Big Bill Pender.” 

lender himself?” Mia shivered, shocked at how close he had come to a 
mass murderer. 

“Yep, but he’s dead now.” Strange that the comfortable, jovial fellow who 
spared his life in the bunker was now dead, blasted to photons. 

“I know,” Mia whispered, “I heard it on the Net.” Mia could barely imag- 
ine killing another thinking being on purpose, much less blowing up a 
whole bimker full. 

“I got a bunch of kids out, adults too,” Derek reminded himself, show- 
ing that you coiild do good by taking stupid risks. 

Burying her blonde head in his shoulder, she sighed softly, “You are so 


Oxygen Rising 


115 


February 2005 

sweet and brave, and you deserve a reward.” Mia kissed him again, mak- 
ing it plain what that reward would be. 

Derek did not complain. Since Mia had moved in, his p)ersonal life had 
gotten happier and livelier, without any apparent downsides. Mia had 
supreme self-confidence, always showed her feelings, and never feared to 
speak the truth, taking complete charge of his life by giving Derek what- 
ever he wanted, coping easily with each situation that arose. With three 
advanced degrees and nothing much to do, Mia foimd it a snap to fix his 
meals and manage his affairs, deftly setting out dinner, rice balls and vat- 
grown sushi, accompanied by a warm bottle of saki. Greenies got off on 
“authentic” Earth cuisine, though Mia refused to eat vertebrate flesh un- 
less it was vat-cultured. Eterek relaxed, finally feeling like the conquering 
hero — ^too bad he had to go back down in a couple of dozen hours and do it 
all again. 

After dinner, Mia disposed of the dishes and settled into his lap, so they 
could both drink said fi*om the same cup. Derek told her, “I talked to a 
woman too.” 

“A human woman?” Mia asked, playfully starting to undo his sweaty 
tunic, knowing full well what he meant. 

“From Old Eeuth.” Derek smelled lilac perfume wafting out of the jade 
hollow between Mia’s breasts. 

Mia arched a blonde eyebrow. “I never met someone fi:nm Earth.” 

“Straight fi*om Portland, Oregon, but she was bom in Eugene.” 

“Really?” These were m3dhical places to Mia, ancient homes of her cre- 
ators — just talking about them excited her. Greenies never had to ask 
themselves, “Where did we come from?” — ^knowing the date and place 
where they were first created, down to the minute. Squirming pleasantly 
in his lap, Mia asked, “What was the Earthwoman doing here?” 

Tammy was probably asking herself that very question, sitting in or- 
bital detention fight years finm Eugene, while Derek drank warm tangy 
saki with a semi-nude mammalogist curled in his lap. “She was a door 
gunner with an assault-cannon.” 

“How ghastly!” Mia shrank back, no longer the least excited, repulsed 
at the thought of anti-personnel weapons. Greenie women would not 
touch a killing machine, nor be with a male who did — ^the main reason 
why Derek carried nothing more deadly than a sleep grenade. Despite 
her three degrees, Mia could not comprehend why humans invented 
weapons to begin with, accepting it as some unexplainable original sin of 
her creators. She asked, “Are all hmnan females so ferocious?” 

“She didn’t seem ferocious.” Maybe Tammy was though; maybe, to Mia, 
aU tme humans were unspeakably savage. “She was guarding the bunker 
door, the first place they blasted. If I hadn’t talked her out, she would be 
dead now.” 

Mia nodded gravely, “And she put down her assault cemnon?” 

Derek nodd^. “That was part of the deal.” Prisoners were not allowed 
personal artillery. 

Glad to hear the gun was gone, Mia snuggled back up against him, say- 
ing, “You are such a good man.” 

“Why so?” Mia’s total rejection of violence always made Derek feel like 

116 R- Garcia y Robertson 


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a terrible beast, knowing that she would rather die than harm another 
thinking being, leaving her defenseless against people like Pender who 
wanted all Greenies killed, sight unseen. Would knowing Mia have 
changed Pender's mind? Probably not. 

Mia looped light green arms around his neck, her gold hair falling half 
across her smiling face. “You risk your life for others. You bring me pre- 
sents, and you are so thoughtful.” 

Too thoughtful at times. Soon Mia was going dirtside to live an ecolo- 
gist’s dream, creating a balanced planetary ecosystem teeming with 
plants and animals. By then, Derek’s work diitside would be done, and he 
would go back to being a vacuum hand. So was he merely a pleasant in- 
terlude to Mia, before the serious business of life began? A sort of in- 
depth xenobiology experiment? Or maybe just a pet she could fuck? Gree- 
nie women could control conception, and she was choosing not to breed by 
him. He cocked an eyebrow, asking, “As good as a Greenie?” 

“No,” Mia laughed at the thought, “you are not like a Greenie in the 
least.” Undoing his tunic, she played with his chest hairs, saying, “And I 
like that. I like that a lot.” Leaning down, she licked the sweat off his 
chest with her small green tongue. Mia especially liked the taste of him, 
saying he was wild and salty, while Greenie sweat was designed to be 
bland and inoffensive. “I really love that you are human.” 

“Do you?” Derek stripped the fabric off her slim hght-green torso, press- 
ing Mia’s warm body against his bare chest, knowing that this smart, 
dedicated mammalian ecologist would do pretty much whatever he want- 
ed — so long as it was physiologically possible. She enthusiastically ex- 
plored his favorite quirks and fantasies. Being a devoted mammalogist, 
Mia veistly enjoyed making love to the most fearsome manunal in the 
known universe, thrilling to the feel of his savage power inside her. What 
true scientist could resist being so intimate with her subject? He whis- 
pered, “Do you like making love to a dangerous beast?” The most danger- 
ous beast. “Is that it?” 

“A Httle,” Mia laughed, clearly liking how he manhandled her. Even at 
half his weight, her calm sure confidence came off like a challenge, beg- 
ging him to puncture her smug Greenie superiority. 

Taking finn hold of her buttock, Derek suggest^, “Perhaps you would 
prefer a SuperCat?” 

“Ugh, too hairy,” Mia protested, “and those horrid teeth! They are real 
beasts, who do not know good fi:nm evil. You know good and evil, yet you 
choose good. That dehghts me.” 

Derek too. He kissed her soft acquiescent mouth, at the same time shd- 
ing out of his trousers. When he released her tongue, Mia whispered, 
“What is her name?” 

“Who?” He kicked his pants onto the tatami deck. 

Mia wiggled atop him, her groin grinding rhythmically against his. “This 
Earthwoman, fi'om Portland.” 

He never knew what Greenies would say next. “Her name is Tammy.” 

Mia grinned, so excited by his seeing an Earthwoman she had to drag 
Tammy into bed with them, metaphorically at least. “Did you make love 
toTanuny?” 


Oxygen Rising 


117 


February 2005 

“No time ” Derek could barely believe they were discussing this. Tam- 
my had been hard put to even talk to him; at best, he hoped to hire her to 
help with his job. 

“You will.” Mia dismissed his protest; after all, he was only human, and 
a man at that. Parting her thighs, she sank down onto him, drawing him 
deep into her. Maybe Greenies were the same vmder the skin. Mia’s head 
might be wired wildly different, and her skin might timi sunlight into 
blood sugar, but, on the inside, she felt just like a woman. Or so Derek 
supposed — never having done this with a human femede. 


Portland Woman 


Eireenies needed no death penalty, since they never killed each other, 
and genocide was such a preposterous concept they had no laws against 
it. So the trial took place on the surface, on a lowland LZ, imder military 
law, with Leo for a judge. The defendants were the last to leave Pender’s 
bunker, the trio in flight suits and Tammy, who turned out to be on Pen- 
der’s staff, an operations assistant doubling as a door-gunner. All were 
charged with murdering more than ten thousand Gekko civilians in a nu- 
clear strike near the end of the fighting. The older man had piloted the 
strike craft, and his two teenage sons had served as weapons officer and 
crew chief. Tammy’s office had given the order. 

Liking to work outdoors, Leo held the trial in a deep green valley 
floored by stands of elephant grass and tall tree ferns — a hint of what 
Harmonia would be like when terraforming was complete. Brightly col- 
ored birds called fi:um atop the tree ferns. Derek refus^ to sit on the juiy, 
so it was made up of SuperChimps, SuperCats, and Greenie males — since 
no female could vote for death. Learning that Derek would not serve on 
the jury, Leo asked, “WiU you be defense attorney then?” 

Derek shook his head. “That would be racist.” Why have him do it, just 
because he was human? Derek had no training as a lawyer, and no par- 
ticular sympathy for Pender’s people. Nor for Gekkos, so far as that goes. 
Let some earnest yoimg Greenie tay to get them off. 

Tammy immediately volunteered, stepping up and saying to the Su- 
perCat, “I will defend myself and the others — if they want me.” 

Prosecutors objected, claiming, “It creates conflict of interests for the 
defense attorney to be a co-defendant.” The prosecutors were Gekkos. Not 
real ones, who could not tolerate the humid oxygen-rich atmosphere of 
the lowlands; instead, they appeared as holograms beamed down finm or- 
bit — grim humanoid bio-constructs, stretched-out versions of Greenies 
with homy skin, big bald heads, and barrel chests; hred for dry, low-g, 
low-oxygen worlds, like Harmonia was before real humans arrived. The 
Gekkos suggested, “Have the unindicted human do it.” 

They meant Derek, who had already refused. Leo turned to look Tam- 
my over, lazily eyeing the Earthwoman in her worn militia \miform. Dis- 
armed, defeated, but not the least downcast, Tammy looked cahnly back 
at the SuperCat, not afi-aid to defend herself, against him, or anyone. Leo 


118 


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liked what he saw, saying, “Charges against you are dismissed without 
prejudice. Prosecutors may try to revive them before another judge — ^but 
not me. Until then, do your best. Since this is your first case, Fm sure the 
prosecution will agree to give you leeway. ...” He glanced at the Gekkos. 

“Dismissed?” Speed-of-light lag made the hologram prosecutors seem 
slow and insensitive, as well as insubstantial. “This human is a danger- 
ous war criminal, responsible for the deaths of thousands of sentient be- 
ings ” 

“So you say.” Leo yawned, showing off gleaming canines. “But this hu- 
man was not aboard the strike craft, and not in the chain-of-command, 
since Pender gave the laimch order himself. . . .” 

“And he never held a staff vote,” Derek volunteered, though he only had 
Pender’s word on that. 

“These are all points to be proven,” the Gekkos insisted, outraged at 
any attempt to shortcut justice. When Derek’s comments arrived, the 
Gekkos added, “Who is he to talk?” 

“You just tried to make him defense attorney,” Leo pointed out. Giving 
another toothy yawn, the SuperCat told his court, “Case against the de- 
fense attorney is dismissed. Intercepts show Pender gave the laimch or- 
der, and the strike craft carried it out. This court has neither the time nor 
patience to prove things everyone knows — stick to points in dispute.” 

The Gekkos objected again, but Leo overruled them, then turned back 
to Tammy, smiling broadly, telling her, “No Greenie is going to sentence a 
defenseless female to death anyway. So do your damnedest, and if you 
screw up, the court will underst^d, being amateurs ourselves.” 

Tammy thanked him and went to consult with her former co-conspira- 
tors. When she was done, Leo let the holes lead off, describing the strike 
in some detail, time, location, and numbers killed — stressing that most of 
the dead were infants and females. Then the chief prosecutor went fi*om 
defendant to defendant, asking each one what he had done. The pilot 
tried to take all the responsibility himself, knowing he was dead, but hop- 
ing to save his sons, declaring adamantly, “I alone got the orders, and I 
alone carried out the strike.” 

Nobody much beheved the desperate father, but the hologram Gekko 
happily pocketed the abject confession, then turned to the weapons offi- 
cer, asking about the strike craft’s armament, getting a complete descrip- 
tion of the Artemis air-to-surface missile, and its antimatter warhead. 
Then the Gekko asked, “Did you know there were non-combatants within 
the kill radius?” 

Nodding, the teenager admitted that he did, and that he armed and 
aimed the missile anyway, adding rather lamely, “We were told they were 
not people.” 

“By who?” demanded the indignant Gekko. 

Shrugging, the boy carefully avoided looking at his anguished father. 
“Everyone.” 

Grimacing, the Gekko went on to get similar answers fi*om the yoimg 
crew chief, concluding his case. Which made it Tamm/s turn. Picking the 
pilot to start with, she asked about the general military situation, show- 
ing that the human settlers were outnumbered more tiian a himdred to 


Oxygen Rising 


119 


February 2005 

one, and losing badly. “Gekkos had us surroimded and pinned down, suf- 
fering steady casualties. Gekkos moved easily over the smface, while we 
huddled in our bunkers, or went about in vehicles, making ourselves 
ready targets ” 

Prosecutors objected, arguing that mihtary considerations had nothing 
to do with the mvirder of non-combatants. Leo casually overruled them; 
at best, the SuperCat considered the trial a tedious evasion of responsi- 
bility, but he meant for everyone to have their say. “Go on,” he instructed 
Tammy, “though I doubt this line of testimony will do you any good.” 

Thanking Leo, Tammy got the pilot to describe the mihtary installa- 
tions in the target city, showing that the Gekko guerrilla bands bleeding 
the settler militia were based among non-combatants. But the Gekko 
prosecutor responded by asking if the strike craft carried smart-mxmi- 
tions, which the weapons officer admitted it did. “Then why did you not 
use them?” asked the Gekko. “Confining the strike to mihtaiy targets.” 

“Pender ordered us to use the Artemis,” repHed the pilot. Clearly, Pen- 
der had wanted a high body count — which was now likely to cost the 
strike team their fives. Summing up the prosecution’s case, the hologram 
Gekko pointed out that the dead included himdreds of hiimans as well, 
internees and POWs, held under humane conditions. Unlike Pender’s 
people, the Gekkos had taken prisoners and treated them reasonably 
well, imtil other hmnans obliterated both them and the Gekkos. 

Tammy finished up with a passionate plea for mercy, claiming that the 
killing could stop here, if they were willing to take a risk for peace. Pen- 
der was dead, and his cause was dead. Harmonia was going to the Gree- 
nies — punishing the defeated would not make a difference. Derek’s heart 
went out to her, facing an Alice in Wonderland jiuy of brainy apes, toothy 
felines, and green-skinned men. He could tell Tanuny had seen her fill of 
fighting; two fight centuries fi'om home, and one of only two humans on 
Harmonia who were not either imder capital indictment or cowering in 
caves and bunkers, waiting for Greenies and SuperCats to dig them out. 
Her plea for peace and forgiveness reminded Derek of Mia. His Greenie 
girlfriend had said the same exact things when they first got together, 
wishing to personally plead with Pender for a cease-fire — not knowing 
that the Humanists would have shot her out of hand. For some people, 
humanity was just skin-deep. Despite Tammy’s Portland-white skin and 
militia uniform — complete with an empty holster strapped to her thigh — 
there was more similarity between her and Mia than the Humanists, or 
even a lot of Greenies, would admit. Defeat had wrung all the settler arro- 
gance out of Tammy, making her sound like little blonde-green Mia; 
smart, open, honest, and utterly helpless in the face of force. 

Tammy must have moved the Greenies on the jury too, because they ac- 
quitted tile teenage crew chief— refusing to put to death someone who had 
merely been along for the ride. His father and brother were not so lucky. 
Everyone waited glumly while the verdict was virtually appealed to an off- 
planet court — in this case the officers of the armed merchant cruiser 
Eclipse, sitting in a special courts martial. Not even the Gekkos were hap- 
py, having seen Tammy and the crew chief get off— and not trusting the 
naval officers, most of whom were human. 


120 


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Verdicts came back confirmed, much to the Gekkos’ surprise. Derek ex- 
pected it, knowing naval officers had scant sympathy for the Hiunanist 
militia — ^bimgling amateurs who gave war a bad name. Gekkos made the 
common mistake of assuming that all humans were the same. 

Judge Leo carried the sentences out personally. Life and death were all 
that mattered to a SuperCat, and he would never have sat in judgment if 
someone else was going to execute the sentence. What would be the 
point? He asked the father how he wanted it done. Lips drawn, the hu- 
man replied that he wanted his son to die first, “But I don’t want to see 
it.” 

Leo imderstood, telling him, “Say your good-byes.” Which the dad did, 
first to the crew chief, then to the son who would die. Then the father 
watched his son obey his final order, marching off without a misstep, dis- 
appearing behind a screen of tree ferns, where Leo shot him. 

When Leo came for the father, the hmnan said a final good-bye to the 
Gekkos. “I’m glad we killed every one of you assholes.” 

Watching the father go, Derek knew how the man felt. Ceremoniously 
shooting them for destroying a smallish city did seem ludicrous, since hu- 
mans had gone on to kill every Gekko on the planet. Vastly outnumbered, 
and clinging to a few dwindling isolated settlements, Pender’s people 
knew that even antimatter warheads would not win for them — so the 
Hiimanists countered with their ultimate weapon. When the settlers first 
arrived after two centuries in transit and foimd Harmonia inhabited by 
Gekkos, plans for terraforming the planet were put on hold. Facing com- 
plete defeat, Pender ordered the terraforming into immediate operation. 
Deep-space teams at the edge of Ares system crashed water ice comets 
rich in CO2 into Harmonia, producing surface water, rain, and green- 
house gases. At the same time, Pender’s biotechs released superplants 
into the thicker wetter atmosphere, sending oxygen levels soaring. 
Mounting oxygen and hvunidity killed all the Gekkos that didn’t flee off- 
planet. Homo sapiens had again come out on top, against daimting odds, 
and on alien ground. Proving that hiunans were a dangerous species to 
tangle with — for those few that did not already know. 

Tammy took away the surviving teenager, acquitted of all charges, but 
still rendered a homeless orphan by the courts. Derek let her go without a 
word, guessing that this was not the moment to offer her a job working 
for the new masters of Harmonia. 

He caught up with Tammy in orbit, where settler families waited to be 
shipped outsystem. Trust Greenies to design the perfect trsmsit camp, 
turning the main hold of a C-class freighter into a hologram tropical isle, 
complete with warm simlight, sea breezes, and righteous waves. Folks 
hved in thatched treehouses and palm huts, while a dropshaft in the is- 
land’s center led to more standard decks — ^for those who tired of paradise. 
Tammy sat on the beach staring out to sea, having traded her mili tia uni- 
form for a gaudy sarong and a hibiscus blossom tucked behind her ear. 
Other refugees lounged about in various states of imdress, and children 
splashed in the surf beneath a bright hologram sky — ^including Brad, who 
Tammy turned out to be watching. Someone upwind was roasting a pig, 
while teenagers lovingly smoothed and sanded balsawood surfboards. 


Oxygen Rising 


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February 2005 

Sitting down in the hot sand beside Tammy, he watched a blue breaker 
slam into the beach, sending ghttering spray flying through warm tropi- 
cal air. Out of the comer of his eye, he noted Tammy had nicely roimded 
breasts, even if they weren’t green. “Is this what Portland is hke?” 

Laughing, Tammy looked over at him, the first time he had coaxed 
more than a smile out of her. “No, this is not Portland. Not even close.” 

“Really?” The Charter of Universal Rights said that internees must be 
kept in conditions “approximating” their home world — and Greenies 
scrupulously obeyed such conventions, not wanting to deny anyone their 
rights. “Earth is not like this?” 

“Parts of it are.” Tammy’s smile faded, and she stared evenly at him, an 
intense questioning look that surprised Derek — it seemed like Tammy 
needed something from him, but would not say what. Which Derek fovmd 
strange. Greenie females were very upfront about their needs; if they 
wanted something they said so. All Tammy said was, “What are you do- 
ing here?” 

Good question. Derek was not sure what he was doing, but he did want 
to see more of Tammy, so he tried to start on a positive note. “You were 
amazing, standing up to the court like you did, saving that bo/s life ” 

“But not his father and brother.” Tammy sounded bitter, looking back 
at Brad, another orphan. By utterly wiping out the Gekkos, Pender and 
company had assured that the blame would forever fall on Tammy’s peo- 
ple. 

“You did wonderfully.” Derek meant it; he had talked to Tammy on a 
whim, but everything she did since drew him in. Her plea for peace, her 
caring for homeless kids, her bravery before armed SuperCats. “Leo 
would have killed that boy, as easily as the others. You saved him, when I 
w£is afraid to even try.” 

“You, afraid?” Tammy’s smile retmned, as if she could not really beheve 
him. “I thought you were the nerveless negotiator who walked imarmed 
into the muzzles of machine cannon.” 

“Only in my spare time,” Derek explained. “Normally I’m a vacuum 
hand, a pilot. Greenies grabbed me for this job because I was the only hu- 
man they could easily get a hold of” 

“Yet you took the job,” Tammy reminded him, “idiotically going into 
grave danger just to save complete strangers.” 

And winning points with Tammy. Derek could tell by how her smile 
widened, making this the moment to ask. “Idiotically? I hope not, because 
I fancied you might join me.” 

“Join you?” Taken aback, Tammy acted like she had started to trust 
him, but now wsis not sure. “Working for Greenies?” 

“Photo sapiens do pay me,” Derek admitted, “but that’s not why I do it.” 
He nodded toward Brad, splashing in the surf with the other children. 
“That’s who I do it for — there are still a lot of innocents dirtside, and a 
woman would be very helpful in getting them out safely, especially an 
Earthwoman.” 

Tammy looked at him with that same questioning stare, like she want- 
ed something from him — ^but all she said was, “Do you know how hard it 
is to lose everything? To see good friends blown to bits for no reason?” 


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Looking out to sea, Tammy watched hydraulically produced waves roll 
out of the hologram horizon that hid her prison wall. “This all started out 
as a grand adventm*e, foimding a new world beyond the stars — but when 
we got here someone else had moved in, and no one would honor our 
claim.” Gekkos had gotten in ahead of the hmnan colonists, and there was 
no law to make them leave. Human attempts to assert their centuries-old 
claim had led to friction, then fighting, and finally genocide. “Sinre it’s all 
oiu* fault, but what could we do? Our ships were one-way jobs, built to be 
cannibalized at om- destination, so we couldn’t even go home. Those of us 
who opposed fighting were dragged in anyway, once the killing began. I 
started by organizing peace vigils, and ended up as a door-gunner — don’t 
think that was easy.” 

Hunched up, her arms around her legs, she laid her head down on her 
bare knees, looking back over at him, saying, “Now we’re defeated, de- 
spised, and deported, and it will all go to the Greenies.” Surviving Gekkos 
had sold their now useless claim on Harmonia to the Greenies, and there 
was scant support for letting the human settlers keep a planet they had 
acquired by mass-murder. “Greenies are going to just waltz in and take 
what we made, because they are so good and we are so evil.” 

Derek agreed, Greenie goodness could get to you — ^witness this island- 
paradise-cum-prison. Greenies were adept at making you feel grateful for 
doing what they wanted. “I don’t think you are evil,” he told Tammy, “only 
human. That’s why I offered you the job — ^this is something that must be 
done by humans. If Greenies could do it, we woiildn’t be having this talk.” 

Still staring straight at him, Tammy told him tersely, “I can’t betray my 
people.” 

“Fm asking you to help save them,” Derek pointed out. 

Again he got that questioning look. By now, Mia would have said what 
she wanted — and then some. Tammy just said, “Fll work for you, but not 
for Greenies. The first time I have to take orders from a Greenie — I’m 
gone.” 

“Absolutely,” Derek agreed. He could talk to the Greenies, being very 
good at that. 

“And don’t try to pump me for info,” Tammy warned him. “I wiU talk 
people into coming out, but I won’t help kill them. Understood?” 

Derek nodded. “Understood.” 

Tammy looked hard at him. “No hypno-probes. No brain scans.” 

“Fm not even wired for lie detection,” Derek reminded her. He liked the 
give-and-take of talking to Tammy, enjoying an edge you never got with 
Greenies. With Mia, everything was so pleasantly simple, that were it not 
for her green skin and weird way of thinking, there would be no mystery 
at all. With Tammy, it was a ch^enge just to get agreement, before she 
piled on more bizarre conditions. “We go dirtside at 1630 hom« tomorrow. 
Can you be ready?” 

“Sure.” It was not as if Tammy had much to do here. Nor did she bother 
to ask about the pay — ^when you were being paid to get out of jail, how 
much hardly mattered. 

Getting up to go, Derek surveyed the white sweep of tropical beach 
edged with treehouse cabanas. “So this is not Portland?” 


Oxygen Rising 


123 


February 2005 

“More like Paradise Island,” Tammy told him. “Minus the holo-rides, 
dance arenas, sex-clubs, and love grottos.” 

Earth sounded like an amazing place. He remembered Tammy sajdng 
that she had been to Paradise Island with her boyfriend — and liked it a 
lot. He asked, “Do you still have the boyfriend?” 

“Siu«.” T ammy nonchalantly watch^ his reaction, but by now, Derek 
was enough of a negotiator not to show disappointment. “Back in Port- 
land,” she added, making them both laugh. Oregon was so far off that 
laser-mail took foiu* hundred years to get a reply. He left before she could 
ask if he had a girlfriend. 

All he told Mia was that he had hired Tammy. His Greenie girlfriend 
was pleased, saying her good-bye to him on the temple porch of their bon- 
sai garden apartment, with wind chimes tinkling overhead. “Be careful,” 
Mia pleaded, “Fm not done with you. And take care of Tammy too.” 

“Tammy?” He was surprised by her concern for Pender’s former aide. 

“Yes. Tammy will be alone among men and weapons. She will need a 
good man to watch over her, and you are the best I know.” Mia gave him 
another kiss, then let him go. 

Bilhons of years ago, when Ares system was still forming, a Rhode Is- 
land-sized rock had slammed into Harmonia’s northern hemisphere, 
carving out the Hyperborian Depression, sub-polar lowlands a thousand 
klicks across. Ring^ by dry ragged, highlands, the lowlands were slowly 
filling with rain water that would one day submerge everything but the 
central volcanic peak thrust high up into the thin air. Glass remnants of 
Gekko towns shone amid silent green swamps and marshes inhabited by 
herds of hippos who were busily converting the greenery into fish food and 
fertilizer. Humans had brought all sorts of useful animals with them to 
fill out Harmonia’s slowly emerging ecology, though Greenies would now 
teiilor the world to their tastes, and Mia would be the one coming down to 
catalogue the hippo herds. 

But first the swamps must be made safe for Greenies. That was for Leo 
and Derek to do, and now Tammy. Riding down on the shuttle, Derek sat 
beside his new teammate, excitedly listening to stories from Earth. So 
much time, so many wonders. How strange that most of human existence 
had been confined to that one tiny planet. He asked Tammy, “Why did you 
leave?” 

“There are forty billion people in the solar system, most of them on 
Earth,” Tanuny explained. “Crowds like that can be lonely. I wanted to 
live on a world like Earth was when there were not so many of us.” 

And now they were going down to root the last human remnants out of 
Harmonia. T amm y sighed, saying, “Weird thing is, I still get laser-mail 
from my sister Mary, who must be two hundred years older than me by 
now. It was all sent when Mary was in her twenties, birth announce- 
ments, Christmas greetings, that sort of thing — ^nothing very personal. 
Sometimes I miss Portland, but there isn’t a lot you can do with a doctor- 
ate in Humanities, except leave the planet.” 

“You have a doctorate in Humanism?” Derek was shocked to discover 
they gave degrees in intolerance and racial superiority. 

His surprise amused Tammy. “Humanism and the Humanities are to- 


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tally different. My specialty was Dead Languages — Latin, Sumerian, 
Japanese, that sort of thing.” 

Fascinated, Derek asked, “So, do you speak English?” 

Tammy smiled. “All my life.” 

“Say something in English,” he suggested. Many of the settler holdouts 
came firom North America, and Enghsh wovdd be a good way of proving 
she was not a Greenie. 

Tammy said something short and unintelligible, but her quaint accent 
made it sound fetching, even romantic. Derek asked, “What does that mean?” 

Her smile tmned mischievous, and Tammy told him, “I asked, do you 
have a girlfiriend?” 

Suddenly, Tammy’s English sentence didn’t sound so quaint and fetch- 
ing. Mia was not due down from orbit for da3rs, so a chance meeting was 
unlikely, but Derek could not lie to Tammy, not after her sometimes 
painful honesty. Trjdng to hide behind a nonchalant grin, he told her, 
“Only if you count Greenies.” 

Tammy’s smile faded, and Derek saw that he had lost something in her 
eyes by sleeping with a Greenie. “Her name is Mia. But I doubt she con- 
siders me her hoyfriend’ — not the way hiunans think of it ” 

Tammy would not even look at him, totally uninterested in the love life 
of Greenies. They had a cold, silent planetfall, sitting side by side and say- 
ing nothing. 

Orbital scans showed humans scattered throughout the Hyperborian 
Depression, with solid patches in the marsh supporting farm plots, pro- 
ducing melons, squash, patdies of com, pigs, and chickens. None of which 
worried the Greenies much, since the whole swamp was slowly becoming 
a sea bottom. Why dig people out of a place that would soon be imderwa- 
ter? What worried the Greenies was a water-tight bunker complex dug 
into the base of the central massif, and signs of fortifications farther up. 

Leo’s light armored battalion landed near the biggest bimker entrance, 
carving out an LZ with wide zones of fire. No one opposed them. In fact, 
Derek got the impression that the swarm of armored infantry and turreted 
Bug-mobiles sent everyone scurrying for cover. Having said virtually noth- 
ing since planetfall, he and Tammy approached the main bunker, a steel 
blast-shield dug into a green hillside, with ELVIS SAVES spray-painted in 
English above the entrance. His electronic bug scmried ahead of them. 

Young women wearing long print dresses, beehive hairdos, and black 
eye shadow greeted them at the bunker door, looking askance at Tsumny 
in her brown militia uniform, beneath body armor that read, DO NOT 
SHOOT THIS WOMAN! Tanuny shook her head and grinned for the first 
time since that finsty fall fix)m orbit. “Presleites! Good luck! You’re going 
to wish you were dealing with Pender.” 

“What do 3rou mean?” Derek asked warily, pleased to have Tammy talk- 
ing again. 

“You’ll see.” Tammy shook her head. “Church of Elvis, so just watch 
your back.” 

Smiling women ushered them into the neatly carpeted bunker, showing 
a cold shoulder to Tammy. Inside was a hologram-maze of long fluorescent 
corridors lined with numbered rooms, all done in the same white-and-gold 


Oxygen Rising 


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February 2005 

motii^ with heavy white drapes where the windows should be. Lower levels 
were reached by boxy elevators. Unable to tell if this was some illusionary 
defense, Derek asked Tammy, “Is this typical Earth-style architectxire?” 

“From a zillion years ago,” Tammy told him. “This is programmed to re- 
semble a Las Vegas hotel casino in early post-atomic Nevada. Before the 
state was made into a waste dump.” 

“Really?” That explained the numbered rooms, but not the annoying 
music in the elevators. “What was Las Vegas?” 

“Resort in the desert — don’t ask me why. Presleites adore this style of 
architecture, which has a sort of energetic charm,” Tammy admitted. “Liv- 
ing like this would drive normal folks crazy, but it doesn’t seem to bother 
them much.” 

Led into an inner bedroom with the same white-on-white motif, Derek 
was confronted by a middle-aged matriarch wearing a blue sheath dress 
beneath a black bouffant hairdo. Studying them from imder her heavy 
eye shadow, the woman introduced herself as Ginger, asking suspiciously, 
“Which side are you on?” 

“Neither,” Derek annoimced hopefully. 

Women aroimd him smiled wide, and voiced a happy, “Hallelujah!” 

“Praise the King. We have been waiting for someone to come to then- 
senses,” Ginger explained. “When we saw her we were afraid you might 
be Humanists.” 

“Funny, I thought you would be Hmnanists,” Derek admitted. 

“Hell, no! Elvis didn’t believe in race war. His only begotten daughter 
married Saint Michael, who bleached his own skin, showing it was no 
shame to be any color — even white.” 

Women around Derek chimed in with another chorus of, “Praise the 
King.” 

Derek tinned to Tanuny. “What are they saying?” 

Tammy shook her head. “Too hard to explain. But these people gave 
Pender no help at all. They are way too wrapped up in their religion to 
worry about the Gekkos, or anything else.” 

Derek believed it, but the Greenies wanted the whole central massif 
evacuated and combed for weapons. Nor did Derek blame them, since or- 
bital survejrs indicated a tunnel complex that could hold enough warheads 
to blow a hole in the thin atmosphere and scatter radioactive debris all 
over the planet. Greenies were comteous, but not crazy. 

Of course, the Presleites did not see it that way. “We have done noth- 
ing,” Ginger complained. “We can’t just give up om- homes to Greenies.” 

“You can’t stop them,” Derek pointed out. Greenies were going to get 
what they want^, even if Leo had to dig the humans out of their tunnels. 

“Really?” Batting black lashes. Ginger smiled to her companions, who 
drew plastic stingers out of their print dresses. Negotiations had taken 
an alarming turn for the worse, and Ginger primly informed him, “Hat- 
ing war doesn’t make us pushovers.” 

Apparently not. Staring into the round black muzzles of the stingers, 
Derek was quick to point out that shooting him would do no one any good. 

“Shoot you?” Ginger acted like the thought had never entered her head. 
“You have earned an audience with the King. These stingers are just to 


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show we are serious. Some people think polite tolerance is a sign of weak- 
ness.” Ginger nodded at Tanuny, to show who she meant. 

Tammy merely shrugged, t^ng no responsibility for Presleite opin- 
ions. Just when Derek thought things could not get any stranger, a hole 
flickered into being in front of him, a handsome dark-haired yoimg man, 
wearing a sparkling white and gold suit, with a wide belt and a huge 
golden buckle. He had lively blue eyes and an engaging smile, and his ap- 
pearance was greeted by another roimd of, “Praise the King!” 

Bowing to his audience, the hologram winked at Ginger as he straight- 
ened up, then swung about on his blue suede shoes, saying to Derek, 
“Howdy, son. Don’t worry, these gals won’t drill you — ^thej^re just my fan 
club. The pistols are only for protection.” 

Derek assured the holo that no one need fear him. 

The King’s virtual grin widened. “Pleased to hear you come in peace.” 

“Peace is my profession,” Derek agreed cheerfiilly. 

“So you talk to both sides?” asked the King. 

“I tiy.” Derek knew he was speaking to a sophisticated program of some 
sort, broadcast from deeper in the bimker — ^but he was willing to talk to 
empty bulkheads if it would avert killing. 

Turning serious, the King asked, “And do the Greenies say these folks 
got to go?” 

Derek nodded. “At least until this area can be thoroughly searched for 
contraband.” Code intercepts had revealed that Pender had been working 
on a doomsday device — fitting his personality perfectly. 

“When your search is done, will they be aUowed back?” asked the virtu- 
al Elvis. 

“If it were up to me, they would be.” Derek could not answer for the 
Greenies. 

“I bet it would.” The King’s smile broadened. “And in that case, what if I 
just gave you this place?” 

“Give it to me?” Derek imagined he had misheard the holo. 

“If I just gave it to you, the Greenies wouldn’t take it away. Would they? 
You’re pretty well in with them?” 

“Maybe,” Derek admitted. Greenies ran the planet, yet were bound by 
the Charter of Universal Rights to respect claims by other races. In theo- 
ry, anyone who did not aid Pender was as good as a Greenie. Whether 
that applied to holo-programs modeled on long-dead singers was another 
issue, but juries of bioconstructs had notoriously generous notions of 
what was “natural.” 

“And you would you let these people live here?” Elvis asked, as his fan 
club shyly lowered their pistols, smiling to show their dimples. 

“Of course, but . . .” 

“Then nothing could be simpler,” the King declared. “You seem a decent 
man, not overly scared by women or guns.” 

“For one thing,” Derek protested, “I don’t want the responsibility.” 

“Of com^e not.” Elvis laughed, shaking his dark locks. “What fool wants 
responsibility? Sane folks run like heU finm it. But take it from the King, 
sometimes you gotta face the music.” 

Elvis took them on a virtual tour of the bimker, followed by his fan club. 


Oxygen Rising 


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February 2005 

turning off the hologram Vegas Hilton, to reveal living quarters, hydro- 
ponics, recycling, power supply, and families hiding in blast shelters^ut 
no big stock of weapons, except for the personal sidearms that most adult 
Presleites carried, just to be ^e. “An armed society is a polite society,” the 
King explained amiably. 

Satisfied that this was all true, Derek put in a call to Leo, arranging a 
peaceful evacuation. For which the hologram deity thanked hiTn profuse- 
ly, and zip-signaled a contract for Leo to witness, turning the whole cen- 
tral massif over to Derek, along with all its contents — ^then, in a blink, the 
King disappeared. Elvis had left the bunker. 

While Leo’s battalion searched the lower reaches of the mountain, 
Derek took Tammy upslope to check out the command complex at the 
summit, including an auxiliary reactor, big blast-shelters, and what 
looked like a launch silo. For that, they needed oxygen, since the Presleite 
timnels did not connect to the complex above, and they would be climb- 
ing into a dead zone, where the air was still too thin to support life. I*ret- 
ty appropriate, since the coolness between them continued. He had not 
heard a kind word from Tammy since he had told her about Mia; which 
he might have expected, but still did not enjoy. Accustomed to Greenie 
girls, Derek had been lulled into thinking that Tanuny might have a sim- 
ilar easy attitude. No such luck. 

Derek had to be satisfied by inspecting his new digs, with his bug 
crawling ahead of him, searching for signs of trouble. If the Presleites had 
not killed any Gekkos to get this mountain, Greenie courts would likely 
award it to him. And Derek saw absolutely no sign of Gekkos on the 
mountain, which was only slowly becoming habitable as the o^gen level 
rose. The nearest glass ruins were shining dots far out across the green 
swampland, on what would one day be sea bottom. 

His bug saw no sign of life in the complex atop the mountain, which 
seemed to be on lock-down mode. Power emissions were minimal, and 
most of the tunnels lacked life-support, standing with ports gaping open 
atop an almost-airless moimtain stuck up into the fiigid stratosphere. At 
the top, Derek called down to Leo, saying he was checking out his high 
castle. Leo gave him a go, and Derek sent in his bug ahead of them. Tam- 
my closed the ports behind them, turning on the lights and air. 

Derek found his new digs impressive, going to the command deck and 
getting the 3V tour. It had obviously not been built by the Presleites, but 
it was not Gekko work either, and the King’s claim to the mountain went 
all the way to the s ummi t. So long as the place was truly abandoned, and 
they found nothing to link it to Pender, t^ hi^-tech castle was £is good 
as his, to do with as he pleased. Though what he really wanted was a ship 
to pilot. Who could he find to swap a starship for a mountain-top retreat? 

3V showed the silo to be empty, but Derek decided on a visual check. 
Heavy blast-shielding allowed Greenies in orbit to “see” the buried silo, but 
not what was inside. Tammy led him to the silo lock, and equalized pres- 
sures, flooding the huge shaft with breathable air. He sent his bug in ahead. 

As he experted, the silo was not empty — ^that would have made things 
too easy. But there was no doomsday device either, thank heaven. 
Crouch^ at the bottom of the shaft was a gravity drive starship, a sleek 


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fast Fornax Skylark, ready to leap into orbit. Just the sort of ship he 
wanted. Way too good to be true. 

Signaling Tanuny to step back, Derek decided to alert Leo on a secure 
channel. This silo had to be sealed tight and escape into space cut off, be- 
fore anyone dared approach that ship. Recalling his bug, he hissed to 
Tammy, “Now’s when we call in Leo’s people.” 

“No, I don’t think so,” Tammy reph^ evenly. Derek turned in surprise, 
and saw that Tammy was holding a gun on him, which dear sweet Mia 
would never have done. He could barely beheve it, but a plastic fire-and- 
forget stinger had somehow materialized in her hand. Derek opened his 
mouth to protest, but before he could get a word out, Tammy shot him. 


Thorns Hammer 


Uerek awoke in a sealed cubicle aboard ship, wearing a slave collar. His 
sleep grenade and hypo-rings were gone. There was absolutely no hght — 
but he didn’t need xi-10,000 night vision zoom lenses to know he was in a 
sealed box. His comlink had vanished, but he still had the pilot’s naviga- 
tion chip embedded in his skull. Inertial sensors showed Derek was ac- 
celerating at about 20-gs, something you could only do in a fast starship, 
like the Fornax Skylark he had seen hiding in the shaft. Simple logic said 
that he was aboard that ship, headed rapidly outsystem. Pity he waited 
so late to resort to logic. 

Fingering his slave collar, he found it was standard issue, fitted for track- 
ing, paralysis, lie detection, emotional motivation, and who knows what 
else? There were no ill efiects finm the stinger, so the fire-and-forget hornet 
must have been set on SLEEP. Such a stinger could just as easily have 
killed him, or put him in a coma. Tammy, it seemed, wanted him alive and 
conscious — for the moment, at least. He remembered how she had stared 
at him over the sights, not angry, or gleeful, just giving him that same even 
look she shown him in Penderis bimker, when she first pulled her head 
out of the assault-cannon’s sighting hood. Greenies had warned him that 
Earthwomen were dangerous, but it took Tammy to convince him. 

He told his nav-chip to work out pm*suit vectors, assuming all available 
vessels gave chase as soon as the Skylark burst out of the silo. Results 
were not good. Greenies had nothing that could catch it, just a couple of 
interstellar yachts converted to escorts that might do 10-gs at a stretch. 
Backing up the Greenies was the armed merchant cruiser Eclipse, a 
naval vessel with the legs to run down the Skylark — ^but not anytime 
soon. Eclipse had been nosing about upsun for signs of slavers or Humanist 
hold-outs, while the Sl^lark was going like lightning in the opposite direc- 
tion. Even if Eclipse dropped everything to pursue, half of Tartarus sys- 
tem lay between them, which would mean a long stem chase into the vast- 
ness of interstellar space. 

Of coxirse, no one might be chasing them at all. Whoever was running 
this ship were bound to be diehard Hiunanists. Greenies and the Navy 
might figure that Harmonia system was far better off without such fa- 


Oxygen Rising 


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February 2005 

natics, and any attempt at pursuit would smack too much of wanting 
them back. Leaving Derek an vmwilling passenger on a ship full of lu- 
natic pariahs headed who knows where. 

Presently, his door dilated and Tammy appeared, a smirk on her face, 
casually holding a slave-remote in place of the stinger. “Sony to put you 
through this,” she told him, “but it couldn’t be helped.” 

“Oh, really?” Derek could easily have avoided ^ this. 

“Don’t act so pure,” Tanuny snorted. “All the time you were romancing 
me, you were fucking a Greenie.” 

“You should try it sometime,” Derek suggested. A good Greenie-fuck 
might be just what Tammy needed, to help her loosen up a bit, and maybe 
get to know the neighbors. 

“Come with me,” she told him, motioning with the remote. “Or I will 
have you carried.” 

Derek went gladly, eager to get out of the shielded cell and see what was 
happening. As soon as he left the cubicle, systems traffic confirmed his 
guesses. Greenies had not even bothered to give chase, but Eclipse was 
shaping to match orbits deep in interstellar space, with billions of kilome- 
ters to make up, leaving Derek pretty much on his own for the moment. 
Tammy ushered him into the Skylark’s salon, which was tuned to a view of 
tall sandstone spires and vast distances. High overhead was a hologram 
Sol, and the cabin deck was made to look like the adobe roof of a pueblo 
sweat lodge, covered with bright colored rugs, and sitting atop a lonely mesa. 

Three men in brown Humanist militia uniforms sat atop the sweat 
lodge in deck chairs molded to their bodies, ignoring the hologrEun vistas 
Eunimd them, glaring at Derek instead. They did not look defeated, just 
mean. All three of them had recoilless machine pistols at their hips, 
which seemed a bit much milhons of kilometers fi’om the nearest threat. 
One asked curtly, “What is he doing here?” 

Tammy shrugged, saying, “I wanted him to see.” 

“Whatever for?” demanded the militia man, dramatically resting his 
hand on his holster, though the nearest Greenie was by now millions of 
klicks away, and the Gekkos were mostly dead. 

“I have hopes for him.” Tammy smiled at Derek as she said it, then 
added, “And this far fi*om home, we need all the help we can get,” 

“We’ll be bringing in Presleites next,” protested an older man wearing 
colonel’s tabs. 

Tammy shrugged again, saying, “Pender woiild approve.” 

Everyone looked sharply at her, svuprised to see Tammy being so free 
with the approval of a dead man, whose opinions had split the system 
and all but depopulated a planet. “Boss met him on the last day,” Tammy 
explained evenly, “and hked him a lot. Told us not to shoot him.” 

Men laughed at that, but it put Pender’s authority behind keeping him 
ahve. Tammy added evenly, “Pender ordered me to give up and go with 
him, and to recruit him if possible. He was my best hope of getting here.” 

All news to Derek, who did not join in the general hilarity at how easi- 
ly Tammy had included him in the plans of a mass murderer. Mia had 
feared that without him Tammy would be alone among men with gims, 
showing just how right a Greenie could be. However, dear sweet Mia ne- 


130 


R. Garcia y Robertson 


Asimov's 


glected to say what Derek was supposed to do surroiinded by all those 
giins, especially with T amm y on the other side. 

“But why hsten to me?” Tammy eisked. “You can hear the Boss himself.” 

Pointing with the remote, Tanuny triggered a holo, and Pender himself 
suddenly appeared, looking fit and relaxed. Grinning, he addressed the 
dwindling faithful, saying cheerfully, “Guess I’m dead, otherwise you 
wovildn’t be seeing this. Funny, being dead is not near so bad as I imag- 
ined. Only drawback is that I can’t see or hear you. That’s why I ordered 
up this holo of Monument Valley, so we could all be seeing the same thing. 
Ptetty, isn’t she? And some day Harmonia could still look like this ” 

Pender stared into the virtual distance, a dead man admiring a fake 
landscape, then tinned back to the business at hand. “Well, even in hell 
there is still work to do. Code name for this project is Mjollnir ” 

Pender’s holo proceeded to rattle off coordinates that Derek’s nav-chip 
identified as a location in outer system near tl\e leading Trojan point of 
the gas giant Cadmus, a spot intersected by the orbit of an asteroid called 
Cassandra. Why Pender should be so concerned to pass on this data was 
a mysteiy to Derek — ^but the reasons were bound to be bad. 

When he was done, Pender paused to survey the holoscape one last 
time, knowing that having delivered his message, he really was dead, no 
longer able to affect the world of the hving. In fact, each passing second left 
him farther behind. Pender’s smile widened, and he said to no one in par- 
ticular, “Well, it was worth it. Now give ’em one more good whack for me.” 

In a blink, Pender was gone, and they were all staring into the empty 
holoscape of Monument Valley. Surveying the tall spires and painted 
desert, Derek wondered if this was someplace on Earth, but did not dare 
ask. Everyone else seemed to understand immediately what Pender 
meant, and what was going to happen. They asked him only one ominous 
question before retviming him to the sealed cubicle. “How long before all 
humans are totally off the planet?” 

“Not long,” Derek admitted. Human evacuation was his specialty, and 
there was small point in lying so long as he was wearing a slave collar. 
“Ten days at most, more likely a week. But you can never be sure you 
have gotten everyone.” 

Militiamen got a grim laugh out of that. Then Tammy took him back to 
his sealed cubicle, and he was shut off from the cosmos. Time passed, pre- 
cisely recorded by his nav-chip. Food arrived, and a personal recycler in 
the comer shipp^ his wastes to hydroponics. Halfway to Cadmus’ lead- 
ing Trojan point, the drive fields reversed and the Skylark started decel- 
erating. Eclipse woiild have to decelerate as well, in order to match orbits. 
Working out high-g trajectories in his head, Derek decided that Eclipse 
could cut the distance considerably, but still would not catch up imtil they 
were long past the leading Trojan point. Whatever was happening there. 
Eclipse could not stop it. 

So much for the Navy. If anyone was going to stop the Humanists, it 
had to be him. Terrific. He had finally found his own people, only to dis- 
cover that they were homicidal limatics. Mia thought that most of hvunan 
misery came from inventing weapons, and by now Derek was willing to 
agree. No sane Greenie would carry out what looked like a suicidal mis- 


Oxygen Rising 


131 


February 2005 

sion of mass-destruction at the behest of some dead murderer, Male or fe- 
male, yoimg or old, stupid or smart, the first thing a Greenie would ask 
was, “Why in the world are we doing this?” 

Yet no one on that mesa top questioned anything, except to pointedly 
ask when the “humans” would be off the planet. Pender’s people were 
probably already offplanet, leaving a sprinkling of peaceful independent 
types like the IVesleites, who had somehow managed to avoid the war 
and its aftermath — so far. Mia was probably already down there too, tak- 
ing samples from the hippos and worrying about what had happened to 
him. While these maniacs plotted something fatal for her and every Gree- 
nie on the planet. Not to mention all those hippos. 

Acceleration fell almost to zero when they reached a spot correspond- 
ing to the current location of Cassandra, a two-himdred-klick rock named 
for a Trojan princess. Cassandra meant “Entangler of Men.” Or so his 
nav-chip said. She had certainly entangled him. 

Tammy came to get him, his remote in hand, the stinger in a hip hol- 
ster, and a smirk on her face. He tried to lodge a strenuous protest, but 
she pressed MUTE, saying, “We don’t have time to argue. Right now we 
are in a sealed room, and can’t be overheard. Outside, we have to be ready 
to act together. Okay?” 

Unable to speak, and not knowing exactly what Tammy meant, Derek 
nodded anyway. What choice did he have? 

“Good.” Tammy pressed UNMUTE. “So, have you guessed what project 
Mjollnir is about?” 

“Pender wants you to smash this asteroid into Harmonia, killing as 
many Greenies as you can.” Why else rendezvous with a useless rock far 
away from anywhere? 

“Right.” Tanuny nodded grimly. “Thor’s hammer, smashing om* enemies 
to bits.” 

“But even if you could anchor this Skylark to the rock, you could never 
get past Eclipse.” An armed merchant cruiser carried special landing 
teams trained to hberate hijacked ships, and root out slaver bases, 

Tammy shook her head. “Tliere is no need to get past Eclipse. Buried in 
the rock is a high-g tug, the Atlas, originally used to tow ice comets for 
terraforming, but hidden here ever since. Once the tug has been pro- 
granuned, the Skylark will take off, drawing the Eclipse into deep space.” 

Derek had to admit that it would probably work. Cassandra was a 
dense stony-iron asteroid, perfect for hiding the powered-down tug. With 
the Skylark speeding away. Eclipse would continue the chase, telling the 
Greenies to check out Cassandra. By the time low-g Greenie ships ar- 
rived, the asteroid would be accelerating downsim and impossible to stop. 
Cassandra striking at high acceleration would almost spht Harmony in 
half^ destroying every structure, and blowing a huge hole in the thin at- 
mosphere blanketing the world in dust and ash. Only algae would sur- 
vive. He bitterly told Tammy, “I believed you, when you told that jmy that 
they could stop the killing.” 

“I absolutely meant that,” Tammy insisted. 

“Then how can you be doing this?” Derek demanded. 

“I am trying to stop it,” Tammy protested, looking like she thought it 


132 


R. Garcia y Robertson 


Asimov's 


should have been obvious. “That’s why I need you. All I have is a Hinnan- 
ities PhD, and I know absolutely nothing about piloting a high-g tug.” 

“So you want me to?” Derek could hardly beheve what he was hearing. 
“Dragging a runaway asteroid behind us ” 

“To keep it from hitting Harmonia,” Tammy reminded him. “And maybe 
save your Greenie girlfriend.” 

Mia was undoubtedly dirtside by now, but that just made it all the 
worse. “How could you not tell me?” he demanded. “How could you have 
let things get this far?” 

“I had to be first to get here,” Tammy told him primly. “Pender sent 
back-up messages in case mine didn’t get through. And if Td told you my 
plans, you wouldn’t have helped.” 

No lie. He stared in exasperation at the Earthwoman, aghast at what 
she had done. “Why not just turn them in?” 

“And give the Greenies one more victory to gloat over?” Tammy looked 
disgusted. “Too many women and kids died from their ‘precision’ bombing 
for me to do that. Ttiis is something that humans had to do. If Greenies 
could do it, we wouldn’t be having this talk.” 

Derek had nothing to say. He would have gladly left all this to Leo’s 
light battalion, but maybe he was too used to bioconstructs doing his 
dirty work. SuperChimps to do the heavy lifting. Leo for the dangerous 
stuff. Bugs to t^e out the toxic waste. Dear sweet Mia to make his meals 
and share his bed. 

“This is all so easy for you — ^isn’t it?” Tammy asked. “Having the moral 
high ground, while we ordinary hmnans do the suffering.” 

“Not really,” Derek told her, having seen far more grief and mayhem 
than he had ever imagined — none of it of his making, but folks still ex- 
pected him to do something about it. “It’s damned hard on me at times.” 

“Me too,” Tammy agreed, handing him his sleep grenade, at the same 
time giving his hand a warm squeeze. “Back in Pender’s bunker, you were 
so anxious to know who I was, and how you could help me. Well, this is 
who I am, and now is when I need you.” 

Well said. He took the grenade and the squeeze, noting Tammy was wear- 
ing his hypo-rings. By now, he knew that there were reasons why negotia- 
tors did not consort with the enemy, not if they meant to remain neutral. 

Derek followed Tammy out of the cell and into the Skylark’s lounge, 
which was no longer atop a desert mesa, showing a seascape instead. The 
tug’s crew was coming aboard, looking more like tired mariners emerging 
from the sea than vacuum hands coming out of hiding. Two large armed 
men in militia imiforms waited by the lock to escort them onto the tug. 
Feeling their gaze on him, Derek realized that Tanuny had them perfect- 
ly fooled. They were all set to leap to her aid, while she walked stinger on 
hip into the tug, planning to betray them. Having been there himself, 
Derek could sympathize with their upcoming surprise. 

Inside the lock, the ocean motif was replaced by the standard ship’s air- 
lock. As soon as the lock closed, and started to cycle, Tanuny opened an 
emergency kit on the wall and took out two oxygen masks, putting one on 
and handing Derek the other. He put on the mask and set off his sleep 
grenade. One shocked militiaman reached out to stop him, but Tammy 


Oxygen Rising 


133 


February 2005 

seized his wrist, triggering her hypo-ring. He joined his sleeping compan- 
ion on the deck. 

When the lock opened, the two of them stepped into the deserted tug. 
Decoupling the lock manually, Derek dashed to the command couch. 
Without bothering to buckle himself in, he slammed the drive into fiill ac- 
celeration, shooting simward, and, at the same time, rotating the whole 
rock to port. Fields could not fuQy compensate, and Derek had to cling to 
the couch with one hand, while snagging Tammy with the other, keeping 
her from tumbling into the controls. 

Hanging onto Tammy, he stopped the roll at 180 degrees, so that the 
mass of the asteroid was between them and the Skylark as they dropped 
toward the inner s)^tem. Fields stabilized, returning cabin gravity to 1-g, 
and Tammy landed in his lap. 

He looked down at her, and she looked up at him. Suddenly they were 
safe, and alone. No armed Hmnanist militia. No Leo and his light battal- 
ion. Just the two of them, safe, secure, and together, with two hundred 
klicks of rock and iron between them and the men Tammy had so neatly 
betrayed. Tammy sat up in his lap and kissed him, a long lingering kiss 
that showed that she had been waiting for it almost as long as he had. Her 
mouth felt cool and exciting, not as delicate as Mia’s, or as eager to please, 
but with a wild williulness that Derek had never tasted before. Their lips 
parted, and Tammy smiled, asking him, “Was that as good as a Greenie?” 

“You are nothing like a Greenie,” he told her. No Greenie girl had ever 
put him through half of what Tammy had done to him — ^but then, no one 
had ever suggested that Earth women were easy. Especially Hiunanities 
majors from the wilds of Portland, or Eugene. But that just made him 
want her all the more — too bad that frantic calls were coming from 
Eclipse, wanting to know why one of the leading Trojans had broken lose, 
and was accelerating rapidly downsim. Speed-of-light lag meant that the 
Greenies did not even know anything had happened — ^yet. 

“Don’t answer that,” Tammy told him, shutting off the comlink. 

He reached out to call Eclipse, to explain the situation and send them 
after the Skylark, which was headed outsystem at high acceleration. But 
Tammy stabbed a button on the remote, and his arms went limp, nerve- 
blocked by his slave collar. Tammy shook her head, saying, “Told you not 
to answer. Let them stew a bit, we need time to ourselves.” 

When he started to protest, Tammy pushed MUTE and kissed him 
again. His anger at being helpless was mollified by what she did with her 
tongue. Then she pushed UNMUTE, and asked, “Was that not better 
than talking to the Navy?” 

It was, but Derek resented the lack of mobility, demanding, “Turn my 
arms back on.” 

Tammy sat up in his lap, smiling gleefully. “Only if you promise to be bad.” 

Greenie girls did not treat you like this, and, for the first time in his 
life, he truly wanted to lay hands on a woman, and none too gently either. 
“Come on, turn me on.” 

“Whatever you say.” T amm y pressed a button, and one body part leaped 
alert. Squirming suggestively, she grovmd her rear into his lap, asking, 
“There, how about that?” 


134 


R. Garcia y Robertson 


Asimov's 


Still not what he wanted. Derek pleaded, “Let me use my hands and legs.” 

Tammy looked serenely at him, stripping off her hypo-rings. “Only if 
you promise to quit acting like a Greenie.” 

“Damn you.” Derek could not believe what this woman had put him 
through. 

“That’s better.” Tammy turned the rest of him on. Until Eclipse 
matched orbits, they were utterly alone, two hundred light-years from 
Earth; a splendid place for getting acquainted. Derek discovered that de- 
spite all her strange actions and dangerous ways, Tammy was indeed just 
lie a Greenie girl on the inside. 

Eclipse brought the idyll to an end. Naval officers, some of them hu- 
man, came to take over the tug and send Cassandra sailing outsystem, 
where the wayward Trojan would no longer be a threat. Then they re- 
turned Derek to Harmonia, where he and Tammy got a royal reception 
from grateful Greenies, who could not do enough to show how thankful 
they were. Making it the perfect moment to press his claim to the 
Presleite property, and to get a promise that the Presleites could return 
to it, along with anyone not actually convicted of war crimes. Which the 
Greenies readily agreed to, being eternally optimistic about humans’ abil- 
ity to better themselves. 

Derek was there when the first shuttle landed, standing in the rain on 
a low plateau in the central massif overlooking the green Hyperborean 
swamps. Women in black bouffant hairdos, and men with sideburns, 
shades, and white dinner jackets trooped out of the shuttle — all armed, 
just in case. With them came their children, as well as Brad and the oth- 
er orphans from among Pender’s people, like the teenage crew chief that 
Tammy had gotten acquitted. And any adults who were willing to live 
among Greenies and Presleites. 

Inunensely happy with how things were going, Derek stood at the base 
of “his” mountain, surveying the sweep of changing landscape from the 
bare mountain peak above to the emerald swamp lapping at the lower 
slopes. Someday that swamp would be a blue sea, and the mountain 
flanks would be lowland jungle, blending into highland forest, then alpine 
pasture. Air would become breathable all the way to the top, so the whole 
moimtain and the surrounding highland rim would be habitable. Only 
the crater floor, where Gekkos had built their cities, would be lost to the 
sea. That part of Pender’s plan had worked admirably. His deluge would 
go on for decades, and the Gekkos would never get a second chance. 

Derek saw a lone slim Greenie, wearing nothing but a gold sarong and 
a grin, walking nonchalantly up from where the hippo herds were graz- 
ing. Zoom lenses showed Derek that it was Mia coming cheerfully up to 
congratulate him. She stopped right before him, and rose on her green 
toes, kissing him warmly. “I knew you would do right,” she told him, “and 
keep Tammy safe.” 

“Not ever^hing went totally as expected,” Derek admitted ruefully. Do- 
ing right nearly came out all wrong. 

“Don’t worry.” Mia kissed him again. “I told you I wasn’t done with you. 
And I dearly want to meet TEunmy too.” 

Why did Derek think his troubles had just begun? O 


Oxygen Rising 


135 


BOOHS 


Peter Heck 


CAMOUFLAGE 
by Joe Haldeman 
Ace, $23.95 (he) 

ISBN: 0-441-01161-6 

H aldeman gives us a near-future 
version of one of the classic SF 
themes: the ahen shape-shifter 
in our midst. He begins with a 
clear accoimt of the alien’s origin on 
a world subjected to such extremes 
of environment that it becomes in- 
credibly tough, for all practical pm- 
poses impossible to kill. An accom- 
plished shapeshifter, it arrives on 
Earth in the prehuman past, taking 
on the form of aquatic top predators 
to survive. When it finally comes 
ashore, in the early 1930s, it has no 
notion of what it means to be hu- 
man. 

The creature’s first act is to kill, 
then to assume the shape of, a 
yoimg man it meets on a beach in 
southern California. At this point, 
it can learn only by imitating the 
humans around it, a pattern that 
leads to its being diagnosed as an 
amnesiac. Its victim’s parents are 
rich enough to afford the best care, 
including a live-in nurse. Under 
that regime, it quickly absorbs large 
chunks of human ciilture and lan- 
guage, from music to sex (into 
which the nurse initiates it). But it 
is still not human, as it quickly 
proves when it rapes and badly in- 
jures another woman brought in to 
teach it art. Sent to an insane asy- 
lum, it begins to learn the hard way 
some of the constraints on behavior 
in human society. Released finm the 
asylum, it goes to college, then joins 


the Marines — just in time for the 
opening shots of World War II. 

Parallel with this story line, 
Haldeman spins one set in our 
near future, in which a team of un- 
derwater recovery specialists is 
commissioned to bring up a myste- 
rious artifact — one the reader soon 
knows is the spaceship in which 
the shapeshifter arrived on Earth. 
Recovered and brought ashore in 
Samoa, the artifact displays m3rste- 
rious properties — its weight is off 
the scale for any known material, 
and it cannot be marked by any 
tool available. Intrigued, the scien- 
tists continue to investigate with 
the help of a NASA team, which 
quietly places a nuclear device 
near the spaceship. 'The device can 
be exploded if the government de- 
cides the artifact is a danger. 

The two plots gradually come to- 
gether, as the shapeshifter ac- 
quires enough human culture and 
knowledge to achieve a fair degree 
of success, masquerading as a uni- 
versity professor in oceanography, 
a discipline for which its past in- 
carnations as a sea creature obvi- 
ously have prepared it. By now, 
Haldeman has also dropped in sev- 
eral references to another shape- 
shifter, one that has spent several 
millennia in human form — as often 
as not, as a warrior. And, almost in- 
evitably, both become aware of the 
artifact on Samoa at about the 
same time. 

Haldeman orchestrates the two 
plots into a cat and mouse game 
with one of the main players care- 


136 




Asimov's 


fully disguised right up to the end. 
(And he makes excellent use of the 
fact that, once the main premise be- 
comes clear, just about every time 
somebody new comes onstage, read- 
ers \rill start wondering whether 
they are who they appear to be.) In 
the process, he gives readers dose-up 
lool^ at Samoa, the Bataan Death 
March, and several other places and 
events that stretch the reader’s 
awareness of the world outside com- 
fortable everyday experience. 

A well-paced and enjoyable per- 
formance by one of the most consis- 
tently inventive writers in the 
field. 

BROKEN ANGELS 
by Richard K. Morgan 
Del Rey, $14.95 (tp) 

ISBN; 0-346-46771.4 

Like Altered Carbon, to which it 
is a sequel, Morgan’s second novel 
is essentially a far-future cross be- 
tween space opera and military SF. 

Takeshi Kovacs is a former U.N. 
envoy, now working as a merce- 
nary for a planetary government 
trjdng to fight off a revolution. In 
tlids future, soldiers can be killed — 
but it is a relatively easy job to re- 
trieve their personahties (and skill 
sets) to be incorporated into a new 
body — “resleeved,” they call it. 
Only the complete destruction of 
the stack — a sort of internal black 
box affixed near the brain stem — 
can kill someone permanently. 
Those with particularly valuable 
talents and toowledge are likely to 
be resleeved almost indefinitely — 
at least, until they bum out from 
overuse. 

When we pick up Kovacs, he is re- 
covering firom injmies, and not par- 
ticularly looking forward to getting 
back into action. That’s the point at 
which a stranger, Jan Schneider, 


contacts him with what looks like a 
lucrative offer. Archaeologists ap- 
pear to have discovered a Martian 
spaceship — a remnant of a van- 
ished race far more advanced than 
oiu^. The first of its kind ever foimd, 
it is incredibly valuable, and it could 
well be Kovacs’s ticket out of the 
war zone. Because every corporate 
shark on the planet is going to go af- 
ter the spaceship, Schneider wants 
to enlist Kovacs’s military and n^o- 
tiating skills to give himself a 
chance to recover it — and live long 
enough to realize his profit. 

That sets off a complex plot, in 
which Kovacs kidnaps the archaeol- 
ogist fi’om a prisoner-of-war camp, 
recmits a team of mercenaries to 
carry out the recovery of the space- 
ship, and cuts a deal with a corpo- 
rate sponsor. Big business on Sanc- 
tion IV is, to put it mildly, predatory, 
Kovacs has to off several body- 
guards just in the precess of getting 
his sponsor interested. No big deal; 
they can all be resleeved, if their 
skills justify it. But it quickly be- 
comes clear that somebody is very 
interested in seeing that Kovacs 
and his partners don’t get to the 
Martian ship. 

But Kovacs has been hired to do 
a job, and he’s going to do it, even 
tirough he’s AWOL fiem the meree- 
nary company he’s imder contract 
to. It’s just as well that he and his 
crew are effectively immortal, be- 
cause there’s a lethal level of fall- 
out all around the archaeological 
site. On top of that, someone has 
seeded the nearby area with mili- 
taiy nanobots — a new kind that 
adapt to whatever defenses they’re 
exposed to, and keep coming until 
they win. In a sense, that absolute 
refusal to be stopped makes them 
an echo of Kovacs himself 

Gritty space opera, with some in- 


On Books 


137 


February 2005 

teresting twists on the theme of 
limited immortality. 

PRISONER OF THE 
IRON TOWER 
by Sarah Ash 
Bantam, $23.00 (he) 

ISBN: 0-553-3821 1-X 

This second book of Ash’s fantasy 
trilogy, “The Tears of Artamon,” is 
set in a society based on Russian 
history and folklore. 

In the opening book, Gavril, a 
young artist, discovered that he 
was hereditary ruler of Azhkendar. 
Following his apparent destiny, he 
repelled the invading forces of 
Prince Eugene of Tielen, saving his 
country. But the price of victory was 
allowing himself to be possess^ by 
the dragon-demon Drakhaoul, 
whose thirst for human blood made 
Gavril a tortured monster. By the 
end of the first book he had thrown 
off the dragon. 

As this second book begins. 
Prince Eugene sends a new invad- 
ing force to Azhkendar. Powerless 
to resist, Gavril is captured and 
sent to the Iron Tower, a prison for 
the criminally insane. Eugene be- 
lieves himself to be an enlightened 
prince, bringing the benefits of civi- 
lization to the entire Rossiyan peo- 
ple, whom he intends to unite im- 
der his power. To that end he has 
brought together the five pieces of a 
giant ruby taken from the eye of a 
sculptured dragon that guards the 
gate through which the Drakhaoul 
entered their world, the magical 
symbol of the nation’s unity. 

Left behind after Gavril’s capture 
are his faithful retainers, now en- 
slaved by the Tielen. Also stranded 
in the aftermath are the spirit- 
singer Kiukiu, who has fallen in 
love with (javril, and Gavril’s moth- 
er Elysia, a brilhant painter. Both 


quickly learn that in the absence of 
(iavril, their place in the kingdom is 
close to the bottom; and those who 
have displaced them are eager to 
keep things that way. Both realize 
that their only chance is to leave; 
Kiukiu to the Teilen capital, in 
search of Gavril, Elysia to her home 
in Smarna, a southern province. 

Meanwhile, Eugene’s rise to 
power has led him to take as bride 
Princess Astasia of the deposed 
Orlov dynasty, who finds herself 
unable to love her royal husband. 
Eugene essentially ignores her, in 
any case; his attention is focused 
on his attempts to unite the Rossi- 
yan empire, to deal with a rebellion 
in Smama, and to wrest the secret 
of Gavril’s power, which had left 
the prince seriously wounded in 
the fir^ assault on Askhendar. And 
to add one more complication, Eu- 
gene’s court necromancer has been 
undertaking dangerous experi- 
ments in an attempt to accumulate 
power of his own. 

The return of the demon-dragon 
Drakhaoul, as powerful and hun- 
gry as ever, sets off the new crisis, 
and frees (lavril from his prison. 
Fleeing southward, Gavril aids the 
Smarnan rebels, then decides to 
rid himself of the dragon forever. 
To do that, he must return the ni- 
bies — ^the tears of Artamon — ^to the 
eye of the carved dragon finm which 
they were stolen. Of course, that 
turns out to be both more complex 
and more dangerous than anyone 
expects. 

Ash places interesting charac- 
ters against a richly drawn back- 
ground, then runs them through 
an exhausting gamut of experi- 
ence, fi*om torture to exhilaration. 
The Russian flavor is in itself suffi- 
ciently exotic to set this one apart 
fi’om the inn of the mill fantasy. 


138 


Peter Heck 


Asimov's 


ONE KING, ONE SOLDIER 
by Alexander C. Irvine 
Del Rey, $13.95 (tp) 

ISBN: 0-345*46696-9 

Irvine pulls together baseball, a 
Grail quest, and the Beat poets in 
a fantasy that jumps between the 
late nineteenth century and the 
post- World War II era. 

Lance Porter is an American sol- 
dier wounded in the Korean War 
and shipped to San Francisco for 
mustering out. There, unexpected- 
ly, he finds himself at the cusp of 
the incipient Beat movement, in 
particular the poet Jack Spicer 
G925-65), whose use of Arthurian 
legend and SF imagery make him 
a natural for transplanting into 
Irvine’s fantasy world. Lance also 
learns that his glrlfnend EUie has 
imexpectedly come to Berkeley to 
meet him, although for reasons he 
can’t quite understand, he can’t 
bring himself to follow through and 
see her. 

But he does meet another woman, 
Gwen, who immediately takes him 
to bed — ^then, almost equally quick- 
ly, seems to ix)p him. An old fiiend 
who shows up ^ally tips Lance off 
to the strange destiny into which he 
has fallen: reenactment of the Grad 
legend in a new century. This brings 
into perspective two other stories 
that are developed in parallel with 
Lance’s: that of Arthur Rimbaud, 
the French symbolist poet who died 
obscurely in Africa in 1891, and 
George Gibson, a minor league 
baseball player (to judge by chronol- 
ogy, not the George “Moon” Gibson 
who played for the Pirates in the 
early 1900s). Both, as it turns out, 
were involved in the grail quest — 
and, as Irvine develops the story, 
both the poet and the baseball play- 
er became rivals for the possession 
of the sacred object. 


As with any retelling of the Grad 
story, Irvine faces the dilemma of 
mal^g something fresh out of the 
old McGuffin without betraying its 
essence. Luckily, there is no single 
canonical version; his predecessors 
run the gamut from Tennyson and 
Wagner to Samuel R. Delany (Nova), 
Bernard Malamud (The Natural), 
and Monty P3rthon. Even better, 
the game lies in the quest more 
than in the object, althou^ the Grad 
must remain worthy of the supreme 
effort its seekers expend, or else the 
story risks devolving into parody. 
Irvine plays many familiar quasi- 
historical cards, from the extirpa- 
tion of the Templars to the reloca- 
tion of the Ark to the hills of Ethi- 
opia. But despite the presence of 
the manic Beats emd other appar- 
ently light elements at the begin- 
ning of the stoiy, it aspires to a real 
seriousness of tone, as the horrors 
of European colonialism counter- 
point (Gibson’s journey across 
Africa in search of Rimbaud and 
the Grad. 

On the whole, a very powerful 
modern reworking of one of the 
central myths of fantasy. Especial- 
ly recommended for readers with 
an affinity for baseball, the Beats, 
or both. 

CROSSROADS: Tales of the 
Southern Literary Fantastic 
Edited by F. Brett Cox 
and Andy Duncan 
Tor, $24.95 (he) 

ISBN: 0-765-30813-4 

Here’s an idea that seems natur- 
al enough: an anthology of stories 
by some of the talented SF/Fantasy 
writers living in the South. After 
all, as the editors point out, a sig- 
nificant number of the seminal 
writers in our field have southern 
roots — ^including such eminent pre- 


On Books 


139 


February 2005 

decessors as Edgar Allan Poe, Joel 
Chandler Harris, and William 
Faulkner, as well as a pretty good 
cross section of current writers. It’s 
from the latter crop that this an- 
thology is drawn. 

The contributors include such 
regular award-collectors as John 
Kessel, Michael Swanwick, Glene 
Wolfe, Michael Bishop, and Dimcan 
himself along with Jack McDevitt, 
Scott Edelman, Ian McDowell, Bud 
Webster — ^twenty-seven in all. And 
the majority are undeniably south- 
ern, ei^er by current residence or 
by origin. (There appear to be a cou- 
ple of ringers, such as Swanwick, a 
prominent Philadelphian.) But the 
southern focus is more a question of 
subject matter than of the writers’ 
home town. 

Gene Wolfe’s “Houston, 1943” tells 
about a small boy whose night- 
mares recycle Peter Pan into the 
stuff of horror. Edelman shows an 
irony-impaired time traveler con- 
demned by advanced aliens to mon- 
itor the early life of Randy Newman 
to prevent him from straying into 
earnestness. McDevitt looks at the 
future of a small town after the 
abandonment of the space program 
in the wake of a plague. Bud Web- 
ster portrays a second death of 
Christ, this time as a derelict in a 
homeless shelter. Honoree Fanonne 
Jeffers and Kalamu Ya Salaam are 
among the African American writ- 
ers who give the book perspective 
by showing the South from the 
point of view of the oppressed. 
Salaam’s “Alabama,” with its re- 
minder that the days of lynching 
are after all not so far away, is chill- 
ing. 

While not all the stories reach 
the same level — ^it would be some- 
thing of a miracle if they did — ^tlie 
best here are solid testimonies to 


the strength of the southern story- 
telling tradition, and to the ability 
of SF and fantasy to adopt a re- 
gional dialect to the advantage of 
both. 

THE Km WHO NAMED 
PLUTO And the Stories of 
Other Extraordinary Young 
People in Science 
by Marc McCutcheon 
Illustrated by Jon Cannell 
Chronicle Books, $15.95 (he) 
ISBN; 0-8118-3770-X 

The subtitle pretty much sums 
up the major appeal of this YA sci- 
ence book: stories of yoimg people 
who made some contribution to sci- 
ence. 

The title essay, for example, con- 
cerns Venetia Burney, an eleven- 
year-old English girl who, in 1933, 
submitted a name for the newly 
discovered planet at the outer edge 
of the solar system. Inspired by a 
great uncle who had named Pho- 
bos and Deimos, the moons of 
Mars, she studied the names of 
other bodies of the solar system, 
and the mythological stories from 
which the names had been chosen, 
before proposing a name — Pluto — 
that not only fit into the existing 
structure, but subtly, in its first two 
letters, honored Percival Lowell, 
who had spent much of his career 
fruitlessly searching for the new 
planet. 

At first, some of the other choices 
seem a bit far-fetched; every inven- 
tor or scientist was once 3^ung, and 
a fair number of them were inspired 
in their careers by something that 
happened in their youth. But as it 
happens, a number of people actu- 
ally did make some key break- 
through at an early age. 

Emily Rosa is probably not a 
household name, but at age nine. 


140 


Peter Heck 


Asimov's 


she devised a simple experiment by 
which she debunked several practi- 
tioners of “therapeutic touch.” 
Brought up by skeptical parents, 
she applied their principles to a 
test in which the practitioners 
were required to sense which hand 
she held out; their success rate was 
well below expectation. Her results 
were published in the Journal of 
the American Medical Association — 
an accomplishment many seasoned 
researchers might envy. 

Philo Farnsworth, who went on 
to acquire 165 patents, was only 
eighteen when he jotted down an 
electrical diagram. It was the key 
innovation that eventually led to 
the development of television: a 
method for breaking a visual image 
into individual pixels that could be 
transmitted one at a time. While 
Farnsworth met with only mixed 
success in the world of commercial 
electronic engineering, he was 
eventually recognized as the “in- 
ventor of television.” 

Another inventor to whom sci- 
ence fiction readers will easily re- 
late is Robert Goddard, the father 
of American rocket science. Again, 
while Goddard’s real work was 
done as an adult (his most famous 


article was pubhshed when he was 
thirty-eight), he achieved a key vi- 
sion at age seventeen while climb- 
ing a backyard cherry tree. By that 
date, he had already made several 
abortive attempts at flying devices 
(this was in 1899, pre-Wright 
Brothers), but that day, he hit upon 
the notion of a machine that could 
fly to Mars, the idea that was to 
drive him for the rest of his career. 

Then there’s Isaac Asimov, who 
surely needs no introduction to 
readers of this magazine. A book- 
worm in his youth, he became one 
of the most prolific and successful 
of writers, in fiction and non-fiction 
alike. Again, the book focuses more 
on his youthful inspiration than on 
his mature achievement (which, to 
pick a nit, has more to do with 
making science accessible than 
with advancing it directly). But 
that’s the point here — ^to suggest to 
young readers that following their 
dreams, with sufficient application 
and ingenuity, can bring results 
that nobody can dismiss as kid 
stuff This one might be a good gift 
for any young person with a bud- 
ding interest in a scientific field, 
whether it be dinosaurs, cryptol- 
ogy, or rocket science. O 


Moving? 


Please send both your old and new address (and include both zip codes) 
to our subscription department. 

Write to us at Asimov’s Sdence Fiction, Dept NS, 6 Prowitt St, Norwalk, CT 
06855- 1 220. Or on our websiie.www.asiinovs.com 


On Books 


141 



SF CONVENTIONAL COLENDOH 


W ith the holidays winding down, it’s time to think about getting out for cxxis. Plan now for social week- 
ends with your favorite SF authors, editors, artists, and fellow fans. For an explanation of con{vention)s, 
a sample of SF folksongs, info on fanzines aixf dubs, and how to get a later, longer list of cons, serxf 
me an SASE (self-addressed, stamped #10 [business] envelope) at 10 Hill #22-1, Newark NJ 07102. 
The hot line is (973) 242-5999. If a machine answers (with a list of the week’s cons), leave a message and 
I’ll call back on my nickel. When writing cons, send an SASE. For free listings, tell me of your con 6 rrxxiths 
out Ljook for me at cons behind the Filthy Pierre badge, playing a musical keyboard.— Erwin S. Strauss 


JANUARY 2005 


7-9— GARIk. For info, write: Box 702, Alpharetta GA 30009. Or phone: (973) 242-5999 (10 am to 10 pm, not collect). 
(Web) gafitk.org. (E-mdl) registration@gafilk.org. Con wiN be held in: Atlanta GA (if city omitted, same as in address) 
at the Holiday Inn Airport North. Quests wNI indude: Sloan, Wachowiak, Savitsky. SF/fantasy folksinging. 

14-16— Afisia, Bldg. 600, #322, 1 Kendall Sq., Cambridge MA 02139. ari8ia.org. Park Plaza, Boston MA. B. Hambly. 
14-16— RuatyCon, Box 27075, Seattle WA 98165. rustycon.coni. SeaTac Fladisson. R. Steve Adams, IKV Tmar. 
14-16— ChattaCon, Box 23908, Chattanooga TN 37422. (770) 578^1. Chattanooga TN. Larry Niven, Chris Bunch. 
21-23— ConFuslon, Box 8284, Ann Arbor Ml 48107. stHyagLorg. Troy Ml. E. Bull, W. Shetteriy, D. Grime, C. Ready. 
28-30— VMCon, HRSFA 4 Univ. Hall, Cambridge MA 02138. vericon.org. Harvard U. SF, fantasy, gaming, anime. 


FEBRUARY 2005 


4-6— UK Fllk Con, do Weingart, 263 Sprucewood Dr., Levittown NY 11756. contablle,org.uk. In England. Music. 
4-6— AltCon, Box 177194, Irving TX 75019. all-con.org. Sterling Hotel, Dallas TX. Barry Diamond, Adam Hughes. 
11-13— CapriCon, Box 60085, Chicago IL 60660. capricon.org. Sheraton, Arlington Heights IL. J. Hogan, S. Garrity. 
11-13— FarPobit, 11708 Troy Ct, Waldorf MD 20601. farpointcom. Marriott, Hunt Valley (Baltimore) MD. Media SF. 
18-20— Boskone, Box 809, Framingham MA 01701. (617) 776-3243 (fax), boskone.org. Sheraton, Boston MA. Card. 
18-20— VieionCon, Box 1415, Springfield MO 65801. (417) 886-7219. Clarion. Bedell, Capps, Gorham, Strain, Turner. 
18-20— GaHIFrey, Box 3021, N. HoltywoodCA 91609. gatlifreyone.com. Los Angeles CA Venue, guests TBA. Dr. Who. 

24- 27— Left Coast Crime, 2626 N. Mesa #261, El Paso TX 79902. Ieftcoastcrime2005.com. Paco I. Taibo. Mysteries. 

25- 27— Redemption, 26 King's Meadow View, Weatherby LS22 7FX, UK. convention8.org.uk/redemption. Bab 5. 


MARCH 2005 


4-6— Potlatch, c/o Box 5328, Berkeley CA 94704. Potlatch-8t.org. Ramada Plaza, San Francisco CA Written SF. 
11-13— PortmeiriCon, 6 of 1, Box 66, Ipswich IP2 9PZ, UK. portmelricon.com. Portmeirion UK. “Prisoner" TV show. 
18-20— LunaCon, 847A Ave. #234, New York, NY 10017. hinacon.org. Sheraton, Meadowlands NJ. 


18-20— TechnICon, Box 256, Blacksburg VA 24063. technicon.org. No more information available at press time. 
25-28— UK Naf I. Con, c/o J. Dowd, 4 Burnside Ave., Sheffield S8 9FR, UK. paragon2.org.uk. Hinddey England. 
25-28— NZ Naf I. Con, Box 13-574, Johnsonville, Wellington, New Zealand, icon.8f.org.nz. O.S. Card, B. Geradts. 



30-Sep. 3— Nlppon2007, Box 314, Annapolis Jet MD 20701. nippon2007.org. Yokohama Japan. WbridCon. $160+ 














Asimov's February '05 


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AUDIO/VIDEO 

Audiobooks, Niven, LeGuin, Willis, Baxter, 
Egan, Sterling, Reed, Etc. 
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JESUS PROJECT. First (audio) tape free: P.O. 
Box 121, El Dorado, OK 73537 

Nova Audio. Scifi Short stories by Robert Sil- 
verberg, Sarah Hoyt, Cecilia Tan, & more. 
http://www.nova-audio.com/ 


BOOKS/PUBUCATIONS 

Ancient Designs. A novel by Richard Hage. 
A galaxy in distress. Archeologist-engineers 
with a mission. At Amazon.com. ISBN # 
0-595-31151-2. 


BUYING SCIENCE FICTION magazines, book 
collections. Will travel for large accumulations. 
Bowman, Box 167, Carmel, IN 46082. 

CHRISTIAN SF MAGAZINE via web or CD. 

http://www.gateway-sf-magazine.com 

In the eons-long warfare between bacteria 
and mankind, what would the world 
be like if bacteria won? The Shadow of 
Armageddon by Jim LeMay. 
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PUBUSH YOUR BOOK ONLINE, Third Millen- 
nium Publishing, a cooperative of online writ- 
ers and resources, http://3mpub.com 

Scuxxworms by Ella Mack. New, original, 
hard Sci-Fi. Intelligent, funny. 
http://3mpub.com/emack/ 

The Combat Poets of Maya, a novel by 
Bill Johnson in the vein of Hitchhikers Guide to 
the Galaxy. Info, www.combatpoetsofmaya, 
www.storyispromise.com 

The universe has a great secret. Read Life 
Everlasting. Visit henryblanchard.com 

Writers Wanted. 21st Century Pulp Fiction. 
wvvw.digitalpulp.org 


CAMES 

Chat Gaming! Code of Unaris - A chat role- 
playing rulebook and setting guide. A fun, 
text-based fantasy game you can play through 
chat. Available for $15.95 from Goldleaf 
Games at www.goldleafgames.com. 
ISBN 0-9748757-0-8 


INSTRUCTION 

Book Editing - Sci Fi & Fantasy 

Book-Editing.com SciFiEditor.com 


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NEXI ISSUE 


FEBRUARY 

ISSUE 


ALSO 

IN 

FEBRUARY 


EXCITING 

FEATURES 


Nebula Award-winner Esther M. Friesner, one of the best-known 
writers of funny fantasy in the business, returns in a decidedly not 
funny, more somber mood next issue to give us our lead story for 
March, taking us through the deceptively pastoral rolling hills and 
fields of the nineteenth century English countryside for a strange and 
momentous encounter in a rural manor-house that will determine just 
who — or w/iaf— is “The Fraud.” 

Nebula, Hugo, and World Fantasy Award-winner Gene Wolfe invites 
you to stoop and pick up “The Card” — one that could change your life 
forever; popular and prolific writer Mary Rosenblum whisks us aloft 
for a surprising— and suspenseful — look at life in orbit, in “Green 
Shift”; new writer Lori Selke, making her Asimov’s debut, invites us 
along for an unscheduled tour of “The Dodo Factory”; R. Neube vis- 
its an impoverished backwoods future America where the spirit of 
entrepreneurship is still alive, in a grisly sort of way, in “Organs R 
Us”; new writer David D. Levine, making his Asimov's debut, takes 
us to a distant alien planet where a hapless human salesman must 
learn to overcome entirely new categories of sales resistance, in 
“Tk’tk’tk” (no, my fingers didn’t slip on the keys; that’s the title!): Bud 
Sparhawk, a regular at our sister magazine. Analog, visits these 
pages to spin a hard-hitting and remorseless story of total war with 
an implacable alien enemy and the kind of thing humans have to do 
to survive it, in “Bright Red Star”; Steven Utley, whose “Silurian 
Tales” have been among the most acclaimed stories in the genre for 
more than a decade now, gives us a ringside seat for “The Wave- 
Function Collapse”; and new writer Matthew Hugbes returns with a 
sly look at a Great Man having an encounter that is probably not 
going to make the history books, in “The Devil You Don’t.” 

Robert Sllverberg’s “Reflections” column muses about being “A Pair 
of Ragged Jaws”; and Paul Di Filippo brings us “On Books”; plus an 
array of cartoons, poems, and other features. Look for our March 
2005 issue on sale on your newsstand on February 1, 2004. Or sub- 
scribe today and be sure to miss none of the fantastic stuff we have 
coming up for you next year (you can also subscribe to Asimov’s 
online, in varying formats, including in downloadable form for your 
PDA, by going to our website, www.asimovs.com). 





The STAR TREK^saga continues. 

Nothing comes between 
a crew and their mission. 


The crew of 
Starship Enterprise"' 
is reunited. But are 
they undivided? 

As Captain James T. Kirk, Spock, 
and McCoy help refugee colonists 
from a destroyed planet, a dark 
secret from Kirk’s past threatens 
their ultimate survival. 




^wf.^mofBays.com/st 

... . .. 

w«W;$tarti@l<.com ESESS avm^mcomI^ 


Dell MAGAZINES 


SCIENCE FICTION CRUISE 


From the Publishers of Analog and Asimov's Science Fiction Magazines 

May 21-28, 2005, on the Carnival Clary 


Enjoy the pleasures of a Caribbean cruise with your 
favorite authors, while visiting beautiful ports of call 
in Key >Afest, Belize, Cozumel, and the Yucatan. 


Call Toll-Free 1-800-446-8961 
or visit our website at www.scienceficti6ncruise.com 


The first 50 people to sign up will have dinner one evening 

WITH THE AUTHOR OR EDITOR OF THEIR CHOICE. 

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♦ Gardner Dozois ♦ Rebecca Moesta ♦ Stanley Schmidt ♦ Connie Wiuis 



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Connie Willis on Comedy 

Play the Mafia Party Game 
with James Patrick Kelly 


FOR MORE INFORMATION, 

VISIT US ONLINE AT WWW.SCIENCEFICIIONCRUISE.COM 

Special guests are subject to change without notice